Yajnopavita (यज्ञोपवीतम्)

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Yajnopavita (Samskrit: यज्ञोपवीतम्) is at present understood to be the sacred thread, that is to be worn by the dvijas (twice-born classes) from the time of the Upanayana ceremony onwards. The popular belief is that the Upanayana ceremony is primarily intended for investing the boy with this mysterious thread, and the Upakarma (also called as Shravani ritual) ritual for the purpose of renewing it annually.[1] Yajnopavita is the sacred cord invested to a student on the day of Upanayana and has to be worn at all times till the end of his life, unless he takes the Sanyasa Ashrama.

In modern times, the Upanayana samskara came to be addressed as Yajnopavita samskara. Although none of the grhyasutras contain the prescription of investing the yajnopavita, later textual authorities, mention this rite as an important part of the samskara after tying the mekhala (girdle) to the boy undergoing Upanayana.[2]

It is called Sacred Thread or cord in English but the name does not signify many associated characteristics.

Origin of Yajnopavita

Early Vedic references such as Rigveda, mention about the Brahmachari and their characteristics. Yajnopavita by itself, during Upanayana, was insignificance in ancient times. It seems that the upper garment (a dupatta of northern India or the Uparane of Maharashtra) which was offered to the youth was the proto-type from which the sacred thread descended, though both the prototype (not used for yajnas) and the imitation (sacred thread) were retained by the later authorities during Upanayana samskara. Grammatically, Yajnopavita is an adjective and refers to something that was worn at the time of the yajna. यज्ञाय उपवीतं यज्ञोपवीतम्।[1]

Bharatiya dress decorum and decency required that the upper part of the body should be properly covered when one was engaged in yajnas, danas and svadhyaya.[1]

उत्तरं वासः कर्तव्यं पञ्चस्वेषु कर्मसु । स्वाध्याय-उत्सर्ग-दानेषु भोजन-आचामयोस्तथा।। (Baud. Dhar. Sutr. 2.3)[3]

Yajnopavita denoted the upper garment when it was worn in the proper manner prescribed for sacred occasions. Taittriya samhita explicitly says that Yajnopavita means wearing the garment in a particular manner - when it is passed under the right and over the left shoulder, it becomes Yajnopavita as per the authority of Brahmana texts. The upper garment that was thus used was normally a, piece of cloth. But in prehistoric times when the art of spinning and weaving was not known, it was a piece of deer-skin. Taittriya Aranyaka states that it should be a piece of deer-skin, rather than a piece of cloth.

अजिनं वासो वा दक्षिणत उपवीय। (Tait. Aran. 2.1.1)

In the course of time when clothes became common the upper garment also became a cotton product, but earlier tradition of the deer-skin was, in a way preserved by continuing the use of a small patch of deer-skin on such occasions. In later times when Yajnopavita as a piece of cloth was replaced by Yajnopavita in the form of the thread, this piece of deer-skin was strung into it. This custom still continues at the time of Upanayana.[1]

Significance of Yajnopavita

In brahmachaya and grhastha ashramas, the shikha and yajopavita are to be maintained and can be removed only if the person accepts Sanyasa ashrama. As for the Grhastha and Vanaprastha ashrama dharmas, Katyayana smrti states that

सदोपवीतिना भाव्यं सदा बद्धशिखेन च । विशिखो व्युपवीतश्च यत् करोति न तत्कृतम् ॥ (Katy. Smrt. Achara Adhyaya 1.4)

Meaning: Yajnopavita should always be worn and the shikha has to be kept bound (in a specific way having the specified number of knots) or knotted. If shikha and the yajopavita are not present, whatever dharmik activities are undertaken they remain fruitless.

Yajnopavita given to the young boy during Upanayana samskara also serves a sign of commitment to schooling and vedic education. It emphasizes that the person is on the path of learning for many years and should avoid all distractions. It is a constant reminder to stay on the track of self-discipline and recite the Gayatri Mantra received as Brahma Upadesham, from the father or Guru. The Gayatri mantra is powerful and the vibrations it causes in the body and in the surroundings rejuvenate the body and mind with positive energy keeping them in good health.

Yajnopavita reminds him that in life one is always a student and has to seek knowledge required in the journey through the various phases of life with ease and relish. The thread, made of cotton yarn is changed every year on Upakarma, signifying a renewal of commitment.

Sacredness of Yajnopavita

यज्ञोपवीतं परमं पवित्रं प्रजापतेर्यत्स हजं पुरस्तात् । आयुष्यमग्र्यं प्रतिमुञ्च शुभ्रं यज्ञोपवीतं बलमस्तु तेजः । (Para. Grhy. Sutr. 2.2.11)[4]

Preparation of Yajnopavita

The grhyasutras further mention the procedure to make the yajnopavita. It is spun by a virgin Brahman girl from a specific kind of cotton and twisted by a Brahmana. In it as many knots are made as there are Pravaras amongst the ancestors of the wearer.

Positions of the Yajnopavita

The Yajñopavītam would have three positions.

  1. Upavītam: The cord will be sitting on the left shoulder and hanging under the right hand. For all rites related to deities (Vedic) one should maintain Upavītam.
  2. Prācīnāvītam: This is opposite to Upavītam, i.e. the cord would sit on the right shoulder and hangs under the left hand. This position is to be used while performing any rite related to forefathers (Pitṛkarma).
  3. Nivītam / Saṃvītam: The cord simply hangs from the neck and this position is for any human activity such as sleeping, nature's calls, sexual intercourse etc.

Making of the Yajñopavītam: The Yajñopavīta should have three threads of nine strands (tantus) well twisted for each thread. A Brahmacārī has to wear a single Yajñopavītam whereas a householder should wear two or three.

Reference

  1. 1.0 1.1 1.2 1.3 Altekar, A. S. (1944) Education in Ancient India. Benares : Nand Kishore and Bros., (Pages 294 - )
  2. Pandey, Raj Bali. (1949) Hindu Samskaras, A Socio-religious study of the Hindu Sacraments. Banaras: Vikrama Publications. (Pages 224-227)
  3. Baudhayana Dharmasutras
  4. Paraskara Grhyasutras