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गान ॥ Gana texts contain the information about how Samagana is to be sung. While singing the mantras, मात्र-S || matras such as दीर्घः || deergha, प्लुतः ॥ pluta, and पाठपद्धतिः ॥ pathapaddhati (recitation methods) are clearly mentioned in these texts.

गान ॥ Gana texts contain the information about how Samagana is to be sung. While singing the mantras, मात्र-S || matras such as दीर्घः || deergha, प्लुतः ॥ pluta, and पाठपद्धतिः ॥ pathapaddhati (recitation methods) are clearly mentioned in these texts.

=== विशेष-विषयाः ॥ Famous Aspects ===

=== प्रसिद्धाः विषयाः ॥ Famous Aspects ===

Bharatamuni the author of Natyashastram, cites Samaveda as the origin of music.

भरतमुनिः ॥ Bharatamuni, the author of नाट्यशास्त्रम् ॥ Natyashastra, cites सामवेदः ॥ Samaveda as the origin of music.<blockquote>जग्राह पाठ्यं ऋग्वेदात्‌, सामभ्यो गीतमेव च यजुर्वेदादभिनयान्‌ रसमाथर्वणादपि।। (Naty. shas. 1.17)<ref name=":222" /></blockquote><blockquote>jagrāha pāṭhyaṃ ṛgvedāt‌, sāmabhyo gītameva ca yajurvedādabhinayān‌ rasamātharvaṇādapi।। (Naty. shas. 1.17)</blockquote>Meaning : सामवेदः ॥ Samaveda is the origin of गीतम् ॥ geeta (music).<blockquote>सामवेदादिदं गीतं संजग्राह पितामहः (Sang. Ratn. 1.25)</blockquote><blockquote>sāmavedādidaṃ gītaṃ saṃjagrāha pitāmahaḥ (Sang. Ratn. 1.25)</blockquote>Meaning : ब्रह्मा ॥ Brahma collected musical notes (गीतम् ॥ geeta) from सामवेदः ॥ Samaveda.

According to सारङ्गदेवः ॥ Sarangadeva, the author of सङ्गीत-रत्नाकरम् ॥ Sangeeta Ratnakara, musical notes in words arose from Samaveda texts.<ref name=":222" />

 

 

 

 

According to Sharangadeva the author of Sangeeta Ratnakara, musical notes in words arose from Samaveda texts.<ref name=":222" />

=== ब्राह्मणानि आरण्यकानि उपनिषदः च ॥ Brahmanas, Aranyakas and Upanishads ===

=== ब्राह्मणानि आरण्यकानि उपनिषदः च ॥ Brahmanas, Aranyakas and Upanishads ===

Affiliated to this Samhita are<ref name=":222" />

ब्राह्मण-s || Brahmanas, आरण्यक-s || Aranyakas and उपनिषद्-s || Upanishads affiliated to this Samhita are<ref name=":222" />

# Tandya Maha Brahmana, the biggest and most important, the other seven Brahmanas namely Shadvimshabrahmana, Arsheyabrahmana, Samavidhanabrahmana, Devatadhyayabrahmana,Chanddogyopanishad-brahmana, Vamshabrahmana and Samhitopanishadbrahmana.  

# ताण्ड्य-महाब्राह्मणम् ॥ Tandya Maha Brahmana, the biggest and most important. The other seven ब्राह्मण-s || Brahmanas namely षड्विंशब्राह्मणम् ॥ Shadvimshabrahmana, आर्षेयब्राह्मणम् ॥ Arsheyabrahmana, समविधानब्राह्मणम् ॥ Samavidhanabrahmana, देवताध्यायब्राह्मणम् ॥ Devatadhyayabrahmana,छान्दोग्य-उपनिषद्-ब्राह्मणम् ॥ Chanddogyopanishad-brahmana, वंशब्राह्मणम् ॥ Vamshabrahmana and संहितोपनिषद्-ब्राह्मणम् ॥ Samhitopanishadbrahmana.  

# One Aranyaka of this Samhita is available which is called Talavakara or Jaiminiya Aranyaka.  

# One आरण्यकम् ॥ Aranyaka of this संहिता ॥ Samhita is available which is called तलवकार ॥ Talavakara or जैमिनीय-आरण्यकम् ॥ Jaiminiya Aranyaka.  

# Chandogya Upanishad   

# छान्दोग्य-उपनिषद् ॥ Chandogya Upanishad   

# Kenopanishad, also known as Talavakaropanishad.  

# केनोपनिषद् ॥ Kenopanishad, also known as तलवकारोपनिषद् ॥ Talavakaropanishad.  

==  अथर्ववेदः || Atharvaveda ==

==  अथर्ववेदः || Atharvaveda ==

=== व्युत्पत्तिः ॥ Etymology ===

=== व्युत्पत्तिः ॥ Etymology ===