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| == Authors and Commentators == | | == Authors and Commentators == |
| Unlike the other Sutra charanas, there are a very few Shulbasutra texts available at present and all of them belong to Yajurveda. The Shulbasutras of Baudhayana, Apastamba, Katyayana and Manava are the main sources of the knowledge of geometry. The Kalpa texts of Vedangas clearly outline that astronomy on one hand and geometry on the other were cultivated under different circumstances by different rtviks based on the duties apportioned to them in the conduct of yajnas.<ref name=":2">Bag, A. K., (1979) ''Mathematics in Ancient and Medieval India.'' Varanasi: Chaukhambha Orientalia. (Pages 103 - 174)</ref><ref name=":0" /> | | Unlike the other Sutra charanas, there are a very few Shulbasutra texts available at present and all of them belong to Yajurveda. The Shulbasutras of Baudhayana, Apastamba, Katyayana and Manava are the main sources of the knowledge of geometry. The Kalpa texts of Vedangas clearly outline that astronomy on one hand and geometry on the other were cultivated under different circumstances by different rtviks based on the duties apportioned to them in the conduct of yajnas.<ref name=":2">Bag, A. K., (1979) ''Mathematics in Ancient and Medieval India.'' Varanasi: Chaukhambha Orientalia. (Pages 103 - 174)</ref><ref name=":0" /> |
| + | |
| + | === List of Shulbasutra Works === |
| + | Of the available extant texts, Baudhayana Shulbasutra is considered to be the most ancient one. It also presents a very systematic and detailed treatment of several topics that are skipped in later texts. |
| {| class="wikitable" | | {| class="wikitable" |
| !Vedas | | !Vedas |
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| |Purvabhaga (7 Kandikas with 90 Sutras) | | |Purvabhaga (7 Kandikas with 90 Sutras) |
| Uttarabhaga (40 or 48 shlokas) | | Uttarabhaga (40 or 48 shlokas) |
− | |Rama or Ramachandra (Shulba-sutra-vrtti) | + | |Rama or Ramachandra (Shulba-sutra-vrtti), Shulbasutravivarana (Mahidhara), Karka (Shulbasutrabhashya) |
| |- | | |- |
| ! rowspan="7" |Krishna Yajurveda | | ! rowspan="7" |Krishna Yajurveda |
| | rowspan="4" |Taittriya | | | rowspan="4" |Taittriya |
| |'''Baudhayana''' | | |'''Baudhayana''' |
− | |3 Adhyayas | + | |3 Adhyayas (about 520 Sutras) |
| |Dvarakanatha Yajva (Sulba-dipika), Venkatesvara Dikshita (Shulba-mimamsa) | | |Dvarakanatha Yajva (Sulba-dipika), Venkatesvara Dikshita (Shulba-mimamsa) |
| |- | | |- |
| |'''Apastamba''' | | |'''Apastamba''' |
| |6 Patalas (21 Adhyayas and 223 Sutras) | | |6 Patalas (21 Adhyayas and 223 Sutras) |
− | |Kapardisvami (Shulba-vyakhya), Karavindasvami (Shulba-pradipika), Sundararaja (Shulba-pradipa or Sundararajiya), | + | |Kapardisvami (Shulba-vyakhya), Karavindasvami (Shulba-pradipika), Sundararaja (Shulba-pradipa or Sundararajiya), Gopala (Shulbabhashya) |
| |- | | |- |
| |Varaha | | |Varaha |
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| | colspan="3" |None available | | | colspan="3" |None available |
| |} | | |} |
| + | |
| + | === Qualities of a Shulbakara === |
| + | Mahidhara in his commentary on Katyayana shulbasutra succintly describes the qualities of a Shulbakara.<ref name=":1">Prof. K. Ramasubramaniam's Lectures - ''Vedas and Sulbasutras, Parts 1 and 2''</ref><blockquote>सङ्ख्याज्ञः परिमाणज्ञः समसूत्रनिरञ्छकः । समसूत्रौ भवेद्विद्वान् शुल्बवित् परिपृच्छकः।।</blockquote><blockquote>शास्त्रबुद्धिविभागज्ञः परशास्त्रकुतूहलः। शिल्पिभ्यः स्थपतिभ्यश्चाप्याददीत मतीः सदा।।</blockquote><blockquote>तिर्यङ्मान्याश्च सर्वार्थः पार्श्वमान्याश्च योगवित्। करणीनां विभागज्ञः नित्योद्युक्तश्च सर्वदा।।</blockquote>A shulbakara must be versed in arithmetic, versed in mensuration, must be an inquirer, quite knowledgeable in one's own discipline, must be enthusiastic in learning other disciplines, always willing to learn from practicing sculptors and architects... and one who is always industrious. |
| | | |
| == Etymology == | | == Etymology == |
− | The word Shulba (शुल्ब) means a 'cord', 'a rope', 'a string'. A Sutra refers to a short rule. The commentators refer to this subject matter as Shulba as the true name, Shulba-parishista, Shulbi Kriya etc.<ref name=":0" /> | + | The word Shulba (शुल्ब) means a 'cord', 'a rope', 'a string'. A Sutra refers to a short rule. The commentators refer to this subject matter as Shulba as the true name, Shulba-parishista, Shulbi Kriya etc. |
| + | |
| + | In few other instances the word "rajju (रज्जुः) has been used. B. B. Datta states that the words "shulba (शुल्ब)" "shulva (शुल्व)" and "rajju (रज्जुः) may be used synonymously to mean a rope or cord.<ref name=":0" /> |
| | | |
− | In few other instances the word "rajju (रज्जुः) has been used. B. B. Datta states that the words "shulba (शुल्ब)" "shulva (शुल्व)" and "rajju (रज्जुः) may be used synonymously to mean a rope or cord. However, shulba or shulva is derived from the dhatu "शुल्ब्" in the meaning "to measure" and hence its etymological significance is "measuring" or act of measurement. The terms Shulba and Rajju have four meanings
| + | The word "shulba or shulva" (sulva) stems from the dhatu "शुल्ब्" used in the meaning "माने । to measure" and hence its etymological significance is "measuring" or act of measurement. The term Shulba can be presented in the following ways<ref name=":1" /> |
− | # mensuration - the act and process of measuring | + | # भावव्युत्पत्तिः - शुल्बनम् इति शुल्बः । the act of measuring (mensuration) |
− | # line - the result obtained by measuring | + | # कर्मव्युत्पत्तिः - शुल्बयते इति शुल्बः । the entity/result obtained by measuring (line) |
− | # measure - the instrument of measuring | + | # करणव्युत्पत्तिः - शुल्बयत्यनेन इति शुल्बः । the instrument of measuring |
− | # geometry - the art of measuring
| + | In the Shulbas the measuring tape is called "Rajju", so is "a line". One who is well-versed in the science of Shulba (geometry) is called Shulbavijnana, a Shulbavid (expert in geometry), a Sulbapariprcchaka (an inquirer into the Shulba), a Samkhyaajna (expert in numbers), Parimaanajna (expert in measuring). A special term sama-sutra-niranchaka (meaning uniform rope stretcher) is also used, this rope plays a very significant role and we find many references of similar words rajjuka, rakku-grahaka, sutra-grahaka - all used to denote a maharaja's land surveyor. A sutra-grahaka is further described as an expert in alignment, a rekajna, one who knows "the line".<ref name=":0" /> |
− | In the Shulbas the measuring tape is called "Rajju", so is "a line". One who is well-versed in the science of Shulba (geometry) is called Shulbavijnana, a Shulbavid (expert in geometry), a Sulbapariprcchaka (an inquirer into the Shulba), a Samkhyaajna (expert in numbers), Parimaanajna (expert in measuring). A special term sama-sutra-niranchaka (meaning uniform rope stretcher) is also used, this rope plays a very significant role and we find many references of similar words rajjuka, rakku-grahaka, sutra-grahaka - all used to denote a maharaja's land surveyor. A sutra-grahaka is further described as an expert in alignment, a rekajna, one who knows "the line". | |
| | | |
| It is extremely interesting to note that land surveying is an ancient procedure followed by our ancestors. | | It is extremely interesting to note that land surveying is an ancient procedure followed by our ancestors. |
| + | |
| + | == Mathematical References in Vedas == |
| + | The existence of numbers, their usage, the decimal system being in vogue, the concept of infinity are unambiguously presented in the following examples.<ref name=":1" /> |
| + | |
| + | === Ascending numbers === |
| + | In the '''Krshna Yajurveda, Taittriya Aranyaka''', interesting passages containing a sequence of ascending numbers appear in the context of offering venerations to Agni (Deity of Fire) as follows<blockquote>सकृत्ते अग्ने नमः । द्विस्ते नमः । त्रिस्ते नमः । चतुस्ते नमः । पञ्चकृत्वस्ते नमः । दशकृत्वस्ते नम । शतकृत्वस्ते नमः । आसहस्रकृत्वस्ते नमः । अपरिमितकृत्वस्ते नमः । नमस्ते अस्तु मा मा हिँ सीः ३ (Tait. Aran. 4.69)</blockquote>Meaning: O Agni, salutations unto you once, salutations twice, salutations thrice, ...(four, five times). Salutations ten times, hundred times, thousand times. Salutations unto you unlimited times. My venerations to you, never ever hurt me. |
| + | |
| + | === Powers of 10 === |
| + | The '''Taittriya Samhita''', presents a list of powers of 10 starting from hundred (10²) to a trillion (10 power 12).<blockquote>शताय स्वाहा सहस्राय स्वाहा । अयुताय स्वाहा नियुताय स्वाहा प्रयुताय स्वाहा । अर्बुदाय स्वाहा न्यर्बुदाय स्वाहा समुद्राय स्वाहा मध्याय स्वाहा । अन्ताय स्वाहा परार्धाय स्वाहा । (Tait. Samh. 7.2.20)<ref>Taittriya Samhita ([https://sa.wikisource.org/wiki/%E0%A4%A4%E0%A5%88%E0%A4%A4%E0%A5%8D%E0%A4%A4%E0%A4%BF%E0%A4%B0%E0%A5%80%E0%A4%AF%E0%A4%B8%E0%A4%82%E0%A4%B9%E0%A4%BF%E0%A4%A4%E0%A4%BE(%E0%A4%B5%E0%A4%BF%E0%A4%B8%E0%A5%8D%E0%A4%B5%E0%A4%B0%E0%A4%83)/%E0%A4%95%E0%A4%BE%E0%A Kanda 7 Prapathaka 2])</ref></blockquote>Meaning: Hail to hundred, ... hail to hundred thousand... hail to hundred million, hail to trillion. |
| + | |
| + | === Odd and Even numbers === |
| + | A list of odd numbers and multiples of four occurs in the Taittriya Samhita (4.7.11)<ref>Taittriya Samhita ([https://sa.wikisource.org/wiki/%E0%A4%A4%E0%A5%88%E0%A4%A4%E0%A5%8D%E0%A4%A4%E0%A4%BF%E0%A4%B0%E0%A5%80%E0%A4%AF%E0%A4%B8%E0%A4%82%E0%A4%B9%E0%A4%BF%E0%A4%A4%E0%A4%BE(%E0%A4%B5%E0%A4%BF%E0%A4%B8%E0%A5%8D%E0%A4%B5%E0%A4%B0%E0%A4%83)/%E0%A4%95%E0%A4%BE%E0%A Kanda 4 Anuvaka 7])</ref><blockquote>एका च मे तिस्रश् च मे पञ्च च मे सप्त च मे नव च म एकादश च मे त्रयोदश च मे पञ्चदश च मे सप्तदश च मे नवदश च म...</blockquote><blockquote>मे चतस्रश् च मे ऽष्टौ च मे द्वादश च मे षोडश च मे विꣳशतिश् च मे चतुर्विꣳशतिश् च मे ऽष्टाविꣳशतिश् च मे द्वात्रिꣳशच् च मे...</blockquote>A mention of an interesting number 3339 is seen in the Rigveda, third mandala<blockquote>त्रीणि शता त्री सहस्राण्यग्निं त्रिंशच्च देवा नव चासपर्यन् । औक्षन् घृतैरस्तृणन्बर्हिरस्मा आदिद्धोतारं न्यसादयन्त ॥९॥ (Rig. Veda. 3.9.9)<ref>Rigveda Shakala Samhita ([http://vedicheritage.gov.in/samhitas/rigveda/shakala-samhita/rigveda-shakala-samhita-mandal-03-sukta-009/ Mandala 3 Sukta 3])</ref></blockquote>Here the number 3339 (त्रीणि शता त्री सहस्राण्यग्निं त्रिंशच्च देवा नव) = 33+303+3003 and is also close to 18 years (approx. period of eclipse cycle). |
| + | |
| + | === Multiples of 10 === |
| + | In the Rigveda, second mandala we find multiples of ten listed.<blockquote>आ विंशत्या त्रिंशता याह्यर्वाङा चत्वारिंशता हरिभिर्युजानः । आ पञ्चाशता सुरथेभिरिन्द्रा ऽऽषष्ट्या सप्तत्या सोमपेयम् ॥५॥ (Rig. Veda. 2.18.5)</blockquote><blockquote>आशीत्या नवत्या याह्यर्वाङा शतेन हरिभिरुह्यमानः । अयं हि ते... (Rig. Veda. 2.18.6)<ref>Rigveda Shakala Samhita ([http://vedicheritage.gov.in/samhitas/rigveda/shakala-samhita/rigveda-shakala-samhita-mandal-02-sukta-018/ Mandala 2 Sukta 18])</ref></blockquote>Meaning: O Indra, please come with twenty, thirty, forty, horses... with sixty, seventy... carried by hundred horses. |
| + | |
| + | === Notion of Infinite (∞) === |
| + | The following widely recited mantra refers to the notion of infinite. |
| + | |
| + | ॐ पूर्णमदः पूर्णमिदं पूर्णात् पूर्णमुदच्यते । पूर्णस्य पूर्णमादाय पूर्णमेवावशिष्यते ॥ |
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| == Relationship between Shulba and Yajnas == | | == Relationship between Shulba and Yajnas == |
− | Yajnas are of two main classes: Nitya (obligatory) and Kamya (optional or performed with a special intent). NItya yajnas are indispensible and not performing them will incur papam (sin) to the yajamana. The Kamya yajnas are, however, optional and those who do not have any specific aims to achieve any such object need not perform them. Every yajna must be made in an altar of prescribed shape and size. | + | Yajnas are of two main classes: Nitya (obligatory) and Kamya (optional or performed with a special intent). Nitya yajnas are indispensible and not performing them will incur papam (sin) to the yajamana. The Kamya yajnas are, however, optional and those who do not have any specific aims to achieve any desired objects need not perform them. Every yajna must be made in an altar of prescribed shape and size. These sutras give a compilation of principles in geometry that were used in designing the altars (called vedi or citi) where the yajnas were to be performed. The platforms of the altars were built with burnt bricks and mud mortar. It is stated that even a slight irregularity and variation in the form and size of the chiti (Citi) will nullify the object of the whole ritual and may even lead to an adverse effect, accuracy was the key. So ancient adhvaryus took utmost care in building a chiti of right shape and size.<ref name=":0" /> |
− | | |
− | These sutras give a compilation of principles in geometry that were used in designing the altars (called vedi or citi) where the Vedic sacrifices (yaj˜na) were to be performed. The platforms of the altars were built with burnt bricks and mud mortar. It is stated that even a slight irregularity and variation in the form and size of the chiti (Citi) will nullify the object of the whole ritual and may even lead to an adverse effect. So ancient adhvaryus took utmost care in building a chiti of right shape and size.<ref name=":0" /> | |
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− | The Vedic altars had rich symbolic significance and their designs were often intricate. For instance, the Syenacit has the shape of a falcon in flight (a symbolic representation of the aspiration of soaring upward); the Kurmachit is shaped as a tortoise, with extended head and legs, the rathacakracit as a chariot wheel with spokes, and so on.<ref>A. K. Dutta and M. S. Sriram. ''[https://pdfs.semanticscholar.org/bb84/9b5ff23bc22e2056f0aab069c92c05f7af0c.pdf Mathematics and Astronomy in India before 300 BCE.]'' </ref> | + | The chitis had rich symbolic significance and their designs were often intricate. For instance, the Syenacit has the shape of a falcon in flight (a symbolic representation of the aspiration of soaring upward); the Kurmachit is shaped as a tortoise, with extended head and legs, the rathacakracit as a chariot wheel with spokes, and so on.<ref>A. K. Dutta and M. S. Sriram. ''[https://pdfs.semanticscholar.org/bb84/9b5ff23bc22e2056f0aab069c92c05f7af0c.pdf Mathematics and Astronomy in India before 300 BCE.]'' </ref> |
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| == References == | | == References == |