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Textile Technology (तन्तुकार्यम्) (view source)
Revision as of 23:58, 22 April 2020
, 23:58, 22 April 2020Adding content - needs editing
(14) Master. Streynsham (p. 136. Temple p.339) equates herba/erba with tasar, a wild silk For ecorce d'arbre see Savary II, p.239, ecorce d'arbre, q.v.<ref name=":0" />
(14) Master. Streynsham (p. 136. Temple p.339) equates herba/erba with tasar, a wild silk For ecorce d'arbre see Savary II, p.239, ecorce d'arbre, q.v.<ref name=":0" />
== Wool ==
Woollen fabrics have a tradition as old as that of bast fibres in India. Panini refers to the category of woolen garments as aurna/aurnak (15). By the opening years of the Christian era not only was sheep’s wool differentiated from that of the goat but even in the latter category, a line was drawn between the fibres derived from the domesticated variety and its wild counterpart (Varadarajan, 1984). The properties of wool had a bearing on its usage as a fibre. Wool is elastic and its fibres have a rough surface. This is caused by an external layer of microscopic overlapping scales. Wool can absorb 30% of its own weight as moisture, and when wet it generates heat. It can be stretched 30% beyond its normal dimension and still spring back to its original configuration when released. It is wrinkle resistant and has high powers of insulation. It is for this reason that desert dwellers wear wool to keep the heat out (Brown, p.2 13). These properties explain why wool was accorded a high ritual status in early texts.
Unlike flax, wool requires little preparation for spinning. It can be spun directly after carding. However, for high quality items like Kani Pashmina it was scoured and graded prior to carding and spinning operations (16). Since wool possessed a natural fatty material washing was essential prior to dyeing. When placed on the loom warp ends had to be spaced to prevent or minimise the tendency to catch, cling or lock together on contact. However, once positioned safely wool keeps in place and this has favoured its usage in tapestry weaving.
It is therefore, not surprising to note the double interlock a variant within the tapestry reportoire, developing in relation to Kani Pashmina in Kashmir (17).
Owing to geographical and environmental factors, wool, over the major portion of India, is of inferior quality. Apart from Kashmir, Kutch and Saurashtra in Gujarat, and centres in Western Rajasthan, have developed items of variegated design in polychrome hues using rough quality sheeps’ wool. In areas of low to deficient rainfall in Northern India, the camel is an important domesticated animal, but the hair of the Indian one- humped dromedary, unlike that of the Bactrian two-humped animal, is not altogether suitable for weaving. The Meghwal Community in Rajasthan weave a floor covering in which the warp is hand spun goat hair, and the weft, camel hair (Figs. 3a-3c).
== Silk ==
The silk tradition in India is a very early one and by the time of the compilation of the Arthashastra (18) there had emerged a clear sense of the distinction between Indian and Chinese silk, and, within India, there was an association between the colour and the quality of local bi- and multi-voltine cocoons of Bombyx mori (mulberry feeding moth), and that spun from the cocoon of the multi-voltine Atticus ricini (Eri). Wild silk is reeled from Antherea mylitta (Tasar), Antherea assamensis and Saiumia assama (Muga). Eri is also obtained from the cocoons of the moth Philosamia cynthia (Wardle, pp. 5-6, 55; Nanavaty, pp. 193-2 10) (19). Bengal and Assam have been the traditional centres for mulberry silk. Muga and Eri are restricted to Assam, while Tasar has been produced in Bengal, Orissa, Bihar and Andhra Pradesh.
Mulberry silk has a tradition of being woven even in areas ignorant of its cultivation, but the weaving of wild silk has tended to be more localised being generally restricted to the actual regions where the raw material was produced. (For further details see Varadarajan, 1986. pp. 189- 1 98; 1988, pp 561-570).<ref name=":0" />
== References ==
== References ==
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