− | The Vishnudharmottara Purana is an Upa-Purana (उप पुराणम् ) affiliated to the Vishnu Purana (विष्णु पुराणम् ). Both these texts are approximately dated to the Gupta Period (5th-6th centuries CE). The Vishnudharmottara Purana is an encyclopedic work covering a broad range of facets of Ancient Indian Culture. It unfolds as a dialogue between King Vajra of Mathura (the great grandson of Bhagavan Sri Krishna) and the Sage Markandeya. One of the most redeeming features of this text is its elaborate descriptions of Hindu Temples and Hindu Iconography. King Vajra requests Sage Markandeya to enumerate the features of temples. The Vishnudharmottara Purana lists various component parts of a temple and also provides their proportionate measurements. The temple must comprise sixty four padas or equal segments. The various types of temples mentioned in this text are Himavan, Malyavan, Shringavan, Agara, Griha, Bhavana, Shikhara, Kunjara, Gandhamadana, Subhadra, Saumya, Arunodaya, Guha, Garuda, Sarvatobhadra, Mekhala, Vriddhida, Triguna, Valabhi, Rajaraja and many more. These are considered to be the names of different kinds of Nagara (North Indian) temples. The same text also prescribes the details of the images of deities which are to be installed in a specific temple. E.g. In the Mekhala type of a temple, images of Brahma, Vishnu and Maheshvara or Ekanmasha between Krishna and Balarama or Trilochana between Ganesha and Skanda should be consecrated. Similarly in the same type of a temple an image or Janardana or Tavshta can also be established between the images of the sun and the moon. When the mandapas are equipped with shikharas the structures are known as Vimanas. Further, the text clearly lays down which deities are not be installed in a particular type of a temple as their installation may lead to misfortune and decline. A temple devoid of mandapas is denoted as a Devakula. The term 'Devakula' is a very ancient one and appears frequently in early inscriptions. The text also includes detailed instructions pertaining to the procurement of raw materials like wood and stone as well as the associated rituals. In addition matters like production of bricks and making of the Vajralepa have also been dealt in detail by this text. The Vishnudharmottara Purana vividly also notes the kind of land on which a temple should be built as well as the land where one must not undertake temple building activities. | + | The Vishnudharmottara Purana is an Upa-Purana (उप पुराणम् ) affiliated to the Vishnu Purana (विष्णु पुराणम् ). Both these texts are approximately dated to the Gupta Period (5th-6th centuries CE). The Vishnudharmottara Purana is an encyclopedic work covering a broad range of facets of Ancient Indian Culture. It unfolds as a dialogue between King Vajra of Mathura (the great grandson of Bhagavan Sri Krishna) and the Sage Markandeya. One of the most redeeming features of this text is its elaborate descriptions of Hindu Temples and Hindu Iconography. King Vajra requests Sage Markandeya to enumerate the features of temples. The Vishnudharmottara Purana lists various component parts of a temple and also provides their proportionate measurements. The temple must comprise sixty four padas or equal segments. The various types of temples mentioned in this text are Himavan, Malyavan, Shringavan, Agara, Griha, Bhavana, Shikhara, Kunjara, Gandhamadana, Subhadra, Saumya, Arunodaya, Guha, Garuda, Sarvatobhadra, Mekhala, Vriddhida, Triguna, Valabhi, Rajaraja and many more. These are considered to be the names of different kinds of Nagara (North Indian) temples. The same text also prescribes the details of the images of deities which are to be installed in a specific temple. E.g. In the Mekhala type of a temple, images of Brahma, Vishnu and Maheshvara or Ekanmasha between Krishna and Balarama or Trilochana between Ganesha and Skanda should be consecrated. Similarly in the same type of a temple an image or Janardana or Tavshta can also be established between the images of the sun and the moon. When the mandapas are equipped with shikharas the structures are known as Vimanas. Further, the text clearly lays down which deities are not be installed in a particular type of a temple as their installation may lead to misfortune and decline. A temple devoid of mandapas is denoted as a Devakula. The term 'Devakula' is a very ancient one and appears frequently in early inscriptions. The text also includes detailed instructions pertaining to the procurement of raw materials like wood and stone as well as the associated rituals. In addition matters like production of bricks and making of the Vajralepa have also been dealt in detail by this text. The Vishnudharmottara Purana vividly also notes the kind of land on which a temple should be built as well as the land where one must not undertake temple building activities. We also come the temple construction process involving many rituals. The text mentions the Shilanyasa ritual which was preceded by the installation of the kumbha in the soil of the site. The Shilanyasa ritual involved the placement of baked bricks in the four directions. |