Changes

* Every ''Rik'' has a ''Rishi (Mantra Drashta),'' a ''Devata (deity)'' and a ''Chandas (meter)''.   

* Every ''Rik'' has a ''Rishi (Mantra Drashta),'' a ''Devata (deity)'' and a ''Chandas (meter)''.   

* Mantras are revealed to several rishis called Mantra Drashtas including some brahmavaadinis like Lopamudra and Vak Ambhrni.  

* Mantras are revealed to several rishis called Mantra Drashtas including some brahmavaadinis like Lopamudra and Vak Ambhrni.  

* The Samhita of the Rigveda thus comprises of10 ''Mandalas'', 85 ''Anuvakas'', 1028 ''Suktas'' and 10552 ''Mantras''. Usually ''Anuvaka'' is not mentioned for the reference of a Mantra of the Rigveda. For example RV 3.16.7 simply means the seventh Mantra of the sixteenth ''Sukta'' of the third ''Mandala'' of the Rigveda.

* The Samhita of the Rigveda thus comprises of 10 ''Mandalas'', 85 ''Anuvakas'', 1028 ''Suktas'' and 10552 ''Mantras''. Usually ''Anuvaka'' is not mentioned for the reference of a Mantra of the Rigveda. For example RV 3.16.7 simply means the seventh Mantra of the sixteenth ''Sukta'' of the third ''Mandala'' of the Rigveda.

* It begins with a sukta to Agni and concludes with a sukta to the same deity. Agni sukta (01.01.01) by Rushi : Madhucchanda Visvamitra, Devata : Agni, Chandas: Gayatri goes as follows

* It begins with a sukta to Agni and concludes with a sukta to the same deity. Agni sukta (01.01.01) by Rushi : Madhucchanda Visvamitra, Devata : Agni, Chandas: Gayatri goes as follows

<blockquote>अग्निसूक्तम् in प्रथमं मण्डलम्।</blockquote><blockquote>९ मधुच्छन्दा वैश्वामित्रः । अग्निः।  गायत्री। </blockquote><blockquote>अ॒ग्निमी॑ळे पु॒रोहि॑तं य॒ज्ञस्य॑ दे॒वमृ॒त्विज॑म् । होता॑रं रत्न॒धात॑मम् ॥१</blockquote><blockquote>अ॒ग्निः पूर्वे॑भि॒र्ऋषि॑भि॒रीड्यो॒ नूत॑नैरु॒त । स दे॒वाँ एह व॑क्षति ॥२</blockquote><blockquote>अ॒ग्निना॑ र॒यिम॑श्नव॒त् पोष॑मे॒व दि॒वेदि॑वे । य॒शसं॑ वी॒रव॑त्तमम् ॥३</blockquote><blockquote>अग्ने॒ यं य॒ज्ञम॑ध्व॒रं वि॒श्वत॑: परि॒भूरसि॑ । स इद् दे॒वेषु॑ गच्छति ॥४</blockquote><blockquote>अ॒ग्निर्होता॑ क॒विक्र॑तुः स॒त्यश्चि॒त्रश्र॑वस्तमः । दे॒वो दे॒वेभि॒रा ग॑मत् ॥५</blockquote><blockquote>यद॒ङ्ग दा॒शुषे॒ त्वमग्ने॑ भ॒द्रं क॑रि॒ष्यसि॑ । तवेत् तत् स॒त्यम॑ङ्गिरः ॥६</blockquote><blockquote>उप॑ त्वाग्ने दि॒वेदि॑वे॒ दोषा॑वस्तर्धि॒या व॒यम् । नमो॒ भर॑न्त॒ एम॑सि ॥७</blockquote><blockquote>राज॑न्तमध्व॒राणां॑ गो॒पामृ॒तस्य॒ दीदि॑विम् । वर्ध॑मानं॒ स्वे दमे॑ ॥८</blockquote><blockquote>स न॑: पि॒तेव॑ सू॒नवे ऽग्ने॑ सूपाय॒नो भ॑व । सच॑स्वा नः स्व॒स्तये॑ ॥९</blockquote>As seen in the above example, the Vedic mantras are notated with lines above and below the letters which indicate the svara or tone of the particular letter in which it has to be uttered. The information about Vedic Language, the tones and accents used are explained in Siksha part of the [[Shad Vedaangas (षड् वेदाङ्ग)|Vedaangas]]. This division of the Rigveda is most popular and systematic. There is also the ashtaka system of dividing the contents of the Rigveda, but today that is uncommon among the students of the Veda.The value of the Rigveda today is not confined to India, for its well-preserved language and mythology have helped a better understanding of languages, literatures and cultures of the whole world.  

<blockquote>अग्निसूक्तम् in प्रथमं मण्डलम्।</blockquote><blockquote>९ मधुच्छन्दा वैश्वामित्रः । अग्निः।  गायत्री। </blockquote><blockquote>अ॒ग्निमी॑ळे पु॒रोहि॑तं य॒ज्ञस्य॑ दे॒वमृ॒त्विज॑म् । होता॑रं रत्न॒धात॑मम् ॥१</blockquote><blockquote>अ॒ग्निः पूर्वे॑भि॒र्ऋषि॑भि॒रीड्यो॒ नूत॑नैरु॒त । स दे॒वाँ एह व॑क्षति ॥२</blockquote><blockquote>अ॒ग्निना॑ र॒यिम॑श्नव॒त् पोष॑मे॒व दि॒वेदि॑वे । य॒शसं॑ वी॒रव॑त्तमम् ॥३</blockquote><blockquote>अग्ने॒ यं य॒ज्ञम॑ध्व॒रं वि॒श्वत॑: परि॒भूरसि॑ । स इद् दे॒वेषु॑ गच्छति ॥४</blockquote><blockquote>अ॒ग्निर्होता॑ क॒विक्र॑तुः स॒त्यश्चि॒त्रश्र॑वस्तमः । दे॒वो दे॒वेभि॒रा ग॑मत् ॥५</blockquote><blockquote>यद॒ङ्ग दा॒शुषे॒ त्वमग्ने॑ भ॒द्रं क॑रि॒ष्यसि॑ । तवेत् तत् स॒त्यम॑ङ्गिरः ॥६</blockquote><blockquote>उप॑ त्वाग्ने दि॒वेदि॑वे॒ दोषा॑वस्तर्धि॒या व॒यम् । नमो॒ भर॑न्त॒ एम॑सि ॥७</blockquote><blockquote>राज॑न्तमध्व॒राणां॑ गो॒पामृ॒तस्य॒ दीदि॑विम् । वर्ध॑मानं॒ स्वे दमे॑ ॥८</blockquote><blockquote>स न॑: पि॒तेव॑ सू॒नवे ऽग्ने॑ सूपाय॒नो भ॑व । सच॑स्वा नः स्व॒स्तये॑ ॥९</blockquote>As seen in the above example, the Vedic mantras are notated with lines above and below the letters which indicate the svara or tone of the particular letter in which it has to be uttered. The information about Vedic Language, the tones and accents used are explained in Siksha part of the [[Shad Vedaangas (षड् वेदाङ्ग)|Vedaangas]]. This division of the Rigveda is most popular and systematic. There is also the ashtaka system of dividing the contents of the Rigveda, but today that is uncommon among the students of the Veda.The value of the Rigveda today is not confined to India, for its well-preserved language and mythology have helped a better understanding of languages, literatures and cultures of the whole world.  

4. Aksha Sukta

4. Aksha Sukta

5. Nasadiya Sukta

5. [[नासदीय सूक्त|Nasadiya Sukta]]

6. Duhsvapna-nashna Sukta

6. Duhsvapna-nashna Sukta