Changes

#The [[Brahmana (ब्राह्मणम्)|Brahmanas]] that contain explanation of Mantras and rituals

#The [[Brahmana (ब्राह्मणम्)|Brahmanas]] that contain explanation of Mantras and rituals

#The [[Aranyaka (आरण्यकम्)|Aranyakas]] that are mystical texts which give philosophical interpretation of the rituals. These are intended for the Vanaprasthas or hermits, who prepare themselves for taking Sanyasa

#The [[Aranyaka (आरण्यकम्)|Aranyakas]] that are mystical texts which give philosophical interpretation of the rituals. These are intended for the Vanaprasthas or hermits, who prepare themselves for taking Sanyasa

#The [[Upanishads (उपनिषदः)|Upanishads]] that discuss meditation, philosophy and spiritual knowledge.

#The [[Upanishads (उपनिषदः)|Upanishads]] that discuss meditation, philosophy and adhyatmik knowledge.

The subject matter of the whole Veda is divided into Karma-Kanda (कर्म खण्ड), Upasana-Kanda (उपासना खण्ड) and Jnana-Kanda (ज्ञान खण्ड). The Karma-Kanda or ritualistic section deals with various yajnas and associated kriyas. The Upasana-Kanda or worship-section deals with various kinds of worship or meditation. The Jnana-Kanda or knowledge-section deals with the knowledge of Brahman. The [[Samhita (संहिता)|Samhitas]] and the [[Brahmana (ब्राह्मणम्)|Brahmanas]] constitute Karma-Kanda; the [[Aranyaka (आरण्यकम्)|Aranyakas]] Upasana-Kanda; and the [[Upanishads (उपनिषदः)|Upanishads]] Jnana-Kanda.<ref name=":42222" /><ref name=":022" />  

The subject matter of the whole Veda is divided into Karma-Kanda (कर्म खण्ड), Upasana-Kanda (उपासना खण्ड) and Jnana-Kanda (ज्ञान खण्ड). The Karma-Kanda or ritualistic section deals with various yajnas and associated kriyas. The Upasana-Kanda or worship-section deals with various kinds of worship or meditation. The Jnana-Kanda or knowledge-section deals with the knowledge of Brahman. The [[Samhita (संहिता)|Samhitas]] and the [[Brahmana (ब्राह्मणम्)|Brahmanas]] constitute Karma-Kanda; the [[Aranyaka (आरण्यकम्)|Aranyakas]] Upasana-Kanda; and the [[Upanishads (उपनिषदः)|Upanishads]] Jnana-Kanda.<ref name=":42222" /><ref name=":022" />  

'''Main Components of Shrutis'''

'''Main Components of Shrutis'''

====The Samhitas ====

====The Samhitas ====

{{Main|Samhita (संहिता)}} Samhitas are primarily a collection of the mantras, Riks in Rigveda, Yajus of Yajurveda, Samans of the Samaveda and those of Atharvaveda. The '''Rig-Veda Samhita''' is the oldest sacred literary text of the Hindus. The '''Yajur-Veda Samhita''' is mostly in prose and explaining the procedures of the yajnas and yagas, supplementing the Rig-Vedic Mantras. The '''Sama-Veda Samhita,''' shortest of all vedas, is mostly borrowed from Rig-Vedic Samhita sung with melody especially during the Soma yajnas. the '''Atharva-Veda Samhita''' is meant to correct the mispronunciations and wrong performances that may accidentally be committed during the yajnas. Atharvaveda contains mantras on many subjects such as socio-political aspects, medicine, agriculture etc along with philosophical thoughts.<ref name=":42222" /><ref name=":032222">Introduction to Samhitas in [http://vedicheritage.gov.in/samhitas/ Vedic Heritage Portal]</ref>

{{Main|Samhita (संहिता)}}

Samhitas are primarily a collection of the mantras, Riks in Rigveda, Yajus of Yajurveda, Samans of the Samaveda and those of Atharvaveda. The '''Rig-Veda Samhita''' is the oldest sacred literary text of the Hindus. The '''Yajur-Veda Samhita''' is mostly in prose and explaining the procedures of the yajnas and yagas, supplementing the Rig-Vedic Mantras. The '''Sama-Veda Samhita,''' shortest of all vedas, is mostly borrowed from Rig-Vedic Samhita sung with melody especially during the Soma yajnas. the '''Atharva-Veda Samhita''' is meant to correct the mispronunciations and wrong performances that may accidentally be committed during the yajnas. Atharvaveda contains mantras on many subjects such as socio-political aspects, medicine, agriculture etc along with philosophical thoughts.<ref name=":42222" /><ref name=":032222">Introduction to Samhitas in [http://vedicheritage.gov.in/samhitas/ Vedic Heritage Portal]</ref>

====The Brahmanas ====

====The Brahmanas ====

{{Main|Brahmana (ब्राह्मणम्)}} Brahmanas are injunctions or vidhis for the performance of shrauta yajnas.<ref name=":22">Malladi, Sri. Suryanarayana Sastry (1982) ''Samskruta Vangmaya Charitra, Volume 1 Vaidika Vangmayam'' Hyderabad : Andhra Sarasvata Parishad</ref> Important with respect to the procedural aspects of Vaidika yajnas they explain the meaning and gudartha (hidden meanings) of the Samhita parts. They are that portion of the Vedas which apart from stating the vidhis, explain their origin and detailed explanation with illustrations in the form of legends and anecdotes, thus appear distinct from the "mantra" portions of the Samhitas.<ref name=":1">Sharma, Ram Murthy. (1987 2nd edition) ''Vaidik Sahitya ka Itihas'' Delhi : Eastern Book Linkers</ref>  

{{Main|Brahmana (ब्राह्मणम्)}}

Brahmanas are injunctions or vidhis for the performance of shrauta yajnas.<ref name=":22">Malladi, Sri. Suryanarayana Sastry (1982) ''Samskruta Vangmaya Charitra, Volume 1 Vaidika Vangmayam'' Hyderabad : Andhra Sarasvata Parishad</ref> Important with respect to the procedural aspects of Vaidika yajnas they explain the meaning and gudartha (hidden meanings) of the Samhita parts. They are that portion of the Vedas which apart from stating the vidhis, explain their origin and detailed explanation with illustrations in the form of legends and anecdotes, thus appear distinct from the "mantra" portions of the Samhitas.<ref name=":1">Sharma, Ram Murthy. (1987 2nd edition) ''Vaidik Sahitya ka Itihas'' Delhi : Eastern Book Linkers</ref>  

While not many variations in the names and number of Brahmanas are seen for Rigveda, Yajurveda and Atharvaveda, however, Samaveda associated with the highest number of Brahmanas, is opined to have some differences in number and names of Brahmanas, by scholars.  

While not many variations in the names and number of Brahmanas are seen for Rigveda, Yajurveda and Atharvaveda, however, Samaveda associated with the highest number of Brahmanas, is opined to have some differences in number and names of Brahmanas, by scholars.  

According to Shri. Shriram Adhikari (Vedic Heritage Portal), eight Brahmanas for Samaveda are available as given in the above list except that he lists Chandogya-Upanishad brahmana and instead of Upanishad brahmana and Jaiminiya brahmana is missing.<ref name=":22222">Adhikari, Shriram Article : ''[http://vedicheritage.gov.in/pdf/ved_vedang_gp_16.pdf Samaved ka parichay evam vaisishtya]'' from Vedic Heritage Portal</ref> Dr Shashi Tiwari lists two Brahmanas in addition to the 9 listed by Dr. Gopal Reddy, as JaiminiyaArsheya Brahmana and Jaiminiyopanishad Brahmana making it a total of 11 Brahmanas available for Samaveda.<ref>Dr. Shashi Tiwari, Sanskrit Department, Delhi University in the ''[http://vedicheritage.gov.in/brahmanas/# Introduction of Brahmanas]'' (Vedic Heritage Portal)</ref>  

According to Shri. Shriram Adhikari (Vedic Heritage Portal), eight Brahmanas for Samaveda are available as given in the above list except that he lists Chandogya-Upanishad brahmana and instead of Upanishad brahmana and Jaiminiya brahmana is missing.<ref name=":22222">Adhikari, Shriram Article : ''[http://vedicheritage.gov.in/pdf/ved_vedang_gp_16.pdf Samaved ka parichay evam vaisishtya]'' from Vedic Heritage Portal</ref> Dr Shashi Tiwari lists two Brahmanas in addition to the 9 listed by Dr. Gopal Reddy, as JaiminiyaArsheya Brahmana and Jaiminiyopanishad Brahmana making it a total of 11 Brahmanas available for Samaveda.<ref>Dr. Shashi Tiwari, Sanskrit Department, Delhi University in the ''[http://vedicheritage.gov.in/brahmanas/# Introduction of Brahmanas]'' (Vedic Heritage Portal)</ref>  

==== The Aranyakas ====

==== The Aranyakas ====

{{Main|Aranyaka (आरण्यकम्)}} Each of the Vedas are associated with an Aranyaka except Atharvaveda. Usually Aranyakas are present as the concluding part of the Brahmanas, however, due to the non-availability of Aranyakas for Atharvaveda, Upanishads stand as independent works in this veda. Aranyakas and Upanishads are like the ''parishistas'' (appendices) to the Brahmanas.   

{{Main|Aranyaka (आरण्यकम्)}}

Each of the Vedas are associated with an Aranyaka except Atharvaveda. Usually Aranyakas are present as the concluding part of the Brahmanas, however, due to the non-availability of Aranyakas for Atharvaveda, Upanishads stand as independent works in this veda. Aranyakas and Upanishads are like the ''parishistas'' (appendices) to the Brahmanas.   

Aranyakas are said to be those texts to be studied by people in their vanaprastha ashrama, living a life of seclusion in the forests.  Subject material of Aranyakas consists of the partly modified versions of yajnas and vratas apart from the spiritual matters. These tattvas and theosophical matters are extensively elaborated in the Upanishads.  Karma and Jnana margas appear to be balanced in the Aranyakas. Upasana (meditation), Brahmavidya along with the Pranavidya (Knowledge of Breath), details of origin of sristi, meditation on Pranava are described elaborately so that the residents of the forest can practice them in the quiet solitude of the forests. The number of Aranyakas was once said to be 130, but now many are lost.<ref name=":42222" /><ref>Dr. Shashi Tiwari, Sanskrit Department, Delhi University on ''[http://vedicheritage.gov.in/aranyakas/ Introduction to Aranyakas]'' in Vedic Heritage Portal</ref>   

Aranyakas are said to be those texts to be studied by people in their vanaprastha ashrama, living a life of seclusion in the forests.  Subject material of Aranyakas consists of the partly modified versions of yajnas and vratas apart from the adhyatmik matters. These tattvas and theosophical matters are extensively elaborated in the Upanishads.  Karma and Jnana margas appear to be balanced in the Aranyakas. Upasana (meditation), Brahmavidya along with the Pranavidya (Knowledge of Breath), details of origin of sristi, meditation on Pranava are described elaborately so that the residents of the forest can practice them in the quiet solitude of the forests. The number of Aranyakas was once said to be 130, but now many are lost.<ref name=":42222" /><ref>Dr. Shashi Tiwari, Sanskrit Department, Delhi University on ''[http://vedicheritage.gov.in/aranyakas/ Introduction to Aranyakas]'' in Vedic Heritage Portal</ref>   

The different brahmanas and Aranyakas associated with different veda shakas are listed in the table below.<ref name=":42222" /><ref name=":022" /><ref name=":0">Raghunathacharya, S. B. (1985) ''Arshavijnana Sarvasvamu, Volume 2 : Brahmanalu (Telugu)'' Tirupati : Tirumala Tirupati Devasthanam</ref>

The different brahmanas and Aranyakas associated with different veda shakas are listed in the table below.<ref name=":42222" /><ref name=":022" /><ref name=":0">Raghunathacharya, S. B. (1985) ''Arshavijnana Sarvasvamu, Volume 2 : Brahmanalu (Telugu)'' Tirupati : Tirumala Tirupati Devasthanam</ref>

The Ramayana, the Adi-Kavya or the first epic poem, relates the story of Sri Rama, the ideal man. It is the history of the family of the solar race descended from Ishvaku, in which was born Sri Ramachandra, the Avatara of Lord Vishnu, and his three brothers. The ideal characters such as Rama, Sita, Lakshmana, Bharata and Sri Hanuman that we find in Ramayana firmly establish Hindu Dharma in our minds. The story of the birth of Rama and his brothers, their education and marriages, the exile of Sri Rama, the carrying off and recovery of Sita, his wife, the destruction of Ravana, the Rakshasa King of Lanka, and the reign of Sri Rama, are described in detail in Ramayana. How a man should behave towards his superiors, equals and inferiors, how a king ought to rule his kingdom, how a man should lead his life in this world, how he can obtain his release, freedom and perfection, may be learnt from this epic.  

The Ramayana, the Adi-Kavya or the first epic poem, relates the story of Sri Rama, the ideal man. It is the history of the family of the solar race descended from Ishvaku, in which was born Sri Ramachandra, the Avatara of Lord Vishnu, and his three brothers. The ideal characters such as Rama, Sita, Lakshmana, Bharata and Sri Hanuman that we find in Ramayana firmly establish Hindu Dharma in our minds. The story of the birth of Rama and his brothers, their education and marriages, the exile of Sri Rama, the carrying off and recovery of Sita, his wife, the destruction of Ravana, the Rakshasa King of Lanka, and the reign of Sri Rama, are described in detail in Ramayana. How a man should behave towards his superiors, equals and inferiors, how a king ought to rule his kingdom, how a man should lead his life in this world, how he can obtain his release, freedom and perfection, may be learnt from this epic.  

The Ramayana gives a vivid picture of Bharat's Dharmik life. The lives of Rama, Bharata and Lakshmana provide a model of fraternal affection and mutual service. Sri Hanuman stands as an ideal unique Karma Yogin. The life of Sita is regarded as the most perfect example of womanly fidelity, chastity and affection. The Ramayana is written in twenty-four thousand slokas by Sri Valmiki Maharshi.<ref name=":022" /> A few instances of topics of dharma dwelt on by Ramayana include : '''Rajadharma''' in Balakanda, Adhyaya 7, Ayodhyakanda, Adhyaya 100, Aranyakanda, Adhyaya 6, 9 and 33, 40, 41. '''Shraddha''' in Ayodhyakanda, Adhyaya 77, 103 and 111. '''Stridharma''' in Ayodhyakanda, Adhyaya 24, 26-27, 29, 39 etc. Ramayana forms the basis for the creation of volumes of Laukika Sahitya of future ages.(Page no 158 to 160 of Reference <ref name=":5">Kane, Pandurang. Vaman. (1930) ''History of Dharmasastra, Volume One.'' Poona: Bhandarkar Oriental Research Institute</ref>)

The Ramayana gives a vivid picture of Bharat's Dharmik life. The lives of Rama, Bharata and Lakshmana provide a model of fraternal affection and mutual seva (सेवा | selfless service). Sri Hanuman stands as an ideal unique Karma Yogin. The life of Sita is regarded as the most perfect example of womanly fidelity, chastity and affection. The Ramayana is written in twenty-four thousand slokas by Sri Valmiki Maharshi.<ref name=":022" /> A few instances of topics of dharma dwelt on by Ramayana include : '''Rajadharma''' in Balakanda, Adhyaya 7, Ayodhyakanda, Adhyaya 100, [[Ramayana_(रामायणम्)|[[Ramayana_(रामायणम्)|Aranyakanda]]]], Adhyaya 6, 9 and 33, 40, 41. '''Shraddha''' in Ayodhyakanda, Adhyaya 77, 103 and 111. '''Stridharma''' in Ayodhyakanda, Adhyaya 24, 26-27, 29, 39 etc. Ramayana forms the basis for the creation of volumes of Laukika Sahitya of future ages.(Page no 158 to 160 of Reference <ref name=":5">Kane, Pandurang. Vaman. (1930) ''History of Dharmasastra, Volume One.'' Poona: Bhandarkar Oriental Research Institute</ref>)

====The Mahabharata====

====The Mahabharata====

The Mahabharata is the history of the Pandavas and the Kauravas. It gives a description of the great war, the Battle of Kurukshetra, which broke out between the Kauravas and the Pandavas who were cousins and descendants of the lunar race. The Mahabharata is an encyclopaedia of Hindu Dharma. It is also called the fifth Veda. There is really no theme in religion, philosophy, mysticism and polity which this great epic does not touch and expound. It contains very noble moral teachings, useful lessons of all kinds, many beautiful stories and episodes, discourses, sermons, parables and dialogues which set forth the principles of morals and metaphysics. The Mahabharata contains also the immortal discourse of Bhishma on Dharma, which he gave to Yudhishthira, when he was lying on the bed of arrows. The whole Mahabharata forms an encyclopedia of history, morals and religion unsurpassed by any other epic in the world. The Pandavas obtained victory through the grace of Sri Krishna. The Mahabharata is written in one hundred thousand slokas by Sri Krishnadvaipayana Vyasa. Mahabharata draws extensively on the dharmashastras and a few instances are as follows,(Page no 158 to 160 of Reference <ref name=":5" />)

The Mahabharata is the history of the Pandavas and the Kauravas. It gives a description of the great war, the Battle of Kurukshetra, which broke out between the Kauravas and the Pandavas who were cousins and descendants of the lunar race. The Mahabharata is an encyclopaedia of Hindu Dharma. It is also called the fifth Veda. There is really no theme in religion, philosophy, mysticism and polity which this great epic does not touch and expound. It contains very noble moral teachings, useful lessons of all kinds, many beautiful stories and episodes, discourses, sermons, parables and dialogues which set forth the principles of morals and metaphysics. The Mahabharata contains also the immortal discourse of Bhishma on Dharma, which he gave to Yudhishthira, when he was lying on the bed of arrows. The whole Mahabharata forms an encyclopedia of history, morals and religion unsurpassed by any other epic in the world. The Pandavas obtained victory through the grace of Sri Krishna. The Mahabharata is written in one hundred thousand slokas by Sri Krishnadvaipayana Vyasa. Mahabharata draws extensively on the dharmashastras and a few instances are as follows,(Page no 158 to 160 of Reference <ref name=":5" />)

===Agamas===

===Agamas===

Agamas are a special class of literature, which include theological treatises and practical manuals of devata aradhana (worship) which have also been handed down through a succession of teachers from the ancient times.<ref>J. Padmamalini, (2015) Ph. D Thesis Titled : ''[http://shodhganga.inflibnet.ac.in/handle/10603/185281 Sri Prasanna Venkateswara Swamy Temple of Appalayagunta An Agamic Study]'' Tirupati : Sri Venkateswara University</ref><ref>S, Veerabhadra.(2016) Ph. D Thesis Titled : ''[http://shodhganga.inflibnet.ac.in/handle/10603/185339 Vishnu Iconography in Andhra During the Vijayanagara period.]'' Tirupati : Sri Venkateswara University.</ref>  However, Agama shastras are not part of the Vedas (which are also called Nigamas), and do not derive their authority directly from the Vedas neither are they antagonistic to Vedas. They are, in fact, vedic in spirit and character and use the veda mantras while performing the services. The Vedas explicitly do not discuss about pratima aradhana (idol worship). Agama texts support the view that Japa, Homa, Dhyana and Archa are the four methods to approach the divine and of these, the Agamas are based on Archa (worship). They describe primarily the procedure and rituals of deity worship, rather lay down the rules for a devata vigraha to be worship-worthy, thus are related to devata vigraha (imagery and iconography) and devalaya nirmana (temple construction).<ref name=":6">Saligrama Krishna Ramachandra Rao. ''[http://ipindiaservices.gov.in/GI_DOC/427/427%20-%20GI%20-%20Agama%20Shastra%20and%20Temple%20Worship%20-%2025-06-2013.pdf Agama Shastra and Temple Worship.]'' Extract from : The agama Encyclopaedia 12 Vols.; Revised Edition of Agama Kosa</ref><blockquote>''The icon and its form, the temple and its structure, the rituals and their details, thus get interrelated.'' <ref name=":6" /></blockquote>They also give elaborate details about ontology and cosmology, liberation, devotion, meditation, philosophy of Mantras, mystic diagrams, charms and spells, temple-building, image-making, domestic observances, social rules, public festivals, etc.<ref name=":022" />

Agamas are a special class of literature, which include theological treatises and practical manuals of devata aradhana (worship) which have also been handed down through a succession of teachers from the ancient times.<ref>J. Padmamalini, (2015) Ph. D Thesis Titled : ''[http://shodhganga.inflibnet.ac.in/handle/10603/185281 Sri Prasanna Venkateswara Swamy Temple of Appalayagunta An Agamic Study]'' Tirupati : Sri Venkateswara University</ref><ref>S, Veerabhadra.(2016) Ph. D Thesis Titled : ''[http://shodhganga.inflibnet.ac.in/handle/10603/185339 Vishnu Iconography in Andhra During the Vijayanagara period.]'' Tirupati : Sri Venkateswara University.</ref>  However, Agama shastras are not part of the Vedas (which are also called Nigamas), and do not derive their authority directly from the Vedas neither are they antagonistic to Vedas. They are, in fact, vedic in spirit and character and use the veda mantras while performing the services. The Vedas explicitly do not discuss about pratima aradhana (murti or vigraha worship). Agama texts support the view that Japa, Homa, Dhyana and Archa are the four methods to approach the divine and of these, the Agamas are based on Archa (worship). They describe primarily the procedure and rituals of deity worship, rather lay down the rules for a devata vigraha to be worship-worthy, thus are related to devata vigraha (imagery and iconography) and devalaya nirmana (temple construction).<ref name=":6">Saligrama Krishna Ramachandra Rao. ''[http://ipindiaservices.gov.in/GI_DOC/427/427%20-%20GI%20-%20Agama%20Shastra%20and%20Temple%20Worship%20-%2025-06-2013.pdf Agama Shastra and Temple Worship.]'' Extract from : The agama Encyclopaedia 12 Vols.; Revised Edition of Agama Kosa</ref><blockquote>''The icon and its form, the temple and its structure, the rituals and their details, thus get interrelated.'' <ref name=":6" /></blockquote>They also give elaborate details about ontology and cosmology, liberation, devotion, meditation, philosophy of Mantras, mystic diagrams, charms and spells, temple-building, image-making, domestic observances, social rules, public festivals, etc.<ref name=":022" />

Agama is essentially a tradition (congregational, worship carried out in full public view) and Tantra is a technique (individualistic, carried out in quiet privacy, with self discipline and intensity), but both have similar ideology. Temple worship includes both Agama and Tantric worship sequences; several of them involving the devotees, while the tantric sequences are conducted by priests in the sanctum sanctorum away from public gaze.  Agama worship methods of devatas include the rituals (Tantras), verbal chanting (Mantras) and through symbolic charts (Yantras). All the Agamas deal with 4 padas   

Agama is essentially a tradition (congregational, worship carried out in full public view) and Tantra is a technique (individualistic, carried out in quiet privacy, with self discipline and intensity), but both have similar ideology. Temple worship includes both Agama and Tantric worship sequences; several of them involving the devotees, while the tantric sequences are conducted by priests in the sanctum sanctorum away from public gaze.  Agama worship methods of devatas include the rituals (Tantras), verbal chanting (Mantras) and through symbolic charts (Yantras). All the Agamas deal with 4 padas   

# Jnana (Knowledge) includes the theological and spiritual aspects

# Jnana (Knowledge) includes the theological and adhyatmik aspects

# Yoga (Meditation) for mental discipline

# Yoga (Meditation) for mental discipline

# Kriya (Esoteric Ritual) lays the rules for temple construction and pratishta (consecration of deity)

# Kriya (Esoteric Ritual) lays the rules for temple construction and pratishta (consecration of deity)