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The origins of the Hindu Temple cannot be attributed to one source. The socle or foundation of the temple which is known as the adhishthana or pitha, the garbhagriha and its superstructure as well as the architectural members that support the finial are the three principal constituents of the temple as seen vertically. have independent origins. However the noteworthy point is that though these components come from disparate sources they were harmoniously integrated to form the structure of the Hindu Temple. This phenomena can be observed with respect to almost all temples throughout India. The walls or bhitti or the garbhagriha are constructed on the pitha in a manner similar to the piling of the chiti on the ground or vedi. The lowermost component of the pitha is also known as vedi or vedika. In certain temples, a pedestal or sub-socle known as the upa-pitha is added below the pitha thus increasing the height of the temple. The foundational parts of the temple like the pedestal, the socle and the Vedika represent the memory of the holy sacrificial ground (vedi) on which was piled the altar or citi in which the fire for the yajna would be kindled. It is believed that the fire would carry the offerings to the respective devatas. The flame or agni inside the chiti was substituted by the superstructure of the temple which was firmly established on the adhishthana. The temple itself corresponds to the offerings made to the fire. In the course of time, the act of building a temple was considered equivalent to the performance of a yajna, conferring the same merit on the patron. The foundational parts of the temple as well as its highest components are analogous to the Vaidika altar or chiti.  The overall edfice of the temple appears like a huge pile. The walls of the garbhagriha with their thickness and the superstructure suggest that the whole building actually represent a chiti. The word 'chaitya' is also at times used for Hindu Temple thus indicating the fact that it has its origins embedded in the chiti. The prasada is in proportion to the object of veneration inside the sanctum. As in the case of the chiti, bricks (Ishtika) are the main building material for temples and wood and stone are also considered to be the same as ishtika.  

The origins of the Hindu Temple cannot be attributed to one source. The socle or foundation of the temple which is known as the adhishthana or pitha, the garbhagriha and its superstructure as well as the architectural members that support the finial are the three principal constituents of the temple as seen vertically. have independent origins. However the noteworthy point is that though these components come from disparate sources they were harmoniously integrated to form the structure of the Hindu Temple. This phenomena can be observed with respect to almost all temples throughout India. The walls or bhitti or the garbhagriha are constructed on the pitha in a manner similar to the piling of the chiti on the ground or vedi. The lowermost component of the pitha is also known as vedi or vedika. In certain temples, a pedestal or sub-socle known as the upa-pitha is added below the pitha thus increasing the height of the temple. The foundational parts of the temple like the pedestal, the socle and the Vedika represent the memory of the holy sacrificial ground (vedi) on which was piled the altar or citi in which the fire for the yajna would be kindled. It is believed that the fire would carry the offerings to the respective devatas. The flame or agni inside the chiti was substituted by the superstructure of the temple which was firmly established on the adhishthana. The temple itself corresponds to the offerings made to the fire. In the course of time, the act of building a temple was considered equivalent to the performance of a yajna, conferring the same merit on the patron. The foundational parts of the temple as well as its highest components are analogous to the Vaidika altar or chiti.  The overall edfice of the temple appears like a huge pile. The walls of the garbhagriha with their thickness and the superstructure suggest that the whole building actually represent a chiti. The word 'chaitya' is also at times used for Hindu Temple thus indicating the fact that it has its origins embedded in the chiti. The prasada is in proportion to the object of veneration inside the sanctum. As in the case of the chiti, bricks (Ishtika) are the main building material for temples and wood and stone are also considered to be the same as ishtika.  

The Hindu Temple also has its origins in the dolmen. The dolmen is a peculiar kind of stone structure built by people belonging to the Megalithic Culture. The Megalithic Culture was a pan-Indian Iron Age Culture which lasted till the early historical period. The makers of this culture erected various kinds of tome mortuary monuments as a mark of respect for the deceased.

The Hindu Temple also has its origins in the dolmen. The dolmen is a peculiar kind of stone structure built by people belonging to the Megalithic Culture. The Megalithic Culture was a pan-Indian Iron Age Culture which lasted till the early historical period (Some communities in India still practice these rituals). The makers of this culture erected various kinds of tome mortuary monuments as a mark of respect for the deceased. However not all dolmens were not structures to commemorate the departed and some simply demarcated a sacred site.  The basic plan of the garbhagriha is generally square and in accordance with the Vastupurushamandala. The garbhagrihas of many of the early temples in North India like the Gupta temples are square or rather cubical in shape. Many of these temples have a low roof or lack a shikhara and resemble the dolmen. The dolmen is a structure where a large slab of stone is placed horizontally on three slabs of stone placed at right angles with each other to form a room or cell with one side open to serve as the entrance. Many temples from South India too seem to have been derived from the dolmen. They may be composed of stones cut in a rough manner with a Shiva Linga inside. A few other temples in South India were made from dressed stones resting on a pedestal, and fixed at proper angles. These kind of temples as wells as the shrines built by the Gond people in central India enable us to understand that the cubical garbhagriha with a stone slab cover are actually inspired from the dolmens. We may say that this dolmen-styled garbhagriha was assimilated into the structure of the Hindu Temple by placing the cubical cella on a socle. In the case of large temples the socle itself was built on a large open terrace known as jagati.

 

The garbhagriha also seems to have been modeled on the lines of the Vaidika shed of initiation and the structure made out of materials like bamboo or palm leaves. The Vaidika shed of initiation was itself built on a socle and the space inside was covered with four branches of trees, each fixed at one corner of a square and converging at a single point. The sadas or the place where the sacrificer (yajamana) , his wife and the officiating the priest would be seated constituted the antecedent of the garbhagriha.