Thiru Sirupuliyur

Thiru Sirupuliyur is one of the 108 Vaishnava temples located at a distance of 25 kms from Kumbakonam. It is about 3 kms away from Kollumangudi-Komal route near Thiruvelliangudi.

Introduction

The ancient shrine of Sirupuliyur is the abode of Mahavishnu known here as Arulma Kadal Amudan, the one as sweet as divine nectar. He is also known as Krpa Samudran - Ocean of Compassion. Infact, not just ordinary mortals, even devas like Brahma and Shiva are said to have realised His compassion. Sri Lakshmi is adored as Thirumamagal and as Dayanayaki here. The vimana, that stands above the sanctum is known as Vatla Vimana. While the pushkarni is known as Anantha pushkarni and Manasa pushkarni. The sthala vrksha here is the bilva tree.

In this shrine, Mahavishnu is seen in bhujanga shayana posture similar to His form in Tirupparkadal (the milky ocean). And just like Srirangam, this temple also faces south. This is the characteristic feature of this temple. It is said that all devotee's prayers are answered here. And thus, this kshetra is also known as Thapa Prasiddha Sthala. It is said that, Thirumangai Alwar has composed not less than ten pasurams on the beauty of Perumal in this kshetra.

Sirupuliyur at a glance

Vishnu here is referred to as	Arulmaakadal, Krpasamudra Perumal
Lakshmi here is referred to as	Tirumamagal Nachiar, Dayanayaki
Vimana is called	Nandavardhana
Pushkarni is called	Maanasa Pushkarni
Hymns	Ten
Location	3 kms on Mayavaram-Kollumangudi route 3 kms from Thiru Velliangudi - Komal

Structure

Temple architecture of the south developed a distinct style of its own. Being free from major invasions, the monuments were not only protected from destruction and negligence but also had the opportunity to develop a style unique to themselves. The temple of Sirupuliyur was one that belonged to such an environment.

"Its most striking feature is its main tower built and embellished with stone structures. It is an excellent example of Dravidian art with elaborate design.", says Prof.S.Narayanan.

The front of the temple is decorated with ornamental figures and symmetrical designs. The temple has carved on it animals like elephants, horses, monkeys, so also peacocks, trees, warriors, flying figures, deities and celestial beings as well as some narratives from the puranas. The temple architecture is a bold synthesis of architectural forms and features of several dynasties that have resulted in a strong local traditional form. The temple is on an elevation and has two towers, one of five tiers and the other of three tiers with a magnificent Shikara perched over the east. Mahavishnu here is seen in Bala sayana and the temple has separate shrines for Manavala Mamuni, Andal, Srinivasa, Nammalvar, Ramanuja and Anjaneya.

Legends

Garuda puran and Brahmanda puran bring out the Lord's gallant deeds. the place acquired religious importance when sage Pulikkal Munivar did penance in this temple during Puranic times. Rich both in history and legend It is stated in sthalapuran that th eminent sages performed penance a4 worshipped the Lord in all his forms and glory. Again Bhrigu Maharishi was at once blessed by the wonderfill supreme Lord at this shrine, ti , Thirumangai Alwar a one time bandit Ttohoikrefuge at the feet of the Lord here. So the Lord is also known as Saranagathi Rakshaka.

Several centuries ago during the great wave of religious devotion there lived a muni always singing God's name. As the rays of the sun fell on the daffodils he felt the grace of the Lord inundate his heart. As dawn meets day and as Ganga flows into the sea he was also drawn to God realisation. He obtained rare boons from Lord Shiv: To keep pace with time he was graced with the legs and eyes of a tiger by Lord Shiv. When he sought moksha Lord Shiv directed him to this kshetra and the muni worshipped Arulmakadal in bhujanga sayana. The icons of Vyagapatramuni and Kanvamuni are enshrined in the sanctum.

The Lord here is manifested in a small tiny form in Bhujanga sayana. Thirumangai Alwar was disappointed with the small image of the Lord. Without losing time the Lord obliged him at Thirukannamangai in a larger than life image and a gigantic form.*