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== व्युत्पत्तिः॥ Etymology ==
 
== व्युत्पत्तिः॥ Etymology ==
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The word Kalpa (कल्पः) is derived from the dhatu "कलृप्" used in the sense of Vidhi (विधिः । injunction).
 
*एष वै प्रथमः कल्पः प्रदाने हव्यकव्ययोः । eṣa vai prathamaḥ kalpaḥ pradāne havyakavyayoḥ । [[Manusmrti (मनुस्मृतिः)|Manusmriti]] (3.147)<ref>Manusmriti [https://sa.wikisource.org/wiki/%E0%A4%AE%E0%A4%A8%E0%A5%81%E0%A4%B8%E0%A5%8D%E0%A4%AE%E0%A5%83%E0%A4%A4%E0%A4%BF%E0%A4%83/%E0%A4%A4%E0%A5%83%E0%A4%A4%E0%A5%80%E0%A4%AF%E0%A5%8B%E0%A4%A7%E0%A5%8D%E0%A4%AF%E0%A4%BE%E0%A4%AF%E0%A4%83 (3.147)]</ref> defines Kalpa as विधिः । Vidhi to follow in the offering of हव्यकव्याः | havyakavyas (yajna vidhis).
 
*एष वै प्रथमः कल्पः प्रदाने हव्यकव्ययोः । eṣa vai prathamaḥ kalpaḥ pradāne havyakavyayoḥ । [[Manusmrti (मनुस्मृतिः)|Manusmriti]] (3.147)<ref>Manusmriti [https://sa.wikisource.org/wiki/%E0%A4%AE%E0%A4%A8%E0%A5%81%E0%A4%B8%E0%A5%8D%E0%A4%AE%E0%A5%83%E0%A4%A4%E0%A4%BF%E0%A4%83/%E0%A4%A4%E0%A5%83%E0%A4%A4%E0%A5%80%E0%A4%AF%E0%A5%8B%E0%A4%A7%E0%A5%8D%E0%A4%AF%E0%A4%BE%E0%A4%AF%E0%A4%83 (3.147)]</ref> defines Kalpa as विधिः । Vidhi to follow in the offering of हव्यकव्याः | havyakavyas (yajna vidhis).
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== सूत्रशैली॥ Sutra Style of Writing ==
 
== सूत्रशैली॥ Sutra Style of Writing ==
As we see the Vedas and their extensive associated literature needed to be preserved for the coming generations. In order to accomplish the task of preserving the precious mass of cultural traditions in a manageable and recollectable form, the seers of ancient Bharata invented the style of composition of texts characterized by utmost brevity and rigid systematization. A short sentence composed in this peculiar style is called Sutra, i.e., a thread. A diffuse and scattered precepts are succinctly systematized in a compact sentence called sutra, just as the loose fibres are compressed into a terse thread.
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As we see the Vedas and their extensive associated literature needed to be preserved for the coming generations. In order to accomplish the task of preserving the precious mass of cultural traditions in a manageable and recollectable form, the seers of ancient Bharatavarsha invented the style of composition of texts characterized by utmost brevity and rigid systematization. A short sentence composed in this peculiar style is called Sutra, i.e., a thread. The lakshana of Sutra is as follows<ref name=":12">Pt. Baldev Upadhyaya (1997) ''Samskrit Vangmay ka Brhad Itihas, Dvitiya Khand - Vedang.'' Lucknow: Uttar Pradesh Samskrit Sansthan (Page 56)</ref><blockquote>अल्पाक्षरमसन्दिग्धं सारवद्विश्वतोमुखम्। अस्तोभमनवद्यञ्च सूत्रं सूत्रविदो विदुः ।।</blockquote>A sutra is said to contain extremely few (as possible) syllables, without any ambiguity in the concept presented, representing the essence in a universal manner. A diffuse and scattered precepts are succinctly systematized in a compact sentence called sutra, just as the loose fibres are compressed into a terse thread.
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Among the different types of Sutras composed during Sutra period the Kalpasutras are by far the most important reflecting the cultural history of that period.<ref name=":0" />  
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It may be noted that while the Paninian Ashtadhyayi Sutras are cited as the perfect example of the above sutra lakshana which is taken seriously in grammatical texts, the aim of achieving such brevity of letters and syllables is not strictly followed in the Kalpa sutras. They appear to be shortened to the extent possible to enable easy memorization for the students who were learning them.<ref name=":12" />
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Among the different types of Sutras composed during Sutra period the Kalpasutras are by far the most important reflecting the cultural history of that period. <ref name=":0" />  
    
== कल्पसूत्राणि॥ Kalpasutras ==
 
== कल्पसूत्राणि॥ Kalpasutras ==
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=== The Four Sutra Charanas ===
 
=== The Four Sutra Charanas ===
Kalpa Vedanga deals with four types of Sutra Charanas or granthas, all closely allied and complementary to each other. They are  
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Kalpa Vedanga deals with four important types of Sutra Charanas or granthas, all closely allied and complementary to each other. They are  
    
श्रौतसूत्राणि || Shrautasutras
 
श्रौतसूत्राणि || Shrautasutras
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==== श्रौतसूत्राणि || Shrautasutras  ====
 
==== श्रौतसूत्राणि || Shrautasutras  ====
They include procedures of great Shrauta yajnas as described in the Brahmanas of particular veda shakas. They also include Paribhasha sutras which imply general rules and their application in the interpretation of the Vedas. They detail the 14 yajnas (major) laid down in the Brahmana and thus Shrautasutras are highly related to Brahmanas. However, not all yajnas discussed in Shrautasutras are found in Brahmanas.
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They include procedures of great Shrauta yajnas as described in the Brahmanas of particular veda shakas. They also include Paribhasha sutras which imply general rules and their application in the interpretation of the Vedas. Shutis are vedas and the activities (primarily yajnas) described there are Shrauta karmas. The vidhis pertaining to Shrauta karmas are given in Shrauta Sutras. They detail the 14 yajnas (major) laid down in the Brahmana and thus Shrautasutras are highly related to Brahmanas. However, not all yajnas discussed in Shrautasutras are found in Brahmanas.
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[[Agni (अग्निः)|Agni]] plays an important role in all Shrauta (or Vaidika) and Grhya (or Smarta) karmas. Shrauta karmas are performed using the three agnis namely - Garhapatya, Ahvaniya and Dakshinagni, which are kindled by the process of [[Agnyadhana (अग्न्याधानम्)|Agnyadhana]] at the prescribed time for prescribed varnas of people. Two other agnis namely Sabhya (सभ्य) and Avasathya (आवसथ्य) are also kindled during the Agnyadhana process, however they are not used widely and the commonly prescribed shrauta karmas are performed using the three agnis called as [[Tretagni (त्रेताग्निः)|Tretagni]]. The deviations or digressions that happen during shrauta karmas are to be removed by performing expiatory activities called Prayaschittas mentioned in these sutra texts.<ref name=":12" />
    
==== गृह्यसूत्राणि || Grhyasutras  ====
 
==== गृह्यसूत्राणि || Grhyasutras  ====
They deal with the rules and regulations pertaining to the social and domestic activities and customs prescribed to a grhasta and his family. They detail the samskaras, 7 kinds of Grhyayajnas, and [[Panchamahayajnas (पञ्चमहायज्ञाः)|Panchamahayajnas]]. These texts have no relationship with the Brahmanas. The mantras that are recited in the performance of samskaras, such as Upanayana, are from the Veda samhitas of that particular shaka. Again just like the Shrautasutras, not all mantras given in the Grhyasutras are traceable to the extant Veda samhitas.
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They deal with the rules and regulations pertaining to the social and domestic activities and customs prescribed to a grhasta and his family. They detail the samskaras, seven kinds of Grhyayajnas called as [[Pakayajnas (पाकयज्ञाः)|Pakayajnas]], and [[Panchamahayajnas (पञ्चमहायज्ञाः)|Panchamahayajnas]]. These texts have very little relationship with the Brahmanas. The Grhyagni (or Smartagni) is a single fire hence called Ekagni, is kindled at the time of vivaha samskara of a person and is used to perform the grhyakarmas of the person and his family. The mantras that are recited in the performance of samskaras, such as Upanayana, are from the Veda samhitas of that particular shaka. Again just like the Shrautasutras, not all mantras given in the Grhyasutras are traceable to the extant Veda samhitas.<ref name=":12" />
    
The grhyasutras, in general, presuppose the knowledge of the Shrautasutras of their respective schools. A good number of Shrautasutras are found repeated in the Grhyasutras belonging to the same veda shaka. A number of important rites such as Agraayaneshti, Madhuparka, Darshapurnamaseshti and Antyesti find description in the Shrautasutras as well as in the Grhyasutras. If a ceremony that has been described by some Shrautasutras happens to be treated of by the Grhyasutras, it cannot be taken for granted that it belongs to the domain of Shrautasutras.
 
The grhyasutras, in general, presuppose the knowledge of the Shrautasutras of their respective schools. A good number of Shrautasutras are found repeated in the Grhyasutras belonging to the same veda shaka. A number of important rites such as Agraayaneshti, Madhuparka, Darshapurnamaseshti and Antyesti find description in the Shrautasutras as well as in the Grhyasutras. If a ceremony that has been described by some Shrautasutras happens to be treated of by the Grhyasutras, it cannot be taken for granted that it belongs to the domain of Shrautasutras.

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