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Text replacement - "spiritual" to "adhyatmik"
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The authors of Dharmasutras declare themselves to be ordinary people and state that they have attempted to codify Dharma based on the three main sources, namely, the Shrutis, Smrtis and conduct of shishtas (unselfish, virtuous and learned personages prior to them).<ref name=":0" />
 
The authors of Dharmasutras declare themselves to be ordinary people and state that they have attempted to codify Dharma based on the three main sources, namely, the Shrutis, Smrtis and conduct of shishtas (unselfish, virtuous and learned personages prior to them).<ref name=":0" />
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== Typical Features of Dharmasutras ==
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== Authors and Commentators ==
Mention usually as the third of the Kalpasutras, Dharmasutras have some characteristics which set them apart from the other texts of Kalpas. Of the Kalpasutras, the Shrauta and Grhyasutras confine themselves to the ritualistic matters of the Karmakanda, whereas the Dharmasutras directed the moral, and ethical norms of people irrespective of the rituals, thus became universally applicable treatises.   
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Mentioned usually as the third of the Kalpasutras, Dharmasutras have some characteristics which set them apart from the other texts of Kalpas. Of the Kalpasutras, the Shrauta and Grhyasutras confine themselves to the ritualistic matters of the Karmakanda, whereas the Dharmasutras directed the moral, and ethical norms of people irrespective of the rituals, thus became universally applicable treatises.   
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=== Authors of Dharmasutras ===
   
Many scholars opine that there is no means to determine the exact number of texts composed as part of the Kalpa Sutragranthas. Neither the number nor the time of composition can be determined and it is highly debatable by many. The dharmasutras of Gautama, Baudhayana, Apastamba, Vashistha, Vaikhanasa and Vishnu are included into the major works, as per S. C. Banerji. He also quotes law books of Atri, Ushanas, Kanva, Kaanva, Kashyapa, Kaasyapa, Kaatyayana, Gaargya, Chyavana, Jamadagni, Jaatukarnya, Devala, Javali, Prajapati, Brhaspati, Bharadvaja, Sataatapa, Harita and many others, known only from quotations found in later Smrti digests and have been designated as minor works by him.<ref name=":1">Sarma, Ratul (2013) Ph.D. Thesis Title : ''The Gautamadharmasutra, A Study. [https://shodhganga.inflibnet.ac.in/bitstream/10603/115204/9/09_chapter%201.pdf Chapter 1]. Gauhati University''</ref>
 
Many scholars opine that there is no means to determine the exact number of texts composed as part of the Kalpa Sutragranthas. Neither the number nor the time of composition can be determined and it is highly debatable by many. The dharmasutras of Gautama, Baudhayana, Apastamba, Vashistha, Vaikhanasa and Vishnu are included into the major works, as per S. C. Banerji. He also quotes law books of Atri, Ushanas, Kanva, Kaanva, Kashyapa, Kaasyapa, Kaatyayana, Gaargya, Chyavana, Jamadagni, Jaatukarnya, Devala, Javali, Prajapati, Brhaspati, Bharadvaja, Sataatapa, Harita and many others, known only from quotations found in later Smrti digests and have been designated as minor works by him.<ref name=":1">Sarma, Ratul (2013) Ph.D. Thesis Title : ''The Gautamadharmasutra, A Study. [https://shodhganga.inflibnet.ac.in/bitstream/10603/115204/9/09_chapter%201.pdf Chapter 1]. Gauhati University''</ref>
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The Dharmasutras are named after their authors, the four prominent being Apastamba, Baudhayana, Gautama and Vashistha. A significant issue of authorship of these texts is complicated by the fact that, they contain numerous spurious additions made at later times as determined by the scholarly community based on certain linguistic studies. Apastamba Kalpasutra is said to be best preserved with least amount of interpolations and intervention. Geographical references, inscriptional evidence, textual references, linguistic archaism, personal views of the authors themselves are aspects of extensive discussions in the scholarly community.
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The Dharmasutras are named after their authors, the four prominent being Apastamba, Baudhayana, Gautama and Vashistha. A significant issue of authorship of these texts is complicated by the fact that, they contain numerous spurious additions made at later times as determined by the scholarly community based on certain linguistic studies. Apastamba Kalpasutra is said to be best preserved with least amount of interpolations and interventions. Geographical references, inscriptional evidence, textual references, linguistic archaism, personal views of the authors themselves are aspects of extensive discussions in the scholarly community.
 
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=== Textual Divisions ===
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The broadest division of the texts of Apastamba and Baudhayana is termed "Prashna". Each prashna is divided into sections called "kandika" and "khanda" respectively. Further divisions are called "patala" in Apastamba sutras and "adhyayas" in Baudhayana. Texts of Gautama and Vasishta are divided simply into "adhyayas". The smallest division of all these documents is into "sutras".
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=== Dharmasutras and Commentaries ===
 
The word dharmasutra means the sutras dealing with dharma. Given the brevity of each sutra, it is mostly impossible to understand the meaning without the context and required an oral explanation (as in the early days) or commentary.<ref name=":1" />
 
The word dharmasutra means the sutras dealing with dharma. Given the brevity of each sutra, it is mostly impossible to understand the meaning without the context and required an oral explanation (as in the early days) or commentary.<ref name=":1" />
    
Shlokas are interspersed among the sutras in all dharmasutra texts except Gautama, hence the sutra style of writing is not strictly adopted by them. In Baudhayana and Vasishta Dharmasutras, an increasing use of metrical shlokas as integral parts of the composition, reflects their being precursors to the genre of the later day Smrtis which exclusively consist of shlokas.   
 
Shlokas are interspersed among the sutras in all dharmasutra texts except Gautama, hence the sutra style of writing is not strictly adopted by them. In Baudhayana and Vasishta Dharmasutras, an increasing use of metrical shlokas as integral parts of the composition, reflects their being precursors to the genre of the later day Smrtis which exclusively consist of shlokas.   
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List of Dharmasutra texts and a few peculiarities are given below<ref name=":0" /><ref>Pt. Baldev Upadhyaya (1997) ''Samskrit Vangmay ka Brhad Itihas, Dvitiya Khand - Vedang.'' Lucknow: Uttar Pradesh Samskrit Sansthan (Page 187-212)</ref> 
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{| class="wikitable"
 +
!Vedas
 +
!Shaka
 +
!Dharmasutra
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!Contents
 +
!Commentators
 +
|-
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! rowspan="2" |'''Rigveda'''
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|Shakala
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|Vashista
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|30 Adhyayas both in sutra and shloka format
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|Commentary by Krishna Pandita Dharmadhikari (named Vidvanmedini)
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|-
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|Kaushitaki
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|Vishnu
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|100 Adhyayas
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|Nanda Pandit's (Vyjayanti vyakhya), Bharuchi
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|-
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!Shukla Yajurveda
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|
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|Harita
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|30 Adhyayas <ref name=":12">Pt. Baldev Upadhyaya (1997) ''Samskrit Vangmay ka Brhad Itihas, Dvitiya Khand - Vedang.'' Lucknow: Uttar Pradesh Samskrit Sansthan (Page 208-209)</ref>
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|Associated with Laghu Harita Smrti and Vrddha Harita Smrti.
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|-
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! rowspan="4" |Krishna Yajurveda
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| rowspan="4" |Taittriya
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|Baudhayana
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|Four prasnas (only two are regarded as original)
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|Commentary by Govindasvami (Vivarana) 
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|-
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|Apastamba
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|28th and 29th Prashnas of Apastamba Kalpa (1364 Sutras and 30 shlokas)
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|Commentaries by Haradatta (Ujjvalavritti),  Dhurtasvami and Shankar.
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|-
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|Hiranyakeshi
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|26th and 27th Prashnas of Hiranyakeshi Kalpa
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|Mahadeva Dikshit (Vyjayanti)
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|-
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|Vaikhanasa
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|3 Prasnas of the Vaikhanasa Smartasutra (51 Kandas and 365 sutras)
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|No commentaries available
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|-
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!Samaveda
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|Rananiyashaka
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|Gautama according to Charanavyuha
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|28 Adhyayas (composed in sutra format)
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|Haradatta (Mitakshara), Asahaya, Bharthyajna, Maskari
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|-
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!Atharvaveda
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| colspan="4" |None Available
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|}
 
=== समयाचारधर्मः ॥ Samayachara Dharmas ===
 
=== समयाचारधर्मः ॥ Samayachara Dharmas ===
 
The central theme of three main sutragranthas of the Kalpa Vedanga is Dharma; Shrauta sutras comprehend the dharmik activities for the larger welfare of the society, the Grhyasutras lay down the dharmas (in  relation to yajnas) governing the individual in particular. Dharmasutras are set of treatises, which often confused with the Dharmashastras, are precursors to personal law codes and include the details of prevalent samayacharas (traditional practices prevalent at the time of their composition) in their discourse.<ref name=":0" />
 
The central theme of three main sutragranthas of the Kalpa Vedanga is Dharma; Shrauta sutras comprehend the dharmik activities for the larger welfare of the society, the Grhyasutras lay down the dharmas (in  relation to yajnas) governing the individual in particular. Dharmasutras are set of treatises, which often confused with the Dharmashastras, are precursors to personal law codes and include the details of prevalent samayacharas (traditional practices prevalent at the time of their composition) in their discourse.<ref name=":0" />
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'''Ashrama Dharmas''': A large portion of the sutragranthas describe the Ashrama dharmas. According to the scheme of life envisaged in the dharmasutras, the entire life of a dvija is divided into four stages - Brahmacharya, Grhastha, Vaanaprastha and Sanyasa ashramas respectively. Rules and regulations governing a person in each stage of life are well explained long before any other civilization. The first stage is the [[Brahmacharyashrama (ब्रह्मचर्याश्रमः)|Brahmacharyashrama]], prior to which a person attains the status of a Dvija during the Upanayana samskara. In this stage, a Brahmacharin must devote his energy to acquire education at the house of an acharya. In this context the dharma of a Brahmacharin, his conduct, the dos and donts, holidays, his dinacharya, gurusushruta, the duties of a preceptor are clearly laid out with few modifications over the changing ages. On the completion of the education, which primarily included the chaturdashavidyas, he becomes a [[Snataka (स्नातकः)|Snataka]] (graduate) governed by the [[Snataka Dharma (स्नातकधर्मः)|Snataka dharmas]]. Crossing this stage he enters the next stage of life, the [[Grhasthashrama (गृहस्थाश्रमः)|Grhasthashrama]].  The Dharmasutras draw special attention to the snataka dharmas exhorting a graduating student to lead a dignified code of conduct and prepares him for the life ahead to put his education to good use. The grhasthashrama is highly commended in these sutragranthas and regarded as Ashrama ''par excellence''. The statement that all other ashramas depend on the grhastha for their sustenance and for the perpetuance of the race and culture, finds primary importance in these sutras. Thus we find that Grhasthashrama dharmas are well elaborated here, dwelling on daily duties of a grhastha (including the time of rising up and cooking etc), the laws of marriage, conjugal relations and deviations, children and sons, succession laws, treatment of women and conduct towards people of other ashramas, rites for housewarming and building a house, rites for the ancestors and new-borns, and so forth.  
 
'''Ashrama Dharmas''': A large portion of the sutragranthas describe the Ashrama dharmas. According to the scheme of life envisaged in the dharmasutras, the entire life of a dvija is divided into four stages - Brahmacharya, Grhastha, Vaanaprastha and Sanyasa ashramas respectively. Rules and regulations governing a person in each stage of life are well explained long before any other civilization. The first stage is the [[Brahmacharyashrama (ब्रह्मचर्याश्रमः)|Brahmacharyashrama]], prior to which a person attains the status of a Dvija during the Upanayana samskara. In this stage, a Brahmacharin must devote his energy to acquire education at the house of an acharya. In this context the dharma of a Brahmacharin, his conduct, the dos and donts, holidays, his dinacharya, gurusushruta, the duties of a preceptor are clearly laid out with few modifications over the changing ages. On the completion of the education, which primarily included the chaturdashavidyas, he becomes a [[Snataka (स्नातकः)|Snataka]] (graduate) governed by the [[Snataka Dharma (स्नातकधर्मः)|Snataka dharmas]]. Crossing this stage he enters the next stage of life, the [[Grhasthashrama (गृहस्थाश्रमः)|Grhasthashrama]].  The Dharmasutras draw special attention to the snataka dharmas exhorting a graduating student to lead a dignified code of conduct and prepares him for the life ahead to put his education to good use. The grhasthashrama is highly commended in these sutragranthas and regarded as Ashrama ''par excellence''. The statement that all other ashramas depend on the grhastha for their sustenance and for the perpetuance of the race and culture, finds primary importance in these sutras. Thus we find that Grhasthashrama dharmas are well elaborated here, dwelling on daily duties of a grhastha (including the time of rising up and cooking etc), the laws of marriage, conjugal relations and deviations, children and sons, succession laws, treatment of women and conduct towards people of other ashramas, rites for housewarming and building a house, rites for the ancestors and new-borns, and so forth.  
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Gaarhasthya is followed by the [[Vanaprasthashrama (वानप्रस्थाश्रमः)|Vanaprasthashrama]]. It is the order of the forest dwelling munis and rshis who have left behind an active participation in the grhastha activities. A householder may choose at a proper time to leave his household and withdraw to the forests alone or along with his wife. He leaves behind the care of family activities, to his subsequent generations, to practice meditation and attain higher spiritual goals. Many types of Vanaprasthas and their mode of living are described in here but no great importance is attached to this Ashrama.   
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Gaarhasthya is followed by the [[Vanaprasthashrama (वानप्रस्थाश्रमः)|Vanaprasthashrama]]. It is the order of the forest dwelling munis and rshis who have left behind an active participation in the grhastha activities. A householder may choose at a proper time to leave his household and withdraw to the forests alone or along with his wife. He leaves behind the care of family activities, to his subsequent generations, to practice meditation and attain higher adhyatmik goals. Many types of Vanaprasthas and their mode of living are described in here but no great importance is attached to this Ashrama.   
    
Sanyasa ashrama follows the Vanaprastha. It is the fourth stage of human life and signifies renunciation of worldly possessions and attachments to relations. The Dharmasutras prescribe a code of standard conduct for a Sanyasin and enjoin upon him to refrain from participation in activities such as astrology, palmistry etc and lead a life of complete resignation, contentment, and meditation.   
 
Sanyasa ashrama follows the Vanaprastha. It is the fourth stage of human life and signifies renunciation of worldly possessions and attachments to relations. The Dharmasutras prescribe a code of standard conduct for a Sanyasin and enjoin upon him to refrain from participation in activities such as astrology, palmistry etc and lead a life of complete resignation, contentment, and meditation.   
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'''Other Topics:''' Apart from the above topics which form a major portion of these treatises, Dharmasutras dwell on Naimittika dharma, enumerate various types of papakarmas (sins) and atonement for them by performing penances. They also explain about Saucha and Asaucha (impurities related to events of birth and death) and the process of cleansing after asaucha.<ref name=":1" /> General rules of life showcasing the bharatiya jivana vidhana are best visible in these texts. They include a discussion about rules for taking food, drinking, daily cleansing activities, habits, menstruation time in women, observing vows among other things.       
 
'''Other Topics:''' Apart from the above topics which form a major portion of these treatises, Dharmasutras dwell on Naimittika dharma, enumerate various types of papakarmas (sins) and atonement for them by performing penances. They also explain about Saucha and Asaucha (impurities related to events of birth and death) and the process of cleansing after asaucha.<ref name=":1" /> General rules of life showcasing the bharatiya jivana vidhana are best visible in these texts. They include a discussion about rules for taking food, drinking, daily cleansing activities, habits, menstruation time in women, observing vows among other things.       
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== Individual Dharmasutras ==
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== विशेषाशः ॥ Special Points in Dharmasutras ==
In this section, details of the individual dharmasutras the divisions therein, their characteristics, special features are discussed briefly.
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{| class="wikitable"
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|+Details of Dharmasutras<ref name=":0" />
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!Dharmasutra
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!Veda and Shaka
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!Book Division
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!Some aspects
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|-
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|Gautama
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|Samaveda, Rananiyashaka according to Charanavyuha
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|28 Adhyayas (composed in sutra format)
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|Widely accepted as the earliest DS text. Commentary by Haradatta.
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|-
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|Baudhayana
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|Yajurveda
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|Four prasnas (only two are regarded as original)
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|Commentary by Govindasvamin
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|-
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|Apastamba
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|Yajurveda
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|28th and 29th Prashnas of Apastamba Kalpa (1364 Sutras and 30 shlokas)
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|Commentary by Haradatta. Does not mention mixing of varnas.
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|-
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|Vasishta
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|Rigveda
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|30 Adhyayas both in sutra and shloka format
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|In close agreement with the Shankhayana, Asvalayana and Kaushitaki grhyasutras.
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|-
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|Vaikhanasa
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|
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|3 Prasnas of the Vaikhanasa Smartasutra
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|Thorough information on the Ashramas and Varnas unknown to other Dharmasutras.
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|-
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|Vishnu
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|
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|100 Adhyayas
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|Unique in mentioning the custom of ''suttee,'' the word ''Pustaka'' for a book, days of a week, Trimurtis and many tirthas in the South of India. Close identity with Manusmrti.
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|}
   
A few contrasting points about certain topics in various dharmasutras.
 
A few contrasting points about certain topics in various dharmasutras.
 
* Upavita of a Brahmin (an upper garment worn in the style of yajnopavita, looped over the left shoulder and under the right arm) is a term used by Apastamba and Gautama. Apastamba (2.4.21-2) allows the use of a yajnopavita to substitute for the upper garment during some rituals, while Baudhayana (1.8.5) mentions it as a yajnopavita itself.  
 
* Upavita of a Brahmin (an upper garment worn in the style of yajnopavita, looped over the left shoulder and under the right arm) is a term used by Apastamba and Gautama. Apastamba (2.4.21-2) allows the use of a yajnopavita to substitute for the upper garment during some rituals, while Baudhayana (1.8.5) mentions it as a yajnopavita itself.  
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* Apastamba rejects remarriage of widows and strongly supports monogamy. Vasishta, not only encourages remarriage of widows, but also permits a woman whose husband is abroad to visit a male relative of her husband or even a stranger (Va. 17.75-80).
 
* Apastamba rejects remarriage of widows and strongly supports monogamy. Vasishta, not only encourages remarriage of widows, but also permits a woman whose husband is abroad to visit a male relative of her husband or even a stranger (Va. 17.75-80).
 
* Apastamba does not mention mixed varnas. Vaikhanasa enumerates a large number of mixed varnas. Silent on Shraddhas and administration rules.
 
* Apastamba does not mention mixed varnas. Vaikhanasa enumerates a large number of mixed varnas. Silent on Shraddhas and administration rules.
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* Harita first defined Upakurvana and Naisthik Brahmacharis. He also introduced two kinds of marriages namely Kshatra and Manushya vivaha which are not seen in any other dharmasutras. Brahmavadinis and vedic study was discussed by him.<ref name=":12" />
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* Vishnu dharmasutras mention the custom of ''suttee,'' the word ''Pustaka'' for a book, days of a week, Trimurtis and many tirthas in the South of India.
    
== Discussion ==
 
== Discussion ==

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