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| There are similarities between the mythology, rituals and linguistics in Rigveda and those found in ancient central Asia, Iranian and Hindukush (Afghanistan) regions. | | There are similarities between the mythology, rituals and linguistics in Rigveda and those found in ancient central Asia, Iranian and Hindukush (Afghanistan) regions. |
− | == Yajurveda ==
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| + | <s>Yajurveda</s> |
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| It is a collection of Yajus or the mantras in prose which give procedural details to the <s>Adhvaryu</s> priest for the proper performance of Yajnas. The popular hymn in praise of Lord Siva - <s>SriRudraprasna</s> – finds a place in this Veda. The other famous prayer <s>Purusha Sooktam</s> also occurs here with some modifications. | | It is a collection of Yajus or the mantras in prose which give procedural details to the <s>Adhvaryu</s> priest for the proper performance of Yajnas. The popular hymn in praise of Lord Siva - <s>SriRudraprasna</s> – finds a place in this Veda. The other famous prayer <s>Purusha Sooktam</s> also occurs here with some modifications. |
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| 2. BrhadAranyaka | | 2. BrhadAranyaka |
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− | 3. Brhadaraanyokoponishad and Isavasyopanishad. | + | 3. Brhadaraanyokopanishad and Isavasyopanishad. |
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| It is a compilation of ritual offering formulas that were said by a priest while an individual performed ritual actions such as those before the yajna fire. The earliest and most ancient layer of Yajurveda samhita includes about 1,875 verses, that are distinct yet borrow and build upon the foundation of verses in Rigveda. | | It is a compilation of ritual offering formulas that were said by a priest while an individual performed ritual actions such as those before the yajna fire. The earliest and most ancient layer of Yajurveda samhita includes about 1,875 verses, that are distinct yet borrow and build upon the foundation of verses in Rigveda. |
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| Unlike the Samaveda which is almost entirely based on Rigveda mantras and structured as songs, the Yajurveda samhitas are in prose and linguistically, they are different from earlier Vedic texts. The Yajur Veda has been the primary source of information about sacrifices during Vedic times and associated rituals. The youngest layer of Yajurveda text is not related to rituals nor sacrifice, it includes the largest collection of primary Upanishads, influential to various schools of Hindu philosophy. | | Unlike the Samaveda which is almost entirely based on Rigveda mantras and structured as songs, the Yajurveda samhitas are in prose and linguistically, they are different from earlier Vedic texts. The Yajur Veda has been the primary source of information about sacrifices during Vedic times and associated rituals. The youngest layer of Yajurveda text is not related to rituals nor sacrifice, it includes the largest collection of primary Upanishads, influential to various schools of Hindu philosophy. |
− | == Saamaveda == | + | |
| + | == <s>Saamaveda</s> == |
| Samaveda Samhita is the highly commended scripture of Hinduism. However it is not considered as an independent work. All the mantras of the Rig Veda which are useful to '''<s>Udgatri</s>''' priest for chanting in the Yajnas to ensure the grace of the Gods have been brought together in this Veda. The Samaveda Samhita consists of 1549 stanzas, taken almost entirely (except for 75 mantras) from the Rigveda. Just like Rigveda, the early sections of Samaveda typically begin with Agni and Indra hymns but shift to abstract, and their meters too shifts in a descending order. The later sections of the Samaveda have least deviation from substance of hymns they derive from the Rigveda into songs | | Samaveda Samhita is the highly commended scripture of Hinduism. However it is not considered as an independent work. All the mantras of the Rig Veda which are useful to '''<s>Udgatri</s>''' priest for chanting in the Yajnas to ensure the grace of the Gods have been brought together in this Veda. The Samaveda Samhita consists of 1549 stanzas, taken almost entirely (except for 75 mantras) from the Rigveda. Just like Rigveda, the early sections of Samaveda typically begin with Agni and Indra hymns but shift to abstract, and their meters too shifts in a descending order. The later sections of the Samaveda have least deviation from substance of hymns they derive from the Rigveda into songs |
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− | The Samaveda samhita comprises two major parts. The first part include four melody collections (gāna, गान) and the second part three verse “books” (ārcika, आर्चिक). A melody in the song books corresponds to a verse in the arcika books. ‘SA’ means a mantra of the Rig Veda, ‘AMA’ means musical notes. Hence a Saman is a mantra of the Rig Veda set to music. The word Saama also means that which brings peace to the mind. Although this Veda is said to have 1000 Shakhas only three are available now. | + | The Samaveda samhita comprises two major parts. The first part include four melody collections (gāna, गान) and the second part three verse “books” (ārcika, आर्चिक). A melody in the song books corresponds to a verse in the arcika books. ‘SA’ means a mantra of the Rig Veda, ‘AMA’ means musical notes. Hence a Saman is a mantra of the Rig Veda set to music. The word <s>Saama</s> also means that which brings peace to the mind. Although this Veda is said to have 1000 Shakhas only three are available now. |
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| Unlike the mantras of the other three Vedas, the mantras of Samaveda are simply known as Saman having seven svaras or musical scales. Therefore, Saama Gana or singing of hymns as per the rules of Sama Veda is said to be the basis and source of the seven svaras or notes fundamental to the Indian music systems. | | Unlike the mantras of the other three Vedas, the mantras of Samaveda are simply known as Saman having seven svaras or musical scales. Therefore, Saama Gana or singing of hymns as per the rules of Sama Veda is said to be the basis and source of the seven svaras or notes fundamental to the Indian music systems. |
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− | The special virtue of Sama Veda is that although its mantras are from the Rig Veda they are set to music which is greatly conductive to the spiritual evolution of a human being and to qualify oneself for receiving the grace of the Gods. Hence, Sri Krishna says in the Gita (Ch.10 Verse 22) ‘vedaanaam saamavedosmi’ meaning ‘among the Vedas I am the Sama Veda’. Similarly, in the Lalita Sahasranama, one of the epithets used to describe the Divine Mother is ‘Saama Gaana Priye’ meaning one who is pleased with the recital of Saman. | + | The special virtue of Sama Veda is that although its mantras are from the Rig Veda they are set to music which is greatly conductive to the spiritual evolution of a human being and to qualify oneself for receiving the grace of the Gods. Hence, Sri Krishna says in the Gita (Ch.10 Verse 22) ‘vedaanaam saamavedosmi’ meaning ‘among the Vedas I am the Sama Veda’. Similarly, in the Lalita Sahasranama, one of the epithets used to describe the Divine Mother is ‘<s>Saama Gaana Priye’</s> meaning one who is pleased with the recital of Saman. |
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| Affiliated to this Samhita are- | | Affiliated to this Samhita are- |
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| 3. Chandogya Upanishad and the Kenopanishad, also known as Talavakaropanishad. | | 3. Chandogya Upanishad and the Kenopanishad, also known as Talavakaropanishad. |
− | == Atharvana or Atharva veda ==
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− | Atharva means purohit or pundit. This Veda is said to have been brought to light by a Sage called Atharvan and hence this name. This is also called Brahma Veda because it is assigned to the Brahma priest who supervises the conduct of the Yajnas. The mantras in this Veda are both in prose and verse forms.
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− | As the Atharva Veda Samhita has some special features it stands apart from the other three Vedas. It deals more with things here and now than with the hereafter and the sacrifices are utilized as a means to them. This Veda contains many types of mantras designed to ward off evils and hardship as also to destroy enemies. Besides this it deals with diseases and their cure, rites for prolonging life, for fulfilling one’s desires, construction activities, trade and commerce, statecraft, defense systems of the country etc.
| + | == <s>Atharvana or Atharva veda</s> == |
| + | The Artharvaveda Samhita is the text 'belonging to the <s>Atharvan and Angirasa</s> poets. It has about 760 hymns, and about 160 of the hymns are in common with the Rigveda. Most of the verses are metrical, but some sections are in prose. This is also called Brahma Veda because it is assigned to the '''Brahma''' priest who supervises the conduct of the Yajnas. The mantras in this Veda are both in prose and verse forms. |
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− | Many hymns deal with creation and emergence of the Universe. The hymn extolling the wonder of creation is called Prithvi Sooktam. Amidst mundane subjects high philosophical ideas are also found in this Veda. The literary style of this Veda is highly sophisticated.
| + | As the Atharva Veda Samhita has some special features it stands apart from the other three Vedas. It deals more with things here and now than with the hereafter and the sacrifices are utilized as a means to them. This Veda contains many types of mantras designed to ward off evils and hardship as also to destroy enemies. Besides this it deals with diseases and their cure, rites for prolonging life, for fulfilling one’s desires, construction activities, trade and commerce, statecraft, defense systems of the country among others. |
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− | Most of the Shakhas of Atharva Veda are lost. Out of the 9 Shakhas known to have existed under this Samhita only two are available now. They are Pippalada and Saunaka. Only one Brahmana called Gopatha Brahmana has been discovered. No Aranyaka of this Veda has come to light so far.
| + | Many mantras deal with creation and emergence of the Universe. The sukta extolling the wonder of creation is called <s>Prithvi Sooktam</s>. Amidst mundane subjects high philosophical ideas are also found in this Veda. The literary style of this Veda is highly sophisticated. |
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− | There are a number of Upanishads which are associated with this Veda. The three well known Upanishads viz. Prasna, Mundaka and Mandukya as also the Kaivalya Upanishad belong to this Veda.
| + | Most of the Shakhas of Atharva Veda are lost. Out of the 9 Shakhas known to have existed under this Samhita only two are available now. They are |
| + | # Pippalada |
| + | # Saunaka |
| + | Only one Brahmana called Gopatha Brahmana has been discovered. No Aranyaka of this Veda has come to light so far. |
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− | The Artharvaveda Samhita is the text 'belonging to the Atharvan and Angirasa poets. It has about 760 hymns, and about 160 of the hymns are in common with the Rigveda. Most of the verses are metrical, but some sections are in prose. Two different versions of the text – the Paippalāda and the Śaunakīya – have survived into the modern times.The Atharvaveda was not considered as a Veda in the Vedic era, and was accepted as a Veda during later ages though some schools do not consider it even in modern era.
| + | There are a number of Upanishads which are associated with this Veda. The well known Upanishads belonging to this Veda are : |
| + | # Prasna Upanishad |
| + | # Mundaka Upanishad |
| + | # Mandukya Upanishad |
| + | # Kaivalya Upanishad . |
| + | The Atharvaveda was not considered as a Veda in the Vedic era, and was accepted as a Veda during later ages though some schools do not consider it even in modern era. |
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| The Atharvaveda is sometimes called the "Veda of magical formulas", an epithet declared to be incorrect by other scholars. The Samhita layer of the text likely represents magico-religious rites to address superstitious anxiety, spells to remove maladies believed to be caused by demons, and herbs- and nature-derived potions as medicine. However, books of the Atharvaveda Samhita are dedicated to rituals without magic, such as to philosophical speculations and to philosophy. | | The Atharvaveda is sometimes called the "Veda of magical formulas", an epithet declared to be incorrect by other scholars. The Samhita layer of the text likely represents magico-religious rites to address superstitious anxiety, spells to remove maladies believed to be caused by demons, and herbs- and nature-derived potions as medicine. However, books of the Atharvaveda Samhita are dedicated to rituals without magic, such as to philosophical speculations and to philosophy. |
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| == Sub Classification of Vedas == | | == Sub Classification of Vedas == |
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− | === Samhitas === | + | === <s>Samhitas</s> === |
− | Samhitas (Sanskrit saṃhitā, "collection"), are collections of metric texts ("mantras") or hymns and prayers in praise of Deities for attaining prosperity in the world and happiness hereafter.. There are four "Vedic" Samhitas: the Rig-Veda, Sama-Veda, Yajur-Veda, and Atharva-Veda, most of which are available in several recensions (śākhā). In some contexts, the term Veda is used to refer to these Samhitas. This is the oldest layer of Vedic texts, apart from the Rigvedic hymns, which were probably essentially complete by 1200 BC, dating to the 12th to 10th centuries BC according to historians. | + | Samhitas (Sanskrit saṃhitā, "collection"), are collections of mantras or hymns and prayers in praise of Deities for attaining prosperity in the world and happiness hereafter.. There are four "Vedic" Samhitas: the Rig-Veda, Sama-Veda, Yajur-Veda, and Atharva-Veda, most of which are available in several recensions (śākhā). |
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| + | In some contexts, the term Veda is used to refer to these Samhitas. This is the oldest layer of Vedic texts, apart from the Rigvedic hymns, which were probably essentially complete by 1200 BC, dating to the 12th to 10th centuries BC according to historians. |
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− | This portion is mainly meant for Brahmacharis, those who are in the first stage of their lives. | + | This portion is mainly meant for <s>Brahmacharis</s>, those who are in the first stage of their lives. |
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− | === Brahmanas === | + | === <s>Brahmanas</s> === |
| The Brahmanas are commentaries, explanation of solemn rituals as well as expound on their meaning of Vedic Samhita rituals in the four Vedas. They also incorporate legends and in some cases philosophy. Each regional Vedic shakha (school) has its own operating manual-like Brahmana text, most of which have been lost. A total of 19 Brahmana texts have survived into modern times: two associated with the Rigveda, six with the Yajurveda, ten with the Samaveda and one with the Atharvaveda. | | The Brahmanas are commentaries, explanation of solemn rituals as well as expound on their meaning of Vedic Samhita rituals in the four Vedas. They also incorporate legends and in some cases philosophy. Each regional Vedic shakha (school) has its own operating manual-like Brahmana text, most of which have been lost. A total of 19 Brahmana texts have survived into modern times: two associated with the Rigveda, six with the Yajurveda, ten with the Samaveda and one with the Atharvaveda. |
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| Each of the Brahmanas is associated with one of the Samhitas or its recensions. The Brahmanas may either form separate texts or can be partly integrated into the text of the Samhitas. They may also include the Aranyakas and Upanishads. The substance of the Brahmana text varies with each Veda. For example, the first chapter of the Chandogya Brahmana, one of the oldest Brahmanas, includes eight ritual suktas (hymns) for the ceremony of marriage and rituals at the birth of a child. | | Each of the Brahmanas is associated with one of the Samhitas or its recensions. The Brahmanas may either form separate texts or can be partly integrated into the text of the Samhitas. They may also include the Aranyakas and Upanishads. The substance of the Brahmana text varies with each Veda. For example, the first chapter of the Chandogya Brahmana, one of the oldest Brahmanas, includes eight ritual suktas (hymns) for the ceremony of marriage and rituals at the birth of a child. |
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− | This portion of a Veda guides people in the performance of Vedic Karmas or sacrificial rituals; they are the prose explanations of the method of using the mantras in the Yajnas and other rituals. Brahmana is suitable for the householders, those belonging to the second stage in life. | + | This portion of a Veda guides people in the performance of Vedic Karmas or sacrificial rituals; they are the prose explanations of the method of using the mantras in the Yajnas and other rituals. Brahmana is suitable for the <s>Grihasthas</s> or the householders, those belonging to the second stage in life. |
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− | === Aranyakas === | + | === <s>Aranyakas</s> === |
| Aranyakas, "wilderness texts" or "forest treaties", were composed by people who meditated in the woods as recluses and are the third part of the Vedas. The texts contain discussions and interpretations of ceremonies, from ritualisitic to symbolic meta-ritualistic points of view. It is frequently read in secondary literature. | | Aranyakas, "wilderness texts" or "forest treaties", were composed by people who meditated in the woods as recluses and are the third part of the Vedas. The texts contain discussions and interpretations of ceremonies, from ritualisitic to symbolic meta-ritualistic points of view. It is frequently read in secondary literature. |
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− | Aranyakas, however, neither are homogeneous in content nor in structure. They are a combination of instructions and ideas, and some include chapters of Upanishads within them. Two theories have been proposed on the origin of the word Aranyakas. One theory holds that these texts were meant to be studied in a forest, while the other holds that the name came from these being the manuals of allegorical interpretation of sacrifices, for those in Vanaprastha (retired, forest-dwelling) stage of their life, according to the historic age-based Ashrama system of human life. | + | Aranyakas, however, neither are homogeneous in content nor in structure. They are a combination of instructions and ideas, and some include chapters of Upanishads within them. Two theories have been proposed on the origin of the word Aranyakas. One theory holds that these texts were meant to be studied in a forest, while the other holds that the name came from these being the manuals of allegorical interpretation of sacrifices, for those in <s>Vanaprastha</s> (retired, forest-dwelling) stage of their life, according to the historic age-based Ashrama system of human life. |
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| The Aranyaka portion is addressed to the people of that category offering a substitute for rituals. They teach methods of meditation based upon symbolical interpretations of sacrificial rites. It is a process of performing Yajnas and sacrifices at the mental level. For example Brihadaranyaka Upanishad starts with such analytical mental performance of Aswamedha Yajna. The Aranyakas are intended for the Vanaprasthas or people who prepare themselves for the last stage in life i.e. Sanyasa. Aranyakas form the transition link between the ritual of the Brahmanas and the philosophy of the Upanishads. | | The Aranyaka portion is addressed to the people of that category offering a substitute for rituals. They teach methods of meditation based upon symbolical interpretations of sacrificial rites. It is a process of performing Yajnas and sacrifices at the mental level. For example Brihadaranyaka Upanishad starts with such analytical mental performance of Aswamedha Yajna. The Aranyakas are intended for the Vanaprasthas or people who prepare themselves for the last stage in life i.e. Sanyasa. Aranyakas form the transition link between the ritual of the Brahmanas and the philosophy of the Upanishads. |
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− | === Upanishads === | + | === <s>Upanishads</s> === |
| The number of works that go by the name Upanishad and available today in print exceeds 200. The Muktikopanishad gives a list of 108 Upanishads. However, the principal Upanishads are accepted to be those which Adi Sankaracharya who lived between 788 and 820 A.D. chose to comment upon. | | The number of works that go by the name Upanishad and available today in print exceeds 200. The Muktikopanishad gives a list of 108 Upanishads. However, the principal Upanishads are accepted to be those which Adi Sankaracharya who lived between 788 and 820 A.D. chose to comment upon. |
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| '''TEN MAJOR UPANISHADS (Based on Adi Shankara's Commentaries)''' | | '''TEN MAJOR UPANISHADS (Based on Adi Shankara's Commentaries)''' |
− | # Isavasya or Isopanishad | + | # <s>Isavasya or Isopanishad</s> |
− | # Kena Upanishad | + | # <s>Kena Upanishad</s> |
− | # KathaUpanishad | + | # <s>KathaUpanishad</s> |
− | # Prasna Upanishad | + | # <s>Prasna Upanishad</s> |
− | # Mundaka Upanishad | + | # <s>Mundaka Upanishad</s> |
− | # Mandukya Upanishad | + | # <s>Mandukya Upanishad</s> |
− | # Taittiriya Upanishad | + | # <s>Taittiriya Upanishad</s> |
− | # AitareyaUpanishad | + | # <s>AitareyaUpanishad</s> |
− | # Chandogya Upanishad | + | # <s>Chandogya Upanishad</s> |
− | # Brhadaranyaka Upanishad | + | # <s>Brhadaranyaka Upanishad</s> |
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− | The Upanishads are the concluding portions of the Vedas which discuss philosophical issues. They are commonly referred to as Vedānta, variously interpreted to mean either the "last chapters, parts of the Vedas" or "the object, the highest purpose of the Veda". The concepts of Brahman (Ultimate Reality) and Ātman (Soul, Self) are central ideas in all the Upanishads, and "Know your Ātman" their thematic focus. The Upanishads are the foundation of Hindu philosophical thought and its diverse traditions. | + | The Upanishads are the concluding portions of the Vedas which discuss philosophical issues. They are commonly referred to as <s>Vedānta</s>, variously interpreted to mean either the "last chapters, parts of the Vedas" or "the object, the highest purpose of the Veda". The concepts of <s>Brahman</s> (Ultimate Reality) and <s>Ātman</s> (Soul, Self) are central ideas in all the Upanishads, and "Know your Ātman" their thematic focus. The Upanishads are the foundation of Hindu philosophical thought and its diverse traditions. |
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− | They are the essence of the Vedas containing their knowledge aspects. The philosophy of the Upanishads occupies the highest pedestal in the spiritual knowledge. They speak about the identity of the Supreme Eternal Soul, the Brahman, the individual soul, the Atman, their mutual relationship, the Universe (jagat) and man’s place in it. In short they deal with Jivatma, Paramatma, Jagat and Jagadishwara. | + | They are the essence of the Vedas containing their knowledge aspects. The philosophy of the Upanishads occupies the highest pedestal in the spiritual knowledge. They speak about the identity of the Supreme Eternal Soul, the Brahman, the individual soul, the Atman, their mutual relationship, the Universe (jagat) and man’s place in it. In short they deal with <s>Jivatma, Paramatma, Jagat and Jagadishwara</s>. |
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| Aranyakas are sometimes identified as karma-kanda (ritualistic section), while the Upanishads are identified as jnana-kanda (spirituality section). In an alternate classification, the early part of Vedas are called Samhitas and the commentary are called the Brahmanas which together are identified as the ceremonial karma-kanda, while Aranyakas and Upanishads are together referred to as the jnana-kanda. | | Aranyakas are sometimes identified as karma-kanda (ritualistic section), while the Upanishads are identified as jnana-kanda (spirituality section). In an alternate classification, the early part of Vedas are called Samhitas and the commentary are called the Brahmanas which together are identified as the ceremonial karma-kanda, while Aranyakas and Upanishads are together referred to as the jnana-kanda. |
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| == References == | | == References == |
| Wikipedia | | Wikipedia |
| + | |
| + | [http://ignca.nic.in/vedic_heritage_brahmanas.htm http://ignca.nic.in/http://ignca.nic.in/vedic_heritage_brahmanas.htm] |