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The '''Chaandogya Upanishad''' (Sanskrit: छान्दोग्योपनिषद्, IAST: ''Chāndogyopaniṣad'') is a Sanskrit text embedded in the Chandogya Brahmana of the Sama Veda. It is one of the oldest Upanishads.  
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The '''Chaandogya Upanishad''' (Sanskrit: छान्दोग्योपनिषद्, IAST: ''Chāndogyopaniṣad'') is a Sanskrit text embedded in the Chandogya Brahmana of the Sama Veda. It is one of the oldest Upanishads.
 
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It is one of the largest Upanishadic compilations, and has eight ''Prapathakas'' (literally lectures, chapters), each with many volumes, and each volume contains many verses. The volumes are a motley collection of stories and themes. As part of
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the poetic and chants-focussed Samaveda, the broad unifying theme of the
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Upanishad is the importance of speech, language, song and chants to
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man's quest for knowledge and salvation, to metaphysical premises and
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questions, as well as to rituals.
      
The Chandogya Upanishad is notable for its lilting metric structure,  
 
The Chandogya Upanishad is notable for its lilting metric structure,  
 
its mention of ancient cultural elements such as musical instruments,  
 
its mention of ancient cultural elements such as musical instruments,  
and embedded philosophical premises that later served as foundation for Vedanta school of Hinduism. It is one of the most cited texts in later ''Bhasyas'' (reviews and commentaries) by scholars from the diverse schools of Hinduism. It has gained importance as one of the Upanishad for which Adi Shankara has cited Chandogya Upanishad 810 times in his ''Vedanta Sutra Bhasya'', more than any other ancient text.
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and embedded philosophical premises that later served as foundation for Vedanta school of Hinduism. It is one of the most cited texts in later ''Bhasyas'' (reviews and commentaries) by scholars from the diverse schools of Hinduism. It has gained importance as one Upanishad for which Adi Shankara has cited Chandogya Upanishad 810 times in his ''Vedanta Sutra Bhasya'', more than any other ancient text.  
 
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The Chandogya Upanishad is one of the most important Upanishads and is slightly smaller in extent than the Brhadaaranyaka Upanishad. Its importance is due to the fact that it directly deals with the true nature of Brahman, the Supreme Self, or Advaita without a second, and its identity with the Individual Self.  This Upanishad though mainly deals with the Science of Non-Duality, yet in it are described the forms of Upasana (meditation and worship) as the means of the attainment of good results; for, these bring about results which are as good as Liberation itself.  
      
== Introduction ==
 
== Introduction ==
There is also a similarity between the Upasana and the knowledge of Non-Duality in that both are esoteric in their character and both fall within the purview of the functions of the Mind. These forms of Upasana purify the inner-sense-organs and thereby become illuminative of the true nature of the reality, and so they are helpful in bringing about the Cognition of the Absolute (अद्वैतज्ञान); and as they (Upasanas) have got some definite substratum as their object (आलम्बनविषय), it is also easier to achieve success in it.   
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The Chandogya Upanishad is slightly smaller in extent than the Brhadaaranyaka Upanishad. Its importance is due to the fact that it directly deals with the true nature of Brahman, the Supreme Self, or Advaita without a second, and its identity with the Individual Self.  This Upanishad though mainly deals with the Science of Non-Duality, yet in it are described the forms of Upasana (meditation and worship) as the means of the attainment of good results; for, these bring about results which are as good as Liberation itself.  There is also a similarity between the Upasana and the knowledge of Non-Duality in that both are esoteric in their character and both fall within the purview of the functions of the Mind. These forms of Upasana purify the inner-sense-organs and thereby become illuminative of the true nature of the reality, and so they are helpful in bringing about the Cognition of the Absolute (अद्वैतज्ञान); and as they (Upasanas) have got some definite substratum as their object (आलम्बनविषय), it is also easier to achieve success in it.   
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Structure of the Upanishad  
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== Structure of the Upanishad ==
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This Upanishad is one of the largest compilations comprising of the last 8 chapters of the Chāndogya Brāhmaṇa; thus it contains  eight ''Prapathakas'' (literally lectures, chapters). Each Prapathaka is divided into sections and each section contains a number of verses. So, a verse is identified by Prapathaka or Chapter, section and verse number respectively like 6.2.1. In size this Upanishad comes next to Bṛhadāraṇyaka.  The volumes are a motley collection of stories and themes. As part of
 +
the poetic and chants-focussed Samaveda, the broad unifying theme of the
 +
Upanishad is the importance of speech, language, song and chants to
 +
man's quest for knowledge and salvation, to metaphysical premises and
 +
questions, as well as to rituals.
   −
This Upanishad comprises of the last 8 chapters of the Chāndogya Brāhmaṇa; thus it contains 8 chapters. Each chapter is divided into sections and each section contains a number of verses. So, a verse is identified by chapter, section and verse number respectively like 6.2.1. In size this Upanishad comes next to Bṛhadāraṇyaka. Sage Uddālaka Āruṇi whom we have seen in Bṛhadāraṇyaka asking questions on the principle that holds together and rules from within all beings, is the leading figure in this Upanishad. Here we see him teaching his son Śvetaketu about the ultimate or true nature of Brahman. His teaching is the most important part of this Upanishad and it forms the contents of chapter 6. The famous declaration of ‘Tattvamasi’ is also found in this chapter, as uttered by Uddālaka Āruṇi.
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Sage Uddālaka Āruṇi whom we have seen in Bṛhadāraṇyaka asking questions on the principle that holds together and rules from within all beings, is the leading figure in this Upanishad. Here we see him teaching his son Śvetaketu about the ultimate or true nature of Brahman. His teaching is the most important part of this Upanishad and it forms the contents of chapter 6. The famous declaration of ‘Tattvamasi’ is also found in this chapter, as uttered by Uddālaka Āruṇi.
    
== ''Prapathaka 1'' ==
 
== ''Prapathaka 1'' ==

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