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The word '''Puranas''' ({{lang-sa|{{lang|sa|पुराण}}}}, ''{{IAST|purāṇa}}'', {{IPAc-en|p|ʊ|ˈ|r|ɑː|n|ə|z}};<ref>[http://dictionary.reference.com/browse/purana "Purana"]. ''[[Random House Webster's Unabridged Dictionary]]''.</ref>) literally means "ancient, old",<ref name=merriam>Merriam-Webster's Encyclopedia of Literature (1995 Edition), Article on Puranas, ISBN 0-877790426, page 915</ref> and it is a vast genre of Indian literature about a wide range of topics, particularly myths, legends and other traditional lore.<ref name=oliverleaman437>Greg Bailey (2001), Encyclopedia of Asian Philosophy (Editor: Oliver Leaman), Routledge, ISBN 978-0415172813, pages 437-439</ref> Composed primarily in Sanskrit, but also in regional languages,<ref name=johncort185/><ref name=gregorybailey>Gregory Bailey (2003), The Study of Hinduism (Editor: Arvind Sharma), The University of South Carolina Press, ISBN 978-1570034497, page 139</ref> several of these texts are named after major [[Hindu]] deities such as Vishnu, Shiva and Devi.<ref name=ludorocher>Ludo Rocher (1986), The Puranas, Otto Harrassowitz Verlag, ISBN 978-3447025225, pages 1-5, 12-21</ref><ref name="Nair 2008 266">{{cite book|last=Nair|first=Shantha N.|title=Echoes of Ancient Indian Wisdom: The Universal Hindu Vision and Its Edifice|year=2008|publisher=Hindology Books|isbn=978-81-223-1020-7|page=266|url=https://books.google.com/books?id=ekehXVP3W8wC&pg=PA266}}</ref> The Puranas genre of literature is found in both [[Hinduism]] and [[Jainism]].<ref name=johncort185>John Cort (1993), Purana Perennis: Reciprocity and Transformation in Hindu and Jaina Texts (Editor: Wendy Doniger), State University of New York Press, ISBN 978-0791413821, pages 185-204</ref>

The word '''Puranas''' ({{lang-sa|{{lang|sa|पुराण}}}}, ''{{IAST|purāṇa}}'', {{IPAc-en|p|ʊ|ˈ|r|ɑː|n|ə|z}};<ref>[http://dictionary.reference.com/browse/purana "Purana"]. ''[[Random House Webster's Unabridged Dictionary]]''.</ref>) literally means "ancient, old",<ref name=merriam>Merriam-Webster's Encyclopedia of Literature (1995 Edition), Article on Puranas, ISBN 0-877790426, page 915</ref> and it is a vast genre of Indian literature.  

They have been influential in the [[Hindu culture]], inspiring major national and regional annual festivals of Hinduism.<ref>Ludo Rocher (1986), The Puranas, Otto Harrassowitz Verlag, ISBN 978-3447025225, pages 12-13, 134-156, 203-210</ref> Their role and value as sectarian religious texts and historical texts has been controversial because all Puranas praise many gods and goddesses and "their sectarianism is far less clear cut" than assumed, states [[Ludo Rocher]].<ref name="ludorochersect">Ludo Rocher (1986), The Puranas, Otto Harrassowitz Verlag, ISBN 978-3447025225, pages 21-24, 104-113, 115-126</ref> The religious practices included in them are considered ''Vaidika'' (congruent with Vedic literature), because they do not preach initiation into Tantra.<ref>Dominic Goodall (1996), Hindu Scriptures, University of California Press, ISBN 978-0520207783, page xxxix</ref> The [[Bhagavata Purana]] has been among the most celebrated and popular text in the Puranic genre, and is of [[nondualism|non-dualistic]] tenor.<ref name="richardthompson" /><ref>Dominic Goodall (1996), Hindu Scriptures, University of California Press, ISBN 978-0520207783, page xli</ref> The Puranic literature wove with the [[Bhakti movement]] in India, and both [[Dvaita]] and [[Advaita]] scholars have commented on the underlying Vedantic themes in the ''Maha Puranas''.<ref>BN Krishnamurti Sharma (2008), A History of the Dvaita School of Vedānta and Its Literature, Motilal Banarsidass, ISBN 978-8120815759, pages 128-131</ref>

 

 

They have been influential in the [[Hindu culture]], inspiring major national and regional annual festivals of Hinduism.<ref>Ludo Rocher (1986), The Puranas, Otto Harrassowitz Verlag, ISBN 978-3447025225, pages 12-13, 134-156, 203-210</ref> Their role and value as sectarian religious texts and historical texts has been controversial because all Puranas praise many gods and goddesses and "their sectarianism is far less clear cut" than assumed, states [[Ludo Rocher]].<ref name=ludorochersect>Ludo Rocher (1986), The Puranas, Otto Harrassowitz Verlag, ISBN 978-3447025225, pages 21-24, 104-113, 115-126</ref> The religious practices included in them are considered ''Vaidika'' (congruent with Vedic literature), because they do not preach initiation into Tantra.<ref>Dominic Goodall (1996), Hindu Scriptures, University of California Press, ISBN 978-0520207783, page xxxix</ref> The [[Bhagavata Purana]] has been among the most celebrated and popular text in the Puranic genre, and is of [[nondualism|non-dualistic]] tenor.<ref name=richardthompson/><ref>Dominic Goodall (1996), Hindu Scriptures, University of California Press, ISBN 978-0520207783, page xli</ref> The Puranic literature wove with the [[Bhakti movement]] in India, and both [[Dvaita]] and [[Advaita]] scholars have commented on the underlying Vedantic themes in the ''Maha Puranas''.<ref>BN Krishnamurti Sharma (2008), A History of the Dvaita School of Vedānta and Its Literature, Motilal Banarsidass, ISBN 978-8120815759, pages 128-131</ref>

==Description==

==Description==

===Mahapuranas===

===Mahapuranas===

Of the many texts designated 'Puranas' the most important are the ''{{IAST|Mahāpurāṇa}}s'' or the major Puranas.<ref name=corneliadimmitt4/> These are said to be eighteen in number, divided into three groups of six, though they are not always counted in the same way.

Of the many texts designated 'Puranas' the most important are the ''{{IAST|Mahāpurāṇa}}s'' or the major Puranas.<ref name="corneliadimmitt4">Cornelia Dimmitt (2015), Classical Hindu Mythology: A Reader in the Sanskrit Puranas, Temple University Press, ISBN 978-8120839724, page xii, 4</ref> These are said to be eighteen in number, divided into three groups of six, though they are not always counted in the same way.

{| class="wikitable sortable"|-

{| class="wikitable sortable"|-

==Content==

==Content==

[[File:A Thailand representation of Hindu mythology on cosmos creation.jpg|thumb|300px|The Puranas include cosmos creation myths such as the ''Samudra Manthan'' (churning of the ocean). These ideas spread to southeast Asia. It is represented in the [[Angkor Wat]] temple complex of [[Cambodia]], and at Bangkok airport, [[Thailand]] (above).]]

[[File:A Thailand representation of Hindu mythology on cosmos creation.jpg|thumb|300px|The Puranas include cosmos creation myths such as the ''Samudra Manthan'' (churning of the ocean). These ideas spread to southeast Asia. It is represented in the [[Angkor Wat]] temple complex of [[Cambodia]], and at Bangkok airport, [[Thailand]] (above).]]

Several Puranas, such as the Matysa Purana,<ref>''Matsya Purana'' 53.65</ref> list "five characteristics" or "five signs" of a Purana.<ref name=oliverleaman437/> These are called the ''Pancha Lakshana'' ( {{IAST|pañcalakṣaṇa}}), and are topics covered by a Purana:<ref name=oliverleaman437/><ref name=Rao>{{Harvnb|Rao|1993|pp=85–100}}</ref><ref>{{Harvnb|Johnson|2009|p = 248 }}</ref>

Several Puranas, such as the Matysa Purana,<ref>''Matsya Purana'' 53.65</ref> list "five characteristics" or "five signs" of a Purana.<ref name="oliverleaman437">Greg Bailey (2001), Encyclopedia of Asian Philosophy (Editor: Oliver Leaman), Routledge, ISBN 978-0415172813, pages 437-439</ref> These are called the ''Pancha Lakshana'' ( {{IAST|pañcalakṣaṇa}}), and are topics covered by a Purana:<ref name=oliverleaman437/><ref name=Rao>{{Harvnb|Rao|1993|pp=85–100}}</ref><ref>{{Harvnb|Johnson|2009|p = 248 }}</ref>

#''Sarga'': [[cosmogony]]

#''Sarga'': [[cosmogony]]

#''Pratisarga'': cosmogony and [[cosmology]]<ref>Jonathan Edelmann (2013), The Bhagavata Purana: Sacred Text and Living Tradition (Editors: Ravi Gupta and Kenneth Valpey), Columbia University Press, ISBN 978-0231149983, pages 48-62</ref>

#''Pratisarga'': cosmogony and [[cosmology]]<ref>Jonathan Edelmann (2013), The Bhagavata Purana: Sacred Text and Living Tradition (Editors: Ravi Gupta and Kenneth Valpey), Columbia University Press, ISBN 978-0231149983, pages 48-62</ref>

#''Ashraya'': refuge

#''Ashraya'': refuge

These five or ten sections weave in biographies, myths, geography, medicine, astronomy, Hindu temples, pilgrimage to distant real places, rites of passage, charity, ethics,<ref>Gopal Gupta (2013), The Bhagavata Purana: Sacred Text and Living Tradition (Editors: Ravi Gupta and Kenneth Valpey), Columbia University Press, ISBN 978-0231149983, pages 63-75</ref> duties, rights, dharma, divine intervention in cosmic and human affairs, love stories,<ref>Graham Schweig (2013), The Bhagavata Purana: Sacred Text and Living Tradition (Editors: Ravi Gupta and Kenneth Valpey), Columbia University Press, ISBN 978-0231149983, pages 117-132</ref> festivals, theosophy and philosophy.<ref name=oliverleaman437/><ref name=gregorybailey/><ref name=ludorocher/> The Puranas link gods to men, both generally and in religious [[bhakti]] context.<ref name=gregbailey440/> Here the Puranic literature follows a general pattern. It starts with introduction, a future devotee is described as ignorant about the god yet curious, the devotee learns about the god and this begins the spiritual realization, the text then describes instances of god's grace which begins to persuade and convert the devotee, the devotee then shows devotion which is rewarded by the god, the reward is appreciated by the devotee and in return performs actions to express further devotion.<ref name=gregbailey440>Greg Bailey (2001), Encyclopedia of Asian Philosophy (Editor: Oliver Leaman), Routledge, ISBN 978-0415172813, pages 440-443</ref>

These five or ten sections weave in biographies, myths, geography, medicine, astronomy, Hindu temples, pilgrimage to distant real places, rites of passage, charity, ethics,<ref>Gopal Gupta (2013), The Bhagavata Purana: Sacred Text and Living Tradition (Editors: Ravi Gupta and Kenneth Valpey), Columbia University Press, ISBN 978-0231149983, pages 63-75</ref> duties, rights, dharma, divine intervention in cosmic and human affairs, love stories,<ref>Graham Schweig (2013), The Bhagavata Purana: Sacred Text and Living Tradition (Editors: Ravi Gupta and Kenneth Valpey), Columbia University Press, ISBN 978-0231149983, pages 117-132</ref> festivals, theosophy and philosophy.<ref name=oliverleaman437/><ref name="gregorybailey">Gregory Bailey (2003), The Study of Hinduism (Editor: Arvind Sharma), The University of South Carolina Press, ISBN 978-1570034497, page 139</ref><ref name="ludorocher">Ludo Rocher (1986), The Puranas, Otto Harrassowitz Verlag, ISBN 978-3447025225, pages 1-5, 12-21</ref> The Puranas link gods to men, both generally and in religious [[bhakti]] context.<ref name=gregbailey440/> Here the Puranic literature follows a general pattern. It starts with introduction, a future devotee is described as ignorant about the god yet curious, the devotee learns about the god and this begins the spiritual realization, the text then describes instances of god's grace which begins to persuade and convert the devotee, the devotee then shows devotion which is rewarded by the god, the reward is appreciated by the devotee and in return performs actions to express further devotion.<ref name=gregbailey440>Greg Bailey (2001), Encyclopedia of Asian Philosophy (Editor: Oliver Leaman), Routledge, ISBN 978-0415172813, pages 440-443</ref>

Over time, states Om Prakash, chapters and verses from one Purana were transferred or interpolated into another Purana. Similarly, texts from Vedic literature, Smritis and Sutras were incorporated into the Puranas, older verses were replaced with new ones, thereby creating manuscripts with the same name but inconsistent content.<ref name=rajhazra6>RC Hazra (1987), Studies in the Puranic Records on Hindu Rites and Customs, Motilal Banarsidass, ISBN 978-8120804227, pages 6-9 with footnotes</ref> The content about kings, history of various people, sages and kingdoms are in part based on real events, in part [[hagiography]], and in part expansive imagination or fabrication.<ref name=rajhazra6/> The high degree of inconsistency and manuscript corruption occurred particularly from the 12th century onwards, evidenced by cross referencing across the texts; Matsya Purana, for example, stated that Kurma Purana has 18,000 verses, while Agni Purana asserts the same text has 8,000 verses, and Naradiya attests that Kurma manuscript has 17,000 verses.<ref name=rajhazra6/>

Over time, states Om Prakash, chapters and verses from one Purana were transferred or interpolated into another Purana. Similarly, texts from Vedic literature, Smritis and Sutras were incorporated into the Puranas, older verses were replaced with new ones, thereby creating manuscripts with the same name but inconsistent content.<ref name=rajhazra6>RC Hazra (1987), Studies in the Puranic Records on Hindu Rites and Customs, Motilal Banarsidass, ISBN 978-8120804227, pages 6-9 with footnotes</ref> The content about kings, history of various people, sages and kingdoms are in part based on real events, in part [[hagiography]], and in part expansive imagination or fabrication.<ref name=rajhazra6/> The high degree of inconsistency and manuscript corruption occurred particularly from the 12th century onwards, evidenced by cross referencing across the texts; Matsya Purana, for example, stated that Kurma Purana has 18,000 verses, while Agni Purana asserts the same text has 8,000 verses, and Naradiya attests that Kurma manuscript has 17,000 verses.<ref name=rajhazra6/>

Along with inconsistencies, common ideas are found throughout the corpus but it is not possible to trace the lines of influence of one Purana upon another so the corpus is best viewed as a synchronous whole.<ref name="flood">{{Harvnb|Flood|1996|p = 359 }}</ref> An example of similar myths woven across the Puranas, but in different versions, include the ''lingabhava'' – the "apparition of the [[linga]]". The story features Brahma, Vishnu and Shiva, the three major deities of Hinduism, who get together, debate, and after various versions of the story, in the end the glory of Shiva is established by the apparition of linga. This myth, state Bonnefoy and Doniger, appears in Vayu Purana 1.55, Brahmanda Purana 1.26, Shiva Purana's Rudra Samhita Sristi Khanda 15, Skanda Purana's chapters 1.3, 1.16 and 3.1, and other Puranas.<ref name=yveswendy38>Yves Bonnefoy and Wendy Doniger (1993), Asian Mythologies, University of Chicago Press, ISBN 978-0226064567, pages 38-39</ref>

Along with inconsistencies, common ideas are found throughout the corpus but it is not possible to trace the lines of influence of one Purana upon another so the corpus is best viewed as a synchronous whole.<ref name="flood">{{Harvnb|Flood|1996|p = 359 }}</ref> An example of similar myths woven across the Puranas, but in different versions, include the ''lingabhava'' – the "apparition of the [[linga]]". The story features Brahma, Vishnu and Shiva, the three major deities of Hinduism, who get together, debate, and after various versions of the story, in the end the glory of Shiva is established by the apparition of linga. This myth, state Bonnefoy and Doniger, appears in Vayu Purana 1.55, Brahmanda Purana 1.26, Shiva Purana's Rudra Samhita Sristi Khanda 15, Skanda Purana's chapters 1.3, 1.16 and 3.1, and other Puranas.<ref name=yveswendy38>Yves Bonnefoy and Wendy Doniger (1993), Asian Mythologies, University of Chicago Press, ISBN 978-0226064567, pages 38-39</ref>

The texts are in Sanskrit as well as regional languages,<ref name=johncort185/><ref name=gregorybailey/> and almost entirely in narrative metric couplets.<ref name=merriam/>

The texts are in Sanskrit as well as regional languages,<ref name="johncort185">John Cort (1993), Purana Perennis: Reciprocity and Transformation in Hindu and Jaina Texts (Editor: Wendy Doniger), State University of New York Press, ISBN 978-0791413821, pages 185-204</ref><ref name=gregorybailey/> and almost entirely in narrative metric couplets.<ref name=merriam/>

===Symbolism and layers of meaning===

===Symbolism and layers of meaning===