Line 23: |
Line 23: |
| == Which are the 64 Kalas ? == | | == Which are the 64 Kalas ? == |
| As mentioned above, there are slight variations regarding the enumeration of the 64 कलाः ॥ Kalas (arts). The mention of these arts occur in: | | As mentioned above, there are slight variations regarding the enumeration of the 64 कलाः ॥ Kalas (arts). The mention of these arts occur in: |
− | * शैवतन्त्राणि ॥ Shaivatantras | + | * शैवतन्त्रम् ॥ Shaivatantra |
| * महाभारतम् ॥ Mahabharata by व्यासमहर्षिः ॥ Vyasa Maharshi | | * महाभारतम् ॥ Mahabharata by व्यासमहर्षिः ॥ Vyasa Maharshi |
| * कामसूत्रम् ॥ Kamasutra by वात्स्यायनः ॥ Vatsyayana | | * कामसूत्रम् ॥ Kamasutra by वात्स्यायनः ॥ Vatsyayana |
Line 30: |
Line 30: |
| * शुक्रनीतिः ॥ Shukraneeti by शुक्राचार्यः ॥ Shukracharya | | * शुक्रनीतिः ॥ Shukraneeti by शुक्राचार्यः ॥ Shukracharya |
| * शिवतत्त्वरत्नाकरः ॥ Shivatattvaratnakara by बसवराजेन्द्रः ॥ Basavarajendra | | * शिवतत्त्वरत्नाकरः ॥ Shivatattvaratnakara by बसवराजेन्द्रः ॥ Basavarajendra |
− | The list of the 64 Kalas in these texts have been juxtaposed in the following table: | + | The list of the 64 Kalas in some these texts have been juxtaposed in the following table: |
| {| class="wikitable" | | {| class="wikitable" |
| !Text | | !Text |
− | !महाभारतम् | + | !शैवतन्त्रम्<ref>[https://sa.wikisource.org/wiki/%E0%A4%B5%E0%A4%BE%E0%A4%9A%E0%A4%B8%E0%A5%8D%E0%A4%AA%E0%A4%A4%E0%A5%8D%E0%A4%AF%E0%A4%AE%E0%A5%8D/%E0%A4%95%E0%A4%B2%E0%A4%AD Vachaspatyam]</ref> |
− | !कामसूत्रम्
| |
− | !नात्यशास्त्रम्
| |
− | !भागवतपुराणम्
| |
− | !शैवतन्त्राणि
| |
| !शुक्रनीतिः | | !शुक्रनीतिः |
| !शिवतत्वरत्नाकरः | | !शिवतत्वरत्नाकरः |
| |- | | |- |
| |1 | | |1 |
− | | | + | |गीतम् ॥ Singing |
− | |
| |
− | |
| |
− | |
| |
− | |Singing
| |
| |Geet - Singing | | |Geet - Singing |
| |History | | |History |
| |- | | |- |
| |2 | | |2 |
− | | | + | |वाद्यम् ॥Playing on various musical instruments |
− | |
| |
− | |
| |
− | |
| |
− | |Playing on various musical instruments
| |
| |Vadya – Playing musical instruments | | |Vadya – Playing musical instruments |
| |Poetry | | |Poetry |
| |- | | |- |
| |3 | | |3 |
− | | | + | |नृत्यम् ॥ Dancing |
− | |
| |
− | |
| |
− | |
| |
− | |Dancing
| |
| |Nrtya - Dancing | | |Nrtya - Dancing |
| |Calligraphy | | |Calligraphy |
| |- | | |- |
| |4 | | |4 |
− | | | + | |नाट्यम् ॥ Acting, gesticulation, mimicry |
− | |
| |
− | |
| |
− | |
| |
− | |Acting, gesticulation, mimicry
| |
| |Visheshakchhadya - Forhead decoration with paper, leaves etc. | | |Visheshakchhadya - Forhead decoration with paper, leaves etc. |
| |Metrical compositions | | |Metrical compositions |
| |- | | |- |
| |5 | | |5 |
− | | | + | |आलेख्यम् ॥ Drawing, Painting, Calligraphy |
− | |
| |
− | |
| |
− | |
| |
− | |Drawing, Painting, Calligraphy
| |
| |Tandul-kusumabalivikar - use of colored rice grains and flower for worship. | | |Tandul-kusumabalivikar - use of colored rice grains and flower for worship. |
| |Dancing | | |Dancing |
| |- | | |- |
| |6 | | |6 |
− | | | + | |विशोषकच्छेद्यम् ॥ Painting figures of various designs on the various parts of the body with musk paste and other fragrant substances. |
− | |
| |
− | |
| |
− | |
| |
− | |Painting figures of various designs on the various parts of the body with musk paste and other fragrant substances.
| |
| |PushpastaraN - Floral carpets | | |PushpastaraN - Floral carpets |
| |Evaluating precious stones | | |Evaluating precious stones |
| |- | | |- |
| |7 | | |7 |
− | | | + | |तण्डुलकुसुमयलिविकाराः ॥ Preparing for use in worship various designs with grains of rice, flowers, etc |
− | |
| |
− | |
| |
− | |
| |
− | |Preparing for use in worship various designs with grains of rice, flowers, etc
| |
| |Dashnavsanangrag - Decaration of nails and body | | |Dashnavsanangrag - Decaration of nails and body |
| |Wrestling | | |Wrestling |
| |- | | |- |
| |8 | | |8 |
− | | | + | |पुष्पास्तरणम् ॥ Preparing a bed of flowers |
− | |
| |
− | |
| |
− | |
| |
− | |Preparing a bed of flowers
| |
| |Manibhumika karma - Floor decoration with pearls or precious stones. | | |Manibhumika karma - Floor decoration with pearls or precious stones. |
| |Cooking | | |Cooking |
| |- | | |- |
| |9 | | |9 |
− | | | + | |दशनवसनाङ्गरागाः ॥ Colouring the teeth and other limbs and articles of wearing apparel |
− | |
| |
− | |
| |
− | |
| |
− | |Colouring the teeth and other limbs and articles of wearing apparel
| |
| |Shayanrachana – Bed arrangement. | | |Shayanrachana – Bed arrangement. |
| |Magic | | |Magic |
| |- | | |- |
| |10 | | |10 |
− | | | + | |मणिभूमिकाकर्म ॥ Paving a floor with Precious stones |
− | |
| |
− | |
| |
− | |
| |
− | |Paving a floor with Precious stones
| |
| |Udakvadya - Jalataranga-Series of water pots for creating music. | | |Udakvadya - Jalataranga-Series of water pots for creating music. |
| |Shoe-making | | |Shoe-making |
| |- | | |- |
| |11 | | |11 |
− | | | + | |शयनरचनम् ॥ Preparing a bed |
− | |
| |
− | |
| |
− | |
| |
− | |Preparing a bed
| |
| |Udakaghat - Sprinkling with water cannons. | | |Udakaghat - Sprinkling with water cannons. |
| |Thieving | | |Thieving |
| |- | | |- |
| |12 | | |12 |
− | | | + | |उदकवाद्यम् ॥ Using a pot full of water as a musical instrument and treading on water |
− | |
| |
− | |
| |
− | |
| |
− | |Using a pot full of water as a musical instrument and treading on water
| |
| |Chitrashycha yoga – Herbal preparations for weakening of enemy | | |Chitrashycha yoga – Herbal preparations for weakening of enemy |
| |Iron smithery | | |Iron smithery |
| |- | | |- |
| |13 | | |13 |
− | | | + | |उदकघातः ॥ Sprinkling with water cannons. |
− | |
| |
− | |
| |
− | |
| |
− | |Showing miracles of various kinds
| |
| |Malyagranthanvikalpa - Preparation of floral garlands and hair bands | | |Malyagranthanvikalpa - Preparation of floral garlands and hair bands |
| |Painting | | |Painting |
| |- | | |- |
| |14 | | |14 |
− | | | + | |चित्रायोगाः ॥ Herbal preparations for weakening of enemy |
− | |
| |
− | |
| |
− | |
| |
− | |Preparing chaplets and wreathe of flowers
| |
| |Shekarkapidyojan – Ladies hair styling. | | |Shekarkapidyojan – Ladies hair styling. |
| |Gardening | | |Gardening |
| |- | | |- |
| |15 | | |15 |
− | | | + | |माल्यग्रथनविकल्पाः ॥ making ornaments of flowers for ears, braid |
− | |
| |
− | |
| |
− | |
| |
− | |making ornaments of flowers for ears, braid
| |
| |Nepathyaprayog - Body make-up with cloth, ornaments and flowers. | | |Nepathyaprayog - Body make-up with cloth, ornaments and flowers. |
| |Carpentry | | |Carpentry |
| |- | | |- |
| |16 | | |16 |
− | | | + | |केशशेखरापीडयोजनम् ॥ Ladies hair styling. |
− | |
| |
− | |
| |
− | |
| |
− | |Modes of beautifying the body with clothes and ornaments of various kinds
| |
| |KarNapatrabhanga - Ear ornaments preparation. | | |KarNapatrabhanga - Ear ornaments preparation. |
| |Hair-dressing | | |Hair-dressing |
| |- | | |- |
| |17 | | |17 |
− | | | + | |नेपथ्ययोगाः ॥ Body make-up with cloth, ornaments and flowers. |
− | |
| |
− | |
| |
− | |
| |
− | |Painting ornamental figures on ears
| |
| |Gandhayukti - Making scented dhupa. | | |Gandhayukti - Making scented dhupa. |
| |Hunting | | |Hunting |
| |- | | |- |
| |18 | | |18 |
− | | | + | |कर्णपत्रभङ्गाः ॥ Ear ornaments preparation. |
− | |
| |
− | |
| |
− | |
| |
− | |Making perfumes and cosmetics of various kinds
| |
| |BhushaNyojan - Ornamental make-up | | |BhushaNyojan - Ornamental make-up |
| |Trading | | |Trading |
| |- | | |- |
| |19 | | |19 |
− | | | + | |गन्धयुक्तिः ॥ Making perfumes and cosmetics of various kinds |
− | |
| |
− | |
| |
− | |
| |
− | |Making ornaments of various designs
| |
| |Endrajal – Magic / mesmerism. | | |Endrajal – Magic / mesmerism. |
| |Agriculture | | |Agriculture |
| |- | | |- |
| |20 | | |20 |
− | | | + | |भूषणयोजनम् ॥ Making ornaments of various designs |
− | |
| |
− | |
| |
− | |
| |
− | |Jugglery
| |
| |Kauchumaryog - Preparation of sex tonics. | | |Kauchumaryog - Preparation of sex tonics. |
| | | |
Line 224: |
Line 140: |
| |- | | |- |
| |21 | | |21 |
− | | | + | |इन्द्रजालम् ॥ Appearing in various guises of one's choice |
− | |
| |
− | |
| |
− | |
| |
− | |Appearing in various guises of one's choice
| |
| |Hastlaghav- Hand magic. | | |Hastlaghav- Hand magic. |
| |making medicines, | | |making medicines, |
| |- | | |- |
| |22 | | |22 |
− | | | + | |कौचुमारयोगाः ॥ the art of beautification |
− | |
| |
− | |
| |
− | |
| |
− | |Sleight of hand
| |
| |Vichitrashakayushbhakshyavikar kriya- Culinary preparations- sweets etc. | | |Vichitrashakayushbhakshyavikar kriya- Culinary preparations- sweets etc. |
| |leather work, | | |leather work, |
| |- | | |- |
| |23 | | |23 |
− | | | + | |हस्तलाघवम् ॥ Sleight of hand |
− | |
| |
− | |
| |
− | |
| |
− | |Culinary art
| |
| |Panakrasa Ragasav yojan- Making sharbat or syrups. | | |Panakrasa Ragasav yojan- Making sharbat or syrups. |
| |driving, | | |driving, |
| |- | | |- |
| |24 | | |24 |
− | | | + | |चित्रशाकापूपभक्ष्यविका- |
− | |
| + | रक्रिया ॥Culinary art |
− | |
| |
− | |
| |
− | |Making drinks of various tastes and colours and spirituous liquors of various kinds
| |
| |Suchivan Karm –Needle work-Embroidery | | |Suchivan Karm –Needle work-Embroidery |
| |fishing, | | |fishing, |
| |- | | |- |
| |25 | | |25 |
− | | | + | |पानकरसरागासवयोजनम् ॥ Making drinks of various tastes and colours and spirituous liquors of various kinds |
− | |
| |
− | |
| |
− | |
| |
− | |Weaving and needle-work of various kinds
| |
| |Sutra krida –Hand puppets show | | |Sutra krida –Hand puppets show |
| |speech-making | | |speech-making |
Line 270: |
Line 167: |
| |- | | |- |
| |26 | | |26 |
− | | | + | |सूची- |
− | |
| + | वापकर्म ॥ Weaving and needle-work of various kinds |
− | |
| |
− | |
| |
− | |Working puppets by strings
| |
| |Veenadamruvadya-Playing musical instruments like veena or damru | | |Veenadamruvadya-Playing musical instruments like veena or damru |
| |singing | | |singing |
| |- | | |- |
| |27 | | |27 |
− | | | + | |वीणाडमरुकसूत्रक्रीडा ॥ Making musical instruments of various kinds |
− | |
| |
− | |
| |
− | |
| |
− | |Making musical instruments of various kinds
| |
| |Pahelika - Solving riddles. | | |Pahelika - Solving riddles. |
| |playing musical instruments | | |playing musical instruments |
Line 289: |
Line 179: |
| |- | | |- |
| |28 | | |28 |
− | | | + | |प्रहेलिका ॥ Solving riddles |
− | |
| |
− | |
| |
− | |
| |
− | |Solving riddles
| |
| |Pratimala- An interesting style of reading text or poem. | | |Pratimala- An interesting style of reading text or poem. |
| |preparing manuscripts | | |preparing manuscripts |
| |- | | |- |
| |29 | | |29 |
− | | | + | |प्रतिमा ॥ Sculpture |
− | |
| |
− | |
| |
− | |
| |
− | |Capping verses
| |
| |Durvachakyog - Reciting text which is difficult to pronounce and understand. | | |Durvachakyog - Reciting text which is difficult to pronounce and understand. |
| |garland-making, | | |garland-making, |
| |- | | |- |
| |30 | | |30 |
− | | | + | |दुर्वचकयोगाः ॥ Skill in uttering tongue twisters |
− | |
| |
− | |
| |
− | |
| |
− | |Skill in uttering tongue twisters
| |
| |Pustak Vachan –Book reading | | |Pustak Vachan –Book reading |
| |dyeing | | |dyeing |
| |- | | |- |
| |31 | | |31 |
− | | | + | |पुस्तकवाचनम् ॥ The art of reading manuscripts easily and quickly |
− | |
| |
− | |
| |
− | |
| |
− | |The art of reading manuscripts easily and quickly
| |
| |Natakakhyalika darshan -Dramatics | | |Natakakhyalika darshan -Dramatics |
| |body-care | | |body-care |
| |- | | |- |
| |32 | | |32 |
− | | | + | |नाटिकाख्यायिकादर्शनम् ॥ Dramaturgy and story writing |
− | |
| |
− | |
| |
− | |
| |
− | |Dramaturgy and story writing
| |
| |Kavya Samasyapurti – Solving riddles. | | |Kavya Samasyapurti – Solving riddles. |
| |use of weapons | | |use of weapons |
| |- | | |- |
| |33 | | |33 |
− | | | + | |काव्यसमस्यापूरणम् ॥ Completion of incomplete verses or part verses |
− | |
| |
− | |
| |
− | |
| |
− | |Completion of incomplete verses or part verses
| |
| |Pattikavetrayanvikalpa - Furniture making. | | |Pattikavetrayanvikalpa - Furniture making. |
| |making moulds | | |making moulds |
| |- | | |- |
| |34 | | |34 |
− | | | + | |पट्टिकावेत्रवाणविकल्पाः ॥ Making ligatures, canes, arrows |
− | |
| |
− | |
| |
− | |
| |
− | |Making ligatures, canes, arrows
| |
| |Takshyakarm –Cutting wood to proper size and shape. | | |Takshyakarm –Cutting wood to proper size and shape. |
| |performing pUjll (daily worship) | | |performing pUjll (daily worship) |
| |- | | |- |
| |35 | | |35 |
− | | | + | |तर्कूकर्माणि ॥ Spindle work |
− | |
| |
− | |
| |
− | |
| |
− | |Spindle work
| |
| |TakshyaN - Carpentry. | | |TakshyaN - Carpentry. |
| |inlay work | | |inlay work |
| |- | | |- |
| |36 | | |36 |
− | | | + | |तक्षणम् ॥ Carpentry |
− | |
| |
− | |
| |
− | |
| |
− | |Carpentry
| |
| |Vastuvidya - Civil engineering / architecture. | | |Vastuvidya - Civil engineering / architecture. |
| |arranging | | |arranging |
Line 372: |
Line 226: |
| |- | | |- |
| |37 | | |37 |
− | | | + | |वास्तुविद्या ॥ Architecture |
− | |
| |
− | |
| |
− | |
| |
− | |Architecture
| |
| |Roopyaratna Pariksha - Valuations of gems and coins. | | |Roopyaratna Pariksha - Valuations of gems and coins. |
| |preparing scents | | |preparing scents |
| |- | | |- |
| |38 | | |38 |
− | | | + | |रूप्यरत्नपरीक्षा ॥ Testing valuable metals and precious stones |
− | |
| |
− | |
| |
− | |
| |
− | |Testing valuable metals and precious stones
| |
| |Dhatuwad- Mixing of metals like brass. | | |Dhatuwad- Mixing of metals like brass. |
| |bangle-making | | |bangle-making |
| |- | | |- |
| |39 | | |39 |
− | | | + | |धातुवादः ॥ Alchemy |
− | |
| |
− | |
| |
− | |
| |
− | |Alchemy
| |
| |Maniragakar Dyana- Idientification of pearls and gems. | | |Maniragakar Dyana- Idientification of pearls and gems. |
| |stitching | | |stitching |
| |- | | |- |
| |40 | | |40 |
− | | | + | |मणिरागज्ञानम् ॥ Colouring precious stones |
− | |
| |
− | |
| |
− | |
| |
− | |Colouring precious stones
| |
| |Vrukshaurveda- knowledge of Botany. | | |Vrukshaurveda- knowledge of Botany. |
| |making ornaments | | |making ornaments |
| |- | | |- |
| |41 | | |41 |
− | | | + | |आकरज्ञानम् ॥ Knowledge of latent minerals |
− | |
| |
− | |
| |
− | |
| |
− | |Knowledge of latent minerals
| |
| |Meshkukkutlavakyuddhavidhi – Knowledge of bird/ animal fighting for gambling. | | |Meshkukkutlavakyuddhavidhi – Knowledge of bird/ animal fighting for gambling. |
| |making sweets | | |making sweets |
| |- | | |- |
| |42 | | |42 |
− | | | + | |वृक्षायुर्वेदयोगाः ॥ Nursing and treating plants |
− | |
| |
− | |
| |
− | |
| |
− | |Nursing and treating plants
| |
| |Shukasarika Pralapan - training of bird to speak. | | |Shukasarika Pralapan - training of bird to speak. |
| |home-planning | | |home-planning |
| |- | | |- |
| |43 | | |43 |
− | | | + | |मेषकुक्कुटलावकयुद्धविधिं ॥ Setting game rams, cocks, quails to fight as sport |
− | |
| |
− | |
| |
− | |
| |
− | |Setting game rams, cocks, quails to fight as sport
| |
| |Utsadan-Samvahan-Keshmardankaushal- Body massage and hair care. | | |Utsadan-Samvahan-Keshmardankaushal- Body massage and hair care. |
| |training animals | | |training animals |
| |- | | |- |
| |44 | | |44 |
− | | | + | |शुकसारिकाप्रलापनम् ॥ teaching parrots and other birds to imitate human speech |
− | |
| |
− | |
| |
− | |
| |
− | |teaching parrots and other birds to imitate human speech
| |
| |Akshyarmushti kathan-Secret word codes for communication or Mushti sanket - Secret communication through fingers (used by traders in auctions). | | |Akshyarmushti kathan-Secret word codes for communication or Mushti sanket - Secret communication through fingers (used by traders in auctions). |
| |training birds | | |training birds |
| |- | | |- |
| |45 | | |45 |
− | | | + | |उत्सादनम् ॥ Making an enemy quit his place by means of a charm |
− | |
| |
− | |
| |
− | |
| |
− | |Making an enemy quit his place by means of a charm
| |
| |Mlenchhit Vikalpa- Secret communication through gestures. | | |Mlenchhit Vikalpa- Secret communication through gestures. |
| |coding | | |coding |
Line 454: |
Line 272: |
| |- | | |- |
| |46 | | |46 |
− | | | + | |केशमार्जनकौशलम् ॥ Cleaning and dressing the hair |
− | |
| |
− | |
| |
− | |
| |
− | |Cleaning and dressing the hair
| |
| |Deshbhasha vidyan –Knowledge of foreign languages. | | |Deshbhasha vidyan –Knowledge of foreign languages. |
| |making instruments/machines | | |making instruments/machines |
| |- | | |- |
| |47 | | |47 |
− | | | + | |अक्षरमुष्टिकाकथनम् ॥ Reading letters removed from one's sight and divining the nature of substances held within one's palm |
− | |
| |
− | |
| |
− | |
| |
− | |Reading letters removed from one's sight and divining the nature of substances held within one's palm
| |
| |Pushpashakatika- Decoration of vehicles with flowers. | | |Pushpashakatika- Decoration of vehicles with flowers. |
| |training memory | | |training memory |
| |- | | |- |
| |48 | | |48 |
− | | | + | |म्लेच्छितक विकल्पाः ॥ Knowledge of books written in the language of Barbarians |
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− | |Knowledge of books written in the language of Barbarians
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| |Nimittadyana – Knowledge of auspicious date and time for a particular work. | | |Nimittadyana – Knowledge of auspicious date and time for a particular work. |
| |physical exercise | | |physical exercise |
| |- | | |- |
| |49 | | |49 |
− | | | + | |देशभाषाज्ञानम् ॥ Fluently talking in the different Indian dialects |
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− | |Fluently talking in the different Indian dialects
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| |Yantramatruka- Knowledge of instruments or machines | | |Yantramatruka- Knowledge of instruments or machines |
| |yogic | | |yogic |
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| |50 | | |50 |
− | | | + | |पुष्पशकटिकानिमित्तज्ञानम् ॥ Decoration of vehicles with flowers and Reading good or bad omens |
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− | |Reading good or bad omens
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| |DharaNmatruka- Remembering heard sentences. | | |DharaNmatruka- Remembering heard sentences. |
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| |- | | |- |
| |51 | | |51 |
− | | | + | |यन्त्रमातृका ॥ Making diagrams by means of letters arranged in different orders as mystical formulae to be worshipped or worn as an amulet |
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− | |Making diagrams by means of letters arranged in different orders as mystical formulae to be worshipped or worn as an amulet
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| |Sampathya- | | |Sampathya- |
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| |- | | |- |
| |52 | | |52 |
− | | | + | |धारणमातृका ॥ Remembering heard sentences. |
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− | |Splitting hard substances such as diamonds into two or more pieces of different shapes
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| |Manasi Kavya Kriya – To complete incomplete poem or its part. | | |Manasi Kavya Kriya – To complete incomplete poem or its part. |
| | | | | |
| |- | | |- |
| |53 | | |53 |
− | | | + | |सम्पाट्यम् ॥ Splitting hard substances such as diamonds into two or more pieces of different shapes |
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− | |Reading the thoughts of others and bringing them out in a verse
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| |Abhidhankosha- | | |Abhidhankosha- |
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| |- | | |- |
| |54 | | |54 |
− | | | + | |मानसी काव्य- |
− | |
| + | क्रिया ॥ Reading the thoughts of others and bringing them out in a verse |
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− | |Lexicography
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| |Chandodyan | | |Chandodyan |
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| |- | | |- |
| |55 | | |55 |
− | | | + | |क्रियाविकल्पाः ॥ Poetry forms |
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− | |Knowledge of prosody
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| |Kriyakalpa –Poetry forms | | |Kriyakalpa –Poetry forms |
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| |- | | |- |
| |56 | | |56 |
− | | | + | |छलितकयोगाः ॥ Conceal body or speech. |
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− | |Increasing the number of an object by various devices
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| |Chalitak Yog –Conceal body or speech. | | |Chalitak Yog –Conceal body or speech. |
| | | | | |
| |- | | |- |
| |57 | | |57 |
− | | | + | |अभिधानकोषच्छन्दोज्ञानम् ॥ lexicography and prosody |
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− | |Playing tricks
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| |Vastragopan – covering parts of body with cloth. | | |Vastragopan – covering parts of body with cloth. |
| | | | | |
| |- | | |- |
| |58 | | |58 |
− | | | + | |वस्त्रगोपनानि ॥ Showing off one's clothes as made of a superior texture than what they actually are |
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− | |Showing off one's clothes as made of a superior texture than what they actually are
| |
| |Dhyutavishesh- | | |Dhyutavishesh- |
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| |- | | |- |
| |59 | | |59 |
− | | | + | |द्यूतविशेषः ॥ Playing at dice |
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− | |Playing at dice
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| |Aakarsh kriya - Playing with dices. | | |Aakarsh kriya - Playing with dices. |
| | | | | |
| |- | | |- |
| |60 | | |60 |
− | | | + | |आकर्षणक्रीडा ॥ Attracting remote objects |
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− | |Attracting remote objects
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| |Balakridanak | | |Balakridanak |
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| |- | | |- |
| |61 | | |61 |
− | | | + | |बालकक्रीडनकानि ॥ Playing childrens' games |
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− | |Playing childrens' games
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| |Vainayiki dyna – Behavior with known and unknown persons. | | |Vainayiki dyna – Behavior with known and unknown persons. |
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| |- | | |- |
| |62 | | |62 |
− | | | + | |वैनायिकीनां विद्यानां ज्ञानम् ॥ The Practice of charms |
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− | |The Practice of charms
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| |Vaijayiki Dynan –Knowledge of victory. | | |Vaijayiki Dynan –Knowledge of victory. |
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| |- | | |- |
| |63 | | |63 |
− | | | + | |वैवयिकीनां विद्यानां ज्ञानम् ॥ Fore knowledge of the party going to win in a debate |
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− | |Fore knowledge of the party going to win in a debate
| |
| |Vyayam –Physical exercise. | | |Vyayam –Physical exercise. |
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| |- | | |- |
| |64 | | |64 |
− | | | + | |वैतालिकीनां विद्यानां ज्ञानम् ॥ Keeping goblins and vampires under one's control |
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− | |Keeping goblins and vampires under one's control
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| | | | | |
| |} | | |} |