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Shabdabodha (Samskrit : शाब्दबोधः) refers to the awareness and information of things hitherto unknown (to the listeners) to convey which a speaker utters words generated by shabda arranged in intelligible sentences. The awareness generated by such shabda — in the form of a sentence – is called "Shabdabodha", cognition of sentence meaning or awareness of the relation (of word-meanings). Almost all schools of darshanas, vyakarana and alankara shastras have dealt with this topic extensively.<ref name=":0">Dr. N. S. Ramanuja Tatacharya. (2005) ''[https://archive.org/details/ShabdaBodhamimansaAnInquiryIntoIndianTheoriesOfVerbalCognitionN.S.RamanujaTatacharya/page/n39 Shabdabodhamimamsa. An Inquiry into Indian Theories of Verbal Cognition. Volume 1: The Sentence and its Significance.]'' New Delhi : Rastriya Sanskrit Samsthan</ref>
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Shabdabodha (Samskrit : शाब्दबोधः) refers to the awareness and information of things hitherto unknown (to the listeners), to convey which, a speaker utters words generated by shabda arranged in intelligible sentences. The awareness generated by such shabda — in the form of a sentence – is called "Shabdabodha", which is cognition of sentence meaning or awareness of the relation (of word-meanings). Almost all schools of darshanas, vyakarana and alankara shastras have dealt with this topic extensively.<ref name=":0">Dr. N. S. Ramanuja Tatacharya. (2005) ''[https://archive.org/details/ShabdaBodhamimansaAnInquiryIntoIndianTheoriesOfVerbalCognitionN.S.RamanujaTatacharya/page/n39 Shabdabodhamimamsa. An Inquiry into Indian Theories of Verbal Cognition. Volume 1: The Sentence and its Significance.]'' New Delhi : Rastriya Sanskrit Samsthan</ref>
 
== परिचयः ॥ Introduction ==
 
== परिचयः ॥ Introduction ==
The concept of Shabda is the very foundation of the Shabdapramana. Hence understanding a word and subsequent knowledge-from-word forms the basis of Shabdabodha. Shabda according to various texts broadly refer to meaningful "words (शब्दाः)", and their combination in the form of "sentences (वाक्यं)". While individual words have their meanings, the process through which the cognition of the sentence-meaning arises, involves processes such as yogyata (योग्यता । fitness) akanksha (आकाङ्क्षा । expectancy), aasatti (आसत्तिः । proximity) and tatparya (तात्पर्यम् । import). Alankarikas such as Vishvanatha have clearly defined a sentence as that group of words having yogyata, akanksha and aasatti. <blockquote>वाक्यं स्याद्योग्यताकाङ्क्षासत्तियुक्तः पदोच्चयः । (Sahi. Darp. 2.1)<ref>Sahitya Darpana by Vishvanatha ([https://sa.wikisource.org/wiki/%E0%A4%B8%E0%A4%BE%E0%A4%B9%E0%A4%BF%E0%A4%A4%E0%A5%8D%E0%A4%AF%E0%A4%A6%E0%A4%B0%E0%A5%8D%E0%A4%AA%E0%A4%A3%E0%A4%AE%E0%A5%8D/%E0%A4%A6%E0%A5%8D%E0%A4%B5%E0%A4%BF%E0%A4%A4%E0%A5%80%E0%A4%AF%E0%A4%83_%E0%A4%AA%E0%A4%B0%E0%A4 Pariccheda 2])</ref></blockquote>Bharthari says: <blockquote>अर्थप्रवृत्तितत्त्वानां शब्दा एव निबन्धनम् । तत्त्वावबोधः शब्दानां नास्ति व्याकरणादृते ।। 13 ।। (Vaky. Brah. 13)<ref>Vakyapadiyam by Bhartrhari ([https://sa.wikisource.org/wiki/%E0%A4%B5%E0%A4%BE%E0%A4%95%E0%A5%8D%E0%A4%AF%E0%A4%AA%E0%A4%A6%E0%A5%80%E0%A4%AF%E0%A4%AE%E0%A5%8D_(%E0%A4%B8%E0%A4%B5%E0%A5%83%E0%A4%A4%E0%A5%8D%E0%A4%A4%E0%A4%BF)/%E0%A4%AA%E0%A5%8D%E0%A4%B0%E0%A4%A5%E0%A4%AE%E0%A4%83_%E0 Brahmakaanda])</ref></blockquote>It is words that form the bases of meanings, purposes, activities and truth. Knowledge of Vyakarana is the only recourse to understand the truth (तत्त्वावबोधः) embedded in the shabda.<ref name=":0" />
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The concept of Shabda is the very foundation of theories of language. They deal with the concepts pertaining to sound (including letters, words and sentences), its origin, qualities, relationship with listener and its validity as a pramana. Hence understanding a word and subsequent knowledge-from-word forms the basis of Shabdabodha. Shabda according to various texts broadly refer to meaningful "words (शब्दाः)", and their combination in the form of "sentences (वाक्यं)". While individual words have their meanings, the process through which the cognition of the sentence-meaning arises, involves processes such as yogyata (योग्यता । fitness) akanksha (आकाङ्क्षा । expectancy), aasatti (आसत्तिः । proximity) and tatparya (तात्पर्यम् । import). Alankarikas such as Vishvanatha have clearly defined a sentence as that group of words having yogyata, akanksha and aasatti. <blockquote>वाक्यं स्याद्योग्यताकाङ्क्षासत्तियुक्तः पदोच्चयः । (Sahi. Darp. 2.1)<ref>Sahitya Darpana by Vishvanatha ([https://sa.wikisource.org/wiki/%E0%A4%B8%E0%A4%BE%E0%A4%B9%E0%A4%BF%E0%A4%A4%E0%A5%8D%E0%A4%AF%E0%A4%A6%E0%A4%B0%E0%A5%8D%E0%A4%AA%E0%A4%A3%E0%A4%AE%E0%A5%8D/%E0%A4%A6%E0%A5%8D%E0%A4%B5%E0%A4%BF%E0%A4%A4%E0%A5%80%E0%A4%AF%E0%A4%83_%E0%A4%AA%E0%A4%B0%E0%A4 Pariccheda 2])</ref></blockquote>Bharthari says: <blockquote>अर्थप्रवृत्तितत्त्वानां शब्दा एव निबन्धनम् । तत्त्वावबोधः शब्दानां नास्ति व्याकरणादृते ।। 13 ।। (Vaky. Brah. 13)<ref>Vakyapadiyam by Bhartrhari ([https://sa.wikisource.org/wiki/%E0%A4%B5%E0%A4%BE%E0%A4%95%E0%A5%8D%E0%A4%AF%E0%A4%AA%E0%A4%A6%E0%A5%80%E0%A4%AF%E0%A4%AE%E0%A5%8D_(%E0%A4%B8%E0%A4%B5%E0%A5%83%E0%A4%A4%E0%A5%8D%E0%A4%A4%E0%A4%BF)/%E0%A4%AA%E0%A5%8D%E0%A4%B0%E0%A4%A5%E0%A4%AE%E0%A4%83_%E0 Brahmakaanda])</ref></blockquote>It is words that form the bases of meanings, purposes, activities and truth. Knowledge of Vyakarana is the only recourse to understand the truth (तत्त्वावबोधः) embedded in the shabda.<ref name=":0" />
    
Here in the present article we engage in a small discussion about shabdas and vakyas (group of shabdas) involving the following aspects dealt according to different schools of Darshanas.
 
Here in the present article we engage in a small discussion about shabdas and vakyas (group of shabdas) involving the following aspects dealt according to different schools of Darshanas.
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== व्युत्पत्तिः ॥ Etymology ==
 
== व्युत्पत्तिः ॥ Etymology ==
Shabdakalpadruma defines the word शब्दः as श्रोत्रग्राह्यगुणपदार्थ-विशेषः।  The synonyms for Shabda according to Amarakosha are <blockquote>१ निनादः २ निनदः ३ ध्वनिः ४ ध्वानः ५ रवः ६ स्वनः ७ स्वानः ८ निर्घोषः ९ निर्हादः १० नादः ११ निःस्वानः १२ निःस्वनः १३ आरवः १४ आरावः १५ संरावः १६ विरावः इत्यमरः।</blockquote>Shabda is two-fold as word and sentence. A word is defined as that which has the meaning or signifying power (sakti). It is also defined as a unity of articulate letter-sounds having a (verbal or case-) ending.
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Shabdakalpadruma defines the word शब्दः as श्रोत्रग्राह्यगुणपदार्थ-विशेषः।  that padartha having the quality of being captured (heard) by the ear. The synonyms for Shabda according to Amarakosha are <blockquote>१ निनादः २ निनदः ३ ध्वनिः ४ ध्वानः ५ रवः ६ स्वनः ७ स्वानः ८ निर्घोषः ९ निर्हादः १० नादः ११ निःस्वानः १२ निःस्वनः १३ आरवः १४ आरावः १५ संरावः १६ विरावः इत्यमरः।</blockquote>Shabda is two-fold as word and sentence. A word is defined as that which has the meaning or signifying power (sakti). It is also defined as a unity of articulate letter-sounds having a (verbal or case-) ending.<ref name=":0" />
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== शब्दः ॥ Shabda (Sound) ==
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Shabda, a word similar to many others like Dharma and Jnana, is of wide import. It is defined and explained as a that "heard by the ear" or it is a "sound (ध्वनिः)" or "a cry, roar (रवः)" by Vaiyyakaranas, apart from being used as a technical term (संज्ञा) of a valid tool of knowledge (cognition) or [[Pramana (प्रमाणम्)]] by the Darshanikas.
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Shabda literally means sound. In linguistics it means the words and sentences. A word is a particular kind of sound, thus a sentence is a group of sounds arranged in a certain order. According to Nyaya, sound is a physical phenomenon. It is the attribute of an intangible and all-pervading substance called Akasha (आकाशः). Vayu is its medium of transmission from one place to another and not a substratum of the quality of sound. Sound is a product of the conjunction of two bodies or of the disjunction of the parts of one composite body. It is thus non-eternal or subject to origin and cessation in time. The Mimamsakaras here differ from the Nyaya stance in that they hold that Sound is eternal, since it is not produced but only manifested by the contact of two bodies.<ref name=":7">Chatterjee. Satischandra, (1950 Second Edition) ''The Nyaya Theory of Knowledge, A Critical Study of Some Problems of Login and Metaphysics''. Calcutta: University of Calcutta. (Pages 322 - 335)</ref>
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Sound is of two kinds, namely, Dhvani (ध्वनिः) and Varna (वर्णम्).<blockquote>शब्दो ध्वनिश्च वर्णश्च मृदङ्गादिभवो ध्वनि:।।164।।</blockquote><blockquote>कण्ठसंयोगादिजन्या वर्णास्ते कादयो मता: सर्व: शब्दो नभोवृत्ति: श्रोत्रोत्पन्नस्तु गृह्यते।।165।। (Nyayasiddhanta Muktavali 164-165)<ref>Nyayasiddhanta Muktavali ([https://sa.wikisource.org/wiki/%E0%A4%A8%E0%A5%8D%E0%A4%AF%E0%A4%BE%E0%A4%AF%E0%A4%B8%E0%A4%BF%E0%A4%A6%E0%A5%8D%E0%A4%A7%E0%A4%BE%E0%A4%A8%E0%A5%8D%E0%A4%A4%E0%A4%AE%E0%A5%81%E0%A4%95%E0%A5%8D%E0%A4%A4%E0%A4%BE%E0%A4%B5%E0%A4%B2%E0%A5%80 न्यायसिद्धान्तमुक्तावली])</ref></blockquote>
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=== ध्वनिः ॥ Dhvani ===
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A dhvani is an inarticulate sound, e.g. the sound of a bell or a drum. It has no fixed nature of its own, nor any fixed relation to other similar sounds. This Dhvani is thus incapable of forming parts of a language. From a linguistic standpoint, the cries of birds, and beasts and even newborn babies are considered inarticulate. They are as variable and disorderly as sounds produced by physical things and do not lend themselves to any use as alphabet of a language.
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=== वर्णम् ॥ Varna ===
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A varna is an articulate sound produced by the action of the vocal organ of humans, e.g. the alphabet a letter. A varna is a letter or syllable which has a fixed character and a definite place in the alphabet of any language. All varnas or letters are constituents of human speech but they independently do not have a specific meaning. These varnas are either spoken or written. Spoken letters are perceived by auditory sensation and written letters by visual sensation.<ref name=":7" />
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== पदम् ॥ Padam (Word) ==
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According to Tarkabhasha by Shri Keshav Mishra, a padam (word) is defined as पदं च वर्णसमूहः । Padam (word) is a collection of varnas (letters). Gangesa also in his Tattvachintamani considers the group of words to be a sentence as in वर्णसमूहः पदं ।<ref>Tattvachintamani by Gangesa Upadhyaya ([https://sa.wikisource.org/wiki/%E0%A4%A4%E0%A4%A4%E0%A5%8D%E0%A4%A4%E0%A5%8D%E0%A4%B5%E0%A4%9A%E0%A4%BF%E0%A4%A8%E0%A5%8D%E0%A4%A4%E0%A4%BE%E0%A4%AE%E0%A4%A3%E0%A4%BF%E0%A4%83/%E0%A4%B6%E0%A4%AC%E0%A5%8D%E0%A4%A6%E0%A4%96%E0%A4%A3%E0%A5%8D%E0%A4%A1%E0%A4% ShabdaKhanda])</ref>.
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Shabda', in the technical sense of a sentence (that can be a means of knowledge) is defined by Gautama as that which is uttered by a trustworthy person. A trustworthy person is one who has the discerning knowledge of objects to attain what is beneficial and avoid what is harmful. Such a person may be a seer, a virtuous man, a foreigner (mleccha); and the sentence uttered by them consisting of words having syntactic expectancy (yogyata), congruity (aakanksha) and proximity (sannidi or aasatti) is a valid verbal testimony or shabdapramana.<ref name=":0" />
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A word is a group of varnas or letters arranged in a certain fixed order giving a certain meaning. The order of the letters in a word cannot be changed or reversed in any way without altering its meaning. While a letter is a significant sound, a word is a symbolic sound of a higher order. A varna signifies only a part of the alphabet but the fixed set of varnas in a padam stand for some thing or some idea. Padas are similar to varnas in their ability to be spoken or written and thus are the objects of auditory or visual perception. It should be noted that while varnas are part of alphabet and independent, a word is not a mere collection or aggregation of varnas but a definite whole of letters or syllables having a fixed sequence of arrangement within the Padam. It is the unity of the parts (syllables) forming an object (word) of single cognition.  
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== Validity of Shabda ==
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=== Qualities of Words ===
Shabda, a word similar to many others like Dharma and Jnana, is of wide import. It is defined and explained as a that "heard by the ear" or it is a "sound (ध्वनिः)" or "a cry, roar (रवः)" by Vaiyyakaranas, apart from being used as a technical term (संज्ञा) of a valid tool of knowledge (cognition) or [[Pramana (प्रमाणम्)]] by the Darshanikas.  
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# It consists of varnas in a fixed order
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# its essential nature lies in its meaning
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# Meaning of the word and object it signifies have a relationship
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# Different relationships (of word and object) gives different meanings of a particular word.
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=== Kinds of Meanings of Words ===
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Logically a word is a sound that bears a certain meaning. A word may have different meanings according to the various ways in which it is related to the object. On the whole we see at least four different kinds of meaning of a word as per Naiyyayikas and Alamkarikas. The relation between a word and its meaning may be either Sanketa, Lakshana or Vyanjana; Sanketa is the direct relation between a word and its meaning, such that the knowledge of the word leads immediately to the knowledge of its relation to the meaning. Lakshana is the indirect or implied meaning in which we should understand a word when its direct or primary meaning is inconsistent with other words or the context. Thus such a Lakshana word means an object when it is directly related to some other aspect of the object other than its primary meaning. Naiyyayikas admit only Sanketa and Lakshana kinds of meanings. The Alamkarikas consider another kind of meaning namely Vyanjana. This stands for such meanings of words which are neither directly or indirectly related to them, but are only suggested by them.
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Abhidhaa : Primary meaning
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Paribhaasha : Technical meaning
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=== शब्दः ॥ Sound ===
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Lakshana : Secondary meaning
Shabda literally means sound. In linguistics it means the words and sentences. A word is a particular kind of sound, thus a sentence is a group of sounds arranged in a certain order. According to Nyaya, sound is a physical phenomenon. It is the attribute of an intangible and all-pervading substance called Akasha (आकाशः). Vayu is its medium of transmission from one place to another and not a substratum of the quality of sound. Sound is a product of the conjunction of two bodies or of the disjunction of the parts of one composite body. It is thus non-eternal or subject to origin and cessation in time. The Mimamsakaras here differ from the Nyaya stance in that they hold that Sound is eternal, since it is not produced but only manifested by the contact of two bodies.<ref>Chatterjee. Satischandra, (1950 Second Edition) ''The Nyaya Theory of Knowledge, A Critical Study of Some Problems of Login and Metaphysics''. Calcutta: University of Calcutta. (Pages 322 - 335)</ref>
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Sound is of two kinds, namely, Dhvani (ध्वनिः) and Varna (वर्णम्).<blockquote>शब्दो ध्वनिश्च वर्णश्च मृदङ्गादिभवो ध्वनि:।।164।।</blockquote><blockquote>कण्ठसंयोगादिजन्या वर्णास्ते कादयो मता: सर्व: शब्दो नभोवृत्ति: श्रोत्रोत्पन्नस्तु गृह्यते।।165।। (Nyayasiddhanta Muktavali 164-165)<ref>Nyayasiddhanta Muktavali ([https://sa.wikisource.org/wiki/%E0%A4%A8%E0%A5%8D%E0%A4%AF%E0%A4%BE%E0%A4%AF%E0%A4%B8%E0%A4%BF%E0%A4%A6%E0%A5%8D%E0%A4%A7%E0%A4%BE%E0%A4%A8%E0%A5%8D%E0%A4%A4%E0%A4%AE%E0%A5%81%E0%A4%95%E0%A5%8D%E0%A4%A4%E0%A4%BE%E0%A4%B5%E0%A4%B2%E0%A5%80 न्यायसिद्धान्तमुक्तावली])</ref></blockquote>A dhvani is an inarticulate sound, e.g. the sound of a bell or a drum. It has no fixed nature of its own, nor any fixed relation to other similar sounds. This Dhvani is thus incapable of forming parts of a language. From a linguistic standpoint, the cries of birds, and beasts and even newborn babies are considered inarticulate. They are as variable and disorderly as sounds produced by physical things.
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Vyanjana : Suggested meaning
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A varna is an articulate sound produced by the action of the vocal organ of humans, e.g. the alphabet a letter. A varna is a letter which has a fixed character and a definite place in the alphabet of any language. All varnas or letters are constituent of human speech.  
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== शब्दप्रमाणम् ॥ Shabda Pramana ==
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Shabda', in the technical sense of a sentence (that can be a means of knowledge) is defined by Gautama as that which is uttered by a trustworthy person. A trustworthy person is one who has the discerning knowledge of objects to attain what is beneficial and avoid what is harmful. Such a person may be a seer, a virtuous man, a foreigner (mleccha); and the sentence uttered by them consisting of words having syntactic expectancy (yogyata), congruity (aakanksha) and proximity (sannidi or aasatti) is a valid verbal testimony or shabdapramana.<ref name=":0" />
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=== शब्दप्रमाणम् ॥ Shabda Pramana ===
   
Simply put technically Shabda Pramana is आप्तोपदेशः शब्दः।।७।। āptopadeśaḥ śabdaḥ<ref name=":4" />, the Shabda are the utterances of a trustworthy persons (such as Rshis, Mantradrastas). Naagesha in his Laghumanjusha further explains that an Apta (आप्तः) is one who will not utter falsehood. This expression is explained in two ways, in order to accomodate both testimony without any speaker (Apaurusheya) as well as that which is spoken by a person:
 
Simply put technically Shabda Pramana is आप्तोपदेशः शब्दः।।७।। āptopadeśaḥ śabdaḥ<ref name=":4" />, the Shabda are the utterances of a trustworthy persons (such as Rshis, Mantradrastas). Naagesha in his Laghumanjusha further explains that an Apta (आप्तः) is one who will not utter falsehood. This expression is explained in two ways, in order to accomodate both testimony without any speaker (Apaurusheya) as well as that which is spoken by a person:
 
# '''Upadesha (उपदेशः) that is Apta (आप्तः)''': A verbal testimony, an instruction that is beneficial, as in the Vedas which contain instructions that are beneficial to everyone here and hereafter. This also imbibes the concept of Apaurusheyatvam (without any speaker)
 
# '''Upadesha (उपदेशः) that is Apta (आप्तः)''': A verbal testimony, an instruction that is beneficial, as in the Vedas which contain instructions that are beneficial to everyone here and hereafter. This also imbibes the concept of Apaurusheyatvam (without any speaker)

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