Line 46:
Line 46:
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|Singing
|Singing
−
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+
|Geet - Singing
−
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+
|History
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|2
|2
Line 55:
Line 55:
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|Playing on various musical instruments
|Playing on various musical instruments
−
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+
|Vadya – Playing musical instruments
−
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+
|Poetry
|-
|-
|3
|3
Line 64:
Line 64:
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|Dancing
|Dancing
−
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+
|Nrtya - Dancing
−
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+
|Calligraphy
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|-
|4
|4
Line 73:
Line 73:
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|Acting, gesticulation, mimicry
|Acting, gesticulation, mimicry
−
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+
|Visheshakchhadya - Forhead decoration with paper, leaves etc.
−
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+
|Metrical compositions
|-
|-
|5
|5
Line 82:
Line 82:
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|Drawing, Painting, Calligraphy
|Drawing, Painting, Calligraphy
−
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+
|Tandul-kusumabalivikar - use of colored rice grains and flower for worship.
−
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+
|Dancing
|-
|-
|6
|6
Line 91:
Line 91:
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|Painting figures of various designs on the various parts of the body with musk paste and other fragrant substances.
|Painting figures of various designs on the various parts of the body with musk paste and other fragrant substances.
−
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+
|PushpastaraN - Floral carpets
−
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+
|Evaluating precious stones
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|-
|7
|7
Line 100:
Line 100:
|
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|Preparing for use in worship various designs with grains of rice, flowers, etc
|Preparing for use in worship various designs with grains of rice, flowers, etc
−
|
+
|Dashnavsanangrag - Decaration of nails and body
−
|
+
|Wrestling
|-
|-
|8
|8
Line 108:
Line 108:
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|
−
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+
|Preparing a bed of flowers
−
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+
|Manibhumika karma - Floor decoration with pearls or precious stones.
−
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+
|Cooking
|-
|-
|9
|9
Line 117:
Line 117:
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|
−
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+
|Colouring the teeth and other limbs and articles of wearing apparel
−
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+
|Shayanrachana – Bed arrangement.
−
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+
|Magic
|-
|-
|10
|10
Line 126:
Line 126:
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|
−
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+
|Paving a floor with Precious stones
−
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+
|Udakvadya - Jalataranga-Series of water pots for creating music.
−
|
+
|Shoe-making
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|-
|11
|11
Line 135:
Line 135:
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−
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+
|Preparing a bed
−
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+
|Udakaghat - Sprinkling with water cannons.
−
|
+
|Thieving
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|-
|12
|12
Line 144:
Line 144:
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|
−
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+
|Using a pot full of water as a musical instrument and treading on water
−
|
+
|Chitrashycha yoga – Herbal preparations for weakening of enemy
−
|
+
|Iron smithery
|-
|-
|13
|13
Line 153:
Line 153:
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|
|
−
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+
|Showing miracles of various kinds
−
|
+
|Malyagranthanvikalpa - Preparation of floral garlands and hair bands
−
|
+
|Painting
|-
|-
|14
|14
Line 162:
Line 162:
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|
|
−
|
+
|Preparing chaplets and wreathe of flowers
−
|
+
|Shekarkapidyojan – Ladies hair styling.
−
|
+
|Gardening
|-
|-
|15
|15
Line 171:
Line 171:
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|
|
−
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+
|making ornaments of flowers for ears, braid
−
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+
|Nepathyaprayog - Body make-up with cloth, ornaments and flowers.
−
|
+
|Carpentry
|-
|-
|16
|16
Line 180:
Line 180:
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|
|
−
|
+
|Modes of beautifying the body with clothes and ornaments of various kinds
−
|
+
|KarNapatrabhanga - Ear ornaments preparation.
−
|
+
|Hair-dressing
|-
|-
|17
|17
Line 189:
Line 189:
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|
|
|
−
|
+
|Painting ornamental figures on ears
−
|
+
|Gandhayukti - Making scented dhupa.
−
|
+
|Hunting
|-
|-
|18
|18
Line 198:
Line 198:
|
|
|
|
−
|
+
|Making perfumes and cosmetics of various kinds
−
|
+
|BhushaNyojan - Ornamental make-up
−
|
+
|Trading
|-
|-
|19
|19
Line 207:
Line 207:
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|
|
−
|
+
|Making ornaments of various designs
−
|
+
|Endrajal – Magic / mesmerism.
−
|
+
|Agriculture
|-
|-
|20
|20
Line 216:
Line 216:
|
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|
|
−
|
+
|Jugglery
−
|
+
|Kauchumaryog - Preparation of sex tonics.
−
|
+
+
Sixty-four arts of ancient India Page 8
+
|Animal husbandry
|-
|-
|21
|21
Line 225:
Line 227:
|
|
|
|
−
|
+
|Appearing in various guises of one's choice
−
|
+
|Hastlaghav- Hand magic.
−
|
+
|making medicines,
|-
|-
|22
|22
Line 234:
Line 236:
|
|
|
|
−
|
+
|Sleight of hand
−
|
+
|Vichitrashakayushbhakshyavikar kriya- Culinary preparations- sweets etc.
−
|
+
|leather work,
|-
|-
|23
|23
Line 243:
Line 245:
|
|
|
|
−
|
+
|Culinary art
−
|
+
|Panakrasa Ragasav yojan- Making sharbat or syrups.
−
|
+
|driving,
|-
|-
|24
|24
Line 252:
Line 254:
|
|
|
|
−
|
+
|Making drinks of various tastes and colours and spirituous liquors of various kinds
−
|
+
|Suchivan Karm –Needle work-Embroidery
−
|
+
|fishing,
|-
|-
|25
|25
Line 261:
Line 263:
|
|
|
|
−
|
+
|Weaving and needle-work of various kinds
−
|
+
|Sutra krida –Hand puppets show
−
|
+
|speech-making
+
|-
|-
|26
|26
Line 270:
Line 273:
|
|
|
|
−
|
+
|Working puppets by strings
−
|
+
|Veenadamruvadya-Playing musical instruments like veena or damru
−
|
+
|singing
|-
|-
|27
|27
Line 279:
Line 282:
|
|
|
|
−
|
+
|Making musical instruments of various kinds
−
|
+
|Pahelika - Solving riddles.
−
|
+
|playing musical instruments
+
|-
|-
|28
|28
Line 288:
Line 292:
|
|
|
|
−
|
+
|Solving riddles
−
|
+
|Pratimala- An interesting style of reading text or poem.
−
|
+
|preparing manuscripts
|-
|-
|29
|29
Line 297:
Line 301:
|
|
|
|
−
|
+
|Capping verses
−
|
+
|Durvachakyog - Reciting text which is difficult to pronounce and understand.
−
|
+
|garland-making,
|-
|-
|30
|30
Line 306:
Line 310:
|
|
|
|
−
|
+
|Skill in uttering tongue twisters
−
|
+
|Pustak Vachan –Book reading
−
|
+
|dyeing
|-
|-
|31
|31
Line 315:
Line 319:
|
|
|
|
−
|
+
|The art of reading manuscripts easily and quickly
−
|
+
|Natakakhyalika darshan -Dramatics
−
|
+
|body-care
|-
|-
|32
|32
Line 324:
Line 328:
|
|
|
|
−
|
+
|Dramaturgy and story writing
−
|
+
|Kavya Samasyapurti – Solving riddles.
−
|
+
|use of weapons
|-
|-
|33
|33
Line 333:
Line 337:
|
|
|
|
−
|
+
|Completion of incomplete verses or part verses
−
|
+
|Pattikavetrayanvikalpa - Furniture making.
−
|
+
|making moulds
|-
|-
|34
|34
Line 342:
Line 346:
|
|
|
|
−
|
+
|Making ligatures, canes, arrows
−
|
+
|Takshyakarm –Cutting wood to proper size and shape.
−
|
+
|performing pUjll (daily worship)
|-
|-
|35
|35
Line 351:
Line 355:
|
|
|
|
−
|
+
|Spindle work
−
|
+
|TakshyaN - Carpentry.
−
|
+
|inlay work
|-
|-
|36
|36
Line 360:
Line 364:
|
|
|
|
−
|
+
|Carpentry
−
|
+
|Vastuvidya - Civil engineering / architecture.
−
|
+
|arranging
+
+
flowers
|-
|-
|37
|37
Line 369:
Line 375:
|
|
|
|
−
|
+
|Architecture
−
|
+
|Roopyaratna Pariksha - Valuations of gems and coins.
−
|
+
|preparing scents
|-
|-
|38
|38
Line 378:
Line 384:
|
|
|
|
−
|
+
|Testing valuable metals and precious stones
−
|
+
|Dhatuwad- Mixing of metals like brass.
−
|
+
|bangle-making
|-
|-
|39
|39
Line 387:
Line 393:
|
|
|
|
−
|
+
|Alchemy
−
|
+
|Maniragakar Dyana- Idientification of pearls and gems.
−
|
+
|stitching
|-
|-
|40
|40
Line 396:
Line 402:
|
|
|
|
−
|
+
|Colouring precious stones
−
|
+
|Vrukshaurveda- knowledge of Botany.
−
|
+
|making ornaments
|-
|-
|41
|41
Line 405:
Line 411:
|
|
|
|
−
|
+
|Knowledge of latent minerals
−
|
+
|Meshkukkutlavakyuddhavidhi – Knowledge of bird/ animal fighting for gambling.
−
|
+
|making sweets
|-
|-
|42
|42
Line 414:
Line 420:
|
|
|
|
−
|
+
|Nursing and treating plants
−
|
+
|Shukasarika Pralapan - training of bird to speak.
−
|
+
|home-planning
|-
|-
|43
|43
Line 423:
Line 429:
|
|
|
|
−
|
+
|Setting game rams, cocks, quails to fight as sport
−
|
+
|Utsadan-Samvahan-Keshmardankaushal- Body massage and hair care.
−
|
+
|training animals
|-
|-
|44
|44
Line 432:
Line 438:
|
|
|
|
−
|
+
|teaching parrots and other birds to imitate human speech
−
|
+
|Akshyarmushti kathan-Secret word codes for communication or Mushti sanket - Secret communication through fingers (used by traders in auctions).
−
|
+
|training birds
|-
|-
|45
|45
Line 441:
Line 447:
|
|
|
|
−
|
+
|Making an enemy quit his place by means of a charm
−
|
+
|Mlenchhit Vikalpa- Secret communication through gestures.
−
|
+
|coding
+
|-
|-
|46
|46
Line 450:
Line 457:
|
|
|
|
−
|
+
|Cleaning and dressing the hair
−
|
+
|Deshbhasha vidyan –Knowledge of foreign languages.
−
|
+
|making instruments/machines
|-
|-
|47
|47
Line 459:
Line 466:
|
|
|
|
−
|
+
|Reading letters removed from one's sight and divining the nature of substances held within one's palm
−
|
+
|Pushpashakatika- Decoration of vehicles with flowers.
−
|
+
|training memory
|-
|-
|48
|48
Line 468:
Line 475:
|
|
|
|
−
|
+
|Knowledge of books written in the language of Barbarians
−
|
+
|Nimittadyana – Knowledge of auspicious date and time for a particular work.
−
|
+
|physical exercise
|-
|-
|49
|49
Line 477:
Line 484:
|
|
|
|
−
|
+
|Fluently talking in the different Indian dialects
−
|
+
|Yantramatruka- Knowledge of instruments or machines
−
|
+
|yogic
+
+
practices
|-
|-
|50
|50
Line 486:
Line 495:
|
|
|
|
−
|
+
|Reading good or bad omens
−
|
+
|DharaNmatruka- Remembering heard sentences.
|
|
|-
|-
Line 495:
Line 504:
|
|
|
|
−
|
+
|Making diagrams by means of letters arranged in different orders as mystical formulae to be worshipped or worn as an amulet
−
|
+
|Sampathya-
|
|
|-
|-
Line 504:
Line 513:
|
|
|
|
−
|
+
|Splitting hard substances such as diamonds into two or more pieces of different shapes
−
|
+
|Manasi Kavya Kriya – To complete incomplete poem or its part.
|
|
|-
|-
Line 513:
Line 522:
|
|
|
|
−
|
+
|Reading the thoughts of others and bringing them out in a verse
−
|
+
|Abhidhankosha-
|
|
|-
|-
Line 522:
Line 531:
|
|
|
|
−
|
+
|Lexicography
−
|
+
|Chandodyan
|
|
|-
|-
Line 531:
Line 540:
|
|
|
|
−
|
+
|Knowledge of prosody
−
|
+
|Kriyakalpa –Poetry forms
|
|
|-
|-
Line 540:
Line 549:
|
|
|
|
−
|
+
|Increasing the number of an object by various devices
−
|
+
|Chalitak Yog –Conceal body or speech.
|
|
|-
|-
Line 549:
Line 558:
|
|
|
|
−
|
+
|Playing tricks
−
|
+
|Vastragopan – covering parts of body with cloth.
|
|
|-
|-
Line 558:
Line 567:
|
|
|
|
−
|
+
|Showing off one's clothes as made of a superior texture than what they actually are
−
|
+
|Dhyutavishesh-
|
|
|-
|-
Line 567:
Line 576:
|
|
|
|
−
|
+
|Playing at dice
−
|
+
|Aakarsh kriya - Playing with dices.
|
|
|-
|-
Line 576:
Line 585:
|
|
|
|
−
|
+
|Attracting remote objects
−
|
+
|Balakridanak
|
|
|-
|-
Line 585:
Line 594:
|
|
|
|
−
|
+
|Playing childrens' games
−
|
+
|Vainayiki dyna – Behavior with known and unknown persons.
|
|
|-
|-
Line 594:
Line 603:
|
|
|
|
−
|
+
|The Practice of charms
−
|
+
|Vaijayiki Dynan –Knowledge of victory.
|
|
|-
|-
Line 603:
Line 612:
|
|
|
|
−
|
+
|Fore knowledge of the party going to win in a debate
−
|
+
|Vyayam –Physical exercise.
|
|
|-
|-
Line 612:
Line 621:
|
|
|
|
−
|
+
|Keeping goblins and vampires under one's control
|
|
|
|
|}
|}