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=== Dhvani (ध्वनिः) and Varna (वर्णम्) ===
 
=== Dhvani (ध्वनिः) and Varna (वर्णम्) ===
 
According to Nayyayikas, Shabda (Sound) is of two kinds, namely, Dhvani (ध्वनिः) and Varna (वर्णम्). The same concept is mentioned in Bhashapariccheda.<blockquote>शब्दो ध्वनिश्च वर्णश्च मृदङ्गादिभवो ध्वनि:।।164।।</blockquote><blockquote>कण्ठसंयोगादिजन्या वर्णास्ते कादयो मता: सर्व: शब्दो नभोवृत्ति: श्रोत्रोत्पन्नस्तु गृह्यते।।165।। (Nyayasiddhanta Muktavali 164-165)<ref>Nyayasiddhanta Muktavali ([https://sa.wikisource.org/wiki/%E0%A4%A8%E0%A5%8D%E0%A4%AF%E0%A4%BE%E0%A4%AF%E0%A4%B8%E0%A4%BF%E0%A4%A6%E0%A5%8D%E0%A4%A7%E0%A4%BE%E0%A4%A8%E0%A5%8D%E0%A4%A4%E0%A4%AE%E0%A5%81%E0%A4%95%E0%A5%8D%E0%A4%A4%E0%A4%BE%E0%A4%B5%E0%A4%B2%E0%A5%80 न्यायसिद्धान्तमुक्तावली])</ref></blockquote>Meaning: Sound is inarticulate (ध्वनिः) and articulate (वर्णम्). Inarticulate sound is that which is produced from a drum. Sounds such as ka that are produced by the conjunction of the throat and so on, are regarded as articulate. All sounds abide (inherent) in ether or space (नभोवृत्ति:), but it is perceived when it is produced in the ear (in the case of distant sounds which are imperceptible).<ref>Swami Madhavananda, (1954 Second Edition) ''Bhasa-Pariccheda with Siddhanta Muktavali by Visvanatha Nyaya-Panchanana. (English Translation)'' Almora: Advaita Ashram (Pages 266)</ref>
 
According to Nayyayikas, Shabda (Sound) is of two kinds, namely, Dhvani (ध्वनिः) and Varna (वर्णम्). The same concept is mentioned in Bhashapariccheda.<blockquote>शब्दो ध्वनिश्च वर्णश्च मृदङ्गादिभवो ध्वनि:।।164।।</blockquote><blockquote>कण्ठसंयोगादिजन्या वर्णास्ते कादयो मता: सर्व: शब्दो नभोवृत्ति: श्रोत्रोत्पन्नस्तु गृह्यते।।165।। (Nyayasiddhanta Muktavali 164-165)<ref>Nyayasiddhanta Muktavali ([https://sa.wikisource.org/wiki/%E0%A4%A8%E0%A5%8D%E0%A4%AF%E0%A4%BE%E0%A4%AF%E0%A4%B8%E0%A4%BF%E0%A4%A6%E0%A5%8D%E0%A4%A7%E0%A4%BE%E0%A4%A8%E0%A5%8D%E0%A4%A4%E0%A4%AE%E0%A5%81%E0%A4%95%E0%A5%8D%E0%A4%A4%E0%A4%BE%E0%A4%B5%E0%A4%B2%E0%A5%80 न्यायसिद्धान्तमुक्तावली])</ref></blockquote>Meaning: Sound is inarticulate (ध्वनिः) and articulate (वर्णम्). Inarticulate sound is that which is produced from a drum. Sounds such as ka that are produced by the conjunction of the throat and so on, are regarded as articulate. All sounds abide (inherent) in ether or space (नभोवृत्ति:), but it is perceived when it is produced in the ear (in the case of distant sounds which are imperceptible).<ref>Swami Madhavananda, (1954 Second Edition) ''Bhasa-Pariccheda with Siddhanta Muktavali by Visvanatha Nyaya-Panchanana. (English Translation)'' Almora: Advaita Ashram (Pages 266)</ref>
[[File:Classification of Shabdas based on origin.PNG|thumb|Classification based on Shabdotpatti|500.234x500.234px]]
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[[File:Classification of Shabdas based on origin.PNG|thumb|Classification based on Shabdotpatti]]
 
A dhvani is an inarticulate sound, e.g. the sound of a bell or a drum. It has no fixed nature of its own, nor any fixed relation to other similar sounds. This Dhvani is thus incapable of forming parts of a language. From a linguistic standpoint, the cries of birds, and beasts and even newborn babies are considered inarticulate. They are as variable and disorderly as sounds produced by physical things and do not lend themselves to any use as alphabet of a language.<ref name=":7" /> It is clear from the fact that he who makes noise is told: "Make shabda", "Do not make shabda" etc, thus Dhvani is Shabda.
 
A dhvani is an inarticulate sound, e.g. the sound of a bell or a drum. It has no fixed nature of its own, nor any fixed relation to other similar sounds. This Dhvani is thus incapable of forming parts of a language. From a linguistic standpoint, the cries of birds, and beasts and even newborn babies are considered inarticulate. They are as variable and disorderly as sounds produced by physical things and do not lend themselves to any use as alphabet of a language.<ref name=":7" /> It is clear from the fact that he who makes noise is told: "Make shabda", "Do not make shabda" etc, thus Dhvani is Shabda.
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From conjunction, i.e., from conjunction of the drum and the stick, from disjunction, i.e., when a bamboo stick is being split up and where Sound is produced in a distant flute and such other instruments, Sound is produced. Such sound reaches the portion of the ether present in the ear hollow and thereby gets heard.<ref name=":3" />
 
From conjunction, i.e., from conjunction of the drum and the stick, from disjunction, i.e., when a bamboo stick is being split up and where Sound is produced in a distant flute and such other instruments, Sound is produced. Such sound reaches the portion of the ether present in the ear hollow and thereby gets heard.<ref name=":3" />
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=== Understanding a few Terms ===
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The terms such as dhvani, vak, shabda, vakya etc, are used interchangeably in  many instances in literature. Since the subject is vast addressing many issues may be beyond the scope of the present work, however few simplifications are given for easier understanding.<ref>Shabda vak etayoH vicharaH ([https://groups.google.com/forum/#!searchin/bvparishat/sabda%7Csort:date/bvparishat/ZFA4PpULUuE/vzo0iZtPBQAJ Post in BVP] by various scholars)</ref>
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Sound includes any '''Dhvani (ध्वनिः)''' that is audible and if meaningful, it is called '''Speech (vak)'''. Inarticulate sounds such as the bird cries classified by Naiyayikas as Dhvani (as mentioned above) are also a language according to Yoganushasanam (योगानुशासनम् 3.17) which are to be explored by understanding the devices offered therein. It is not unheard of that animals express themselves in a language that is not understood by common man.
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'''Voice is the the guna (गुणः)''' of sound although sometimes the term is used to denote sound itself such as low voice - loud voice etc. The degree of  intensity (गांभीर्यम्) of sound may be expressed as - deep voice / raised voice etc. Gandharvaveda (गान्धर्ववेदः) a musical treatise also describes Shruti (श्रुति) as the pitch classified as high or low.
    
== शब्दगुणाः ॥ Nature of Shabda ==
 
== शब्दगुणाः ॥ Nature of Shabda ==

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