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Shabda (Samskrit: शब्दः) a word similar to many others like Dharma and Jnana used in Sanatana Dharma, is of significance in the development of the language system and expression of thought. It is through Speech that one goes about his Lokayatra (journey through world). Acharya Dandi, one of the earliest Alamkarikas, further describes<blockquote>वाचामेव प्रसादेन लोकयात्रा प्रवर्तते ।। १.३ ।।</blockquote><blockquote>इदमन्धन्तमः कृत्स्नं जायेत भुवनत्रयम् यदि शब्दाहवयं ज्योतिरासंसारन्न दीप्यते ।। १.४ ।। (Kavyadarsha. 1.3-4)<ref>Kavyadarsha by Dandi ([https://sa.wikisource.org/wiki/%E0%A4%95%E0%A4%BE%E0%A4%B5%E0%A5%8D%E0%A4%AF%E0%A4%BE%E0%A4%A6%E0%A4%B0%E0%A5%8D%E0%A4%B6%E0%A4%83/%E0%A4%AA%E0%A5%8D%E0%A4%B0%E0%A4%A5%E0%A4%AE%E0%A4%AA%E0%A4%B0%E0%A4%BF%E0%A4%9A%E0%A5%8D%E0%A4%9B%E0%A5%87%E0%A4%A6%E0%A4% Pariccheda 1])</ref></blockquote>All the three worlds would have been enveloped in blinding darkness, had there been no language, the brilliant light that shines eternally.<ref>[https://www.academia.edu/38924945/Sanskrit_and_Speech_Language_Pathology Sanskrit and Speech Language Pathology] by Dr. Sampadananda Mishra</ref>

Shabda (Samskrit: शब्दः) a word similar to many others like Dharma and Jnana used in Sanatana Dharma, is of significance in the development of the language system and expression of thought. It is through Speech that one goes about his Lokayatra (journey through world). Acharya Dandi, one of the earliest Alamkarikas, further describes<blockquote>वाचामेव प्रसादेन लोकयात्रा प्रवर्तते ॥ १.३ ॥ vācāmeva prasādena lokayātrā pravartate ॥ 1.3 ॥</blockquote><blockquote>इदमन्धन्तमः कृत्स्नं जायेत भुवनत्रयम् यदि शब्दाहवयं ज्योतिरासंसारन्न दीप्यते ॥ १.४ ॥ idamandhantamaḥ kr̥tsnaṁ jāyeta bhuvanatrayam yadi śabdāhavayaṁ jyotirāsaṁsāranna dīpyate ॥ 1.4 ॥ (Kavyadarsha. 1.3-4)<ref>Kavyadarsha by Dandi ([https://sa.wikisource.org/wiki/%E0%A4%95%E0%A4%BE%E0%A4%B5%E0%A5%8D%E0%A4%AF%E0%A4%BE%E0%A4%A6%E0%A4%B0%E0%A5%8D%E0%A4%B6%E0%A4%83/%E0%A4%AA%E0%A5%8D%E0%A4%B0%E0%A4%A5%E0%A4%AE%E0%A4%AA%E0%A4%B0%E0%A4%BF%E0%A4%9A%E0%A5%8D%E0%A4%9B%E0%A5%87%E0%A4%A6%E0%A4% Pariccheda 1])</ref></blockquote>All the three worlds would have been enveloped in blinding darkness, had there been no language, the brilliant light that shines eternally.<ref>[https://www.academia.edu/38924945/Sanskrit_and_Speech_Language_Pathology Sanskrit and Speech Language Pathology] by Dr. Sampadananda Mishra</ref>

Shabda is defined and explained as a that "heard by the ear" or it is a "sound (ध्वनिः)" or "a cry, roar (रवः)" by Vaiyakaranas, apart from being used as a technical term (संज्ञा) of a valid tool of knowledge (cognition) or [[Pramana (प्रमाणम्)]] by the Darshanikas.

Shabda is defined and explained as that which is "heard by the ear" or a "sound (ध्वनिः)" or "a cry, roar (रवः)" by Vaiyakaranas, apart from being used as a technical term (संज्ञा) of a valid tool of knowledge (cognition) or [[Pramana (प्रमाणम्)]] by the Darshanikas.

'''Science of Dhvani''' ('''ध्वनिविज्ञानम्)''', involves the study of Dhvani (Sound), the synonymous terms, place of utterance and speech mechanism (उच्चारणस्थानानि वाग्यन्त्राणि), origin and classification of sounds, siddhantas involved in the production and propagation of sound, auditory organ and mechanism of reception of sound.

'''Science of Dhvani''' ('''ध्वनिविज्ञानम्)''', involves the study of Dhvani (Sound), the synonymous terms, place of utterance and speech mechanism (उच्चारणस्थानानि वाग्यन्त्राणि), origin and classification of sounds, siddhantas involved in the production and propagation of sound, auditory organ and mechanism of reception of sound.

As a means of communication the role of words is indispensable. It is known from ages that words are the main ways of conducting all activities by man; all the letters starting from Akara are Arthabodhaka-s i.e., used in words to clearly express the meaning.  

As a means of communication the role of words is indispensable. It is known from ages that words are the main ways of conducting all activities by man; all the letters starting from Akara are Arthabodhaka-s i.e., used in words to clearly express the meaning.  

Shabda literally means sound. In linguistics it denotes words, sentences and many other linguistic units such as padam and varna. A word is a particular kind of sound, thus a sentence is a group of sounds arranged in a certain order. According to Nyaya, sound is a physical phenomenon. It is the attribute of an intangible and all-pervading substance called Akasha (आकाशः).<blockquote>आकाशगुणः शब्दः । Sound is the attribute of Akaasha (Nirukta. Shast. 13.17)<ref>Nirukta Shastra ([https://sa.wikisource.org/wiki/%E0%A4%A8%E0%A4%BF%E0%A4%B0%E0%A5%81%E0%A4%95%E0%A5%8D%E0%A4%A4%E0%A4%B6%E0%A4%BE%E0%A4%B8%E0%A5%8D%E0%A4%A4%E0%A5%8D%E0%A4%B0%E0%A4%AE%E0%A5%8D/%E0%A4%A4%E0%A5%8D%E0%A4%B0%E0%A4%AF%E0%A5%8B%E0%A4%A6%E0%A4%B6%E0%A5%8B%E0%A4% Adhyaya 13])</ref></blockquote>Vayu is its medium of transmission from one place to another and not a substratum of the quality of sound.  

Shabda literally means sound. In linguistics it denotes words, sentences and many other linguistic units such as padam and varna. A word is a particular kind of sound, thus a sentence is a group of sounds arranged in a certain order. According to Nyaya, sound is a physical phenomenon. It is the attribute of an intangible and all-pervading substance called Akasha (आकाशः).<blockquote>आकाशगुणः शब्दः । ākāśaguṇaḥ śabdaḥ । Sound is the attribute of Akaasha (Nirukta. Shast. 13.17)<ref>Nirukta Shastra ([https://sa.wikisource.org/wiki/%E0%A4%A8%E0%A4%BF%E0%A4%B0%E0%A5%81%E0%A4%95%E0%A5%8D%E0%A4%A4%E0%A4%B6%E0%A4%BE%E0%A4%B8%E0%A5%8D%E0%A4%A4%E0%A5%8D%E0%A4%B0%E0%A4%AE%E0%A5%8D/%E0%A4%A4%E0%A5%8D%E0%A4%B0%E0%A4%AF%E0%A5%8B%E0%A4%A6%E0%A4%B6%E0%A5%8B%E0%A4% Adhyaya 13])</ref></blockquote>Vayu is its medium of transmission from one place to another and not a substratum of the quality of sound.  

Sound in its empirical form is a product of the conjunction of two bodies or of the disjunction of the parts of one composite body. It is thus non-eternal or subject to origin and cessation in time. The Mimamsakaras here differ from the Nyaya stance in that they hold that Sound is eternal, since it is not produced but only manifested by the contact of two bodies.<ref name=":7">Chatterjee. Satischandra, (1950 Second Edition) ''The Nyaya Theory of Knowledge, A Critical Study of Some Problems of Logic and Metaphysics''. Calcutta: University of Calcutta. (Pages 322 - 335)</ref>

Sound in its empirical form is a product of the conjunction of two bodies or of the disjunction of the parts of one composite body. It is thus non-eternal or subject to origin and cessation in time. The Mimamsakaras here differ from the Nyaya stance in that they hold that Sound is eternal, since it is not produced but only manifested by the contact of two bodies.<ref name=":7">Chatterjee. Satischandra, (1950 Second Edition) ''The Nyaya Theory of Knowledge, A Critical Study of Some Problems of Logic and Metaphysics''. Calcutta: University of Calcutta. (Pages 322 - 335)</ref>

==व्युत्पत्तिः ॥ Etymology==

==व्युत्पत्तिः ॥ Etymology==

According to Panini's dhatupata, the word शब्दः is derived from the dhatu श॑ब्दँ॑ used in the meaning of भाषणे शब्दक्रियायाम् उपसर्गादाविष्कारे च (speaking, in sound utterances, and revealing the meanings of upasargas)<ref>Panini's Ashtadhyayi ([http://www.ashtadhyayi.com/dhatu/10.0239?form= Verb forms for Shabda])</ref>

According to Panini's dhatupata, the word शब्दः । ''śabdaḥ''  is derived from the dhatu श॑ब्दँ॑ used in the meaning of भाषणे शब्दक्रियायाम् उपसर्गादाविष्कारे च । bhāṣaṇe śabdakriyāyām upasargādāviṣkāre ca (speaking, in sound utterances, and revealing the meanings of upasargas)<ref>Panini's Ashtadhyayi ([http://www.ashtadhyayi.com/dhatu/10.0239?form= Verb forms for Shabda])</ref>

Shabdakalpadruma defines the word शब्दः as श्रोत्रग्राह्यगुणपदार्थ-विशेषः। that padartha having the quality of being captured (heard) by the ear. The synonyms for Shabda according to Amarakosha are<blockquote>१ निनादः २ निनदः ३ ध्वनिः ४ ध्वानः ५ रवः ६ स्वनः ७ स्वानः ८ निर्घोषः ९ निर्हादः १० नादः ११ निःस्वानः १२ निःस्वनः १३ आरवः १४ आरावः १५ संरावः १६ विरावः इत्यमरः।</blockquote>The term śabda is pregnant with meaning and it is employed to denote the following things<ref>Subramanya Sharma. V. M. (2012) Ph.D Thesis: ''[http://hdl.handle.net/10603/105711 The Notion of Word in Vakyapadiyam.]'' Hyderabad : University of Hyderabad</ref>

Shabdakalpadruma defines the word शब्दः as श्रोत्रग्राह्यगुणपदार्थ-विशेषः। śrotragrāhyaguṇapadārtha-viśeṣaḥ। that padartha having the quality of being captured (heard) by the ear. The synonyms for Shabda according to Amarakosha are<blockquote>१ निनादः २ निनदः ३ ध्वनिः ४ ध्वानः ५ रवः ६ स्वनः ७ स्वानः ८ निर्घोषः ९ निर्हादः १० नादः ११ निःस्वानः १२ निःस्वनः १३ आरवः १४ आरावः १५ संरावः १६ विरावः इत्यमरः।</blockquote><blockquote>1 ninādaḥ 2 ninadaḥ 3 dhvaniḥ 4 dhvānaḥ 5 ravaḥ 6 svanaḥ 7 svānaḥ 8 nirghoṣaḥ 9 nirhādaḥ 10 nādaḥ 11 niḥsvānaḥ 12 niḥsvanaḥ 13 āravaḥ 14 ārāvaḥ 15 saṁrāvaḥ 16 virāvaḥ ityamaraḥ।</blockquote>The term śabda is pregnant with meaning and it is employed to denote the following things<ref>Subramanya Sharma. V. M. (2012) Ph.D Thesis: ''[http://hdl.handle.net/10603/105711 The Notion of Word in Vakyapadiyam.]'' Hyderabad : University of Hyderabad</ref>

* वर्णाः । varṇaḥ (phoneme)

* वर्णाः । varṇaḥ (phoneme)

* प्रकृतिः प्रत्ययः च।  prakṛtiḥ and pratyayaḥ (morpheme)

* प्रकृतिः प्रत्ययः च।  prakṛtiḥ and pratyayaḥ (morpheme)

The Darshana texts stand testimony to the fact that ancient Bharat was the fertile breeding ground for intellectual discussions about many unique and fundamental concepts of the material world such as physics, chemistry, mathematics and astronomy to quote a few. It is with awe that one may note that the characteristics of sound as explained in the Darshana shastras is the outstanding outcome of "''modern''" discussions in the past using logical recognizable forms of thinking and tackling questions that is unparalleled even in this modern day. Here we see each text giving one kind of lakshana vakya to define shabda.  

The Darshana texts stand testimony to the fact that ancient Bharat was the fertile breeding ground for intellectual discussions about many unique and fundamental concepts of the material world such as physics, chemistry, mathematics and astronomy to quote a few. It is with awe that one may note that the characteristics of sound as explained in the Darshana shastras is the outstanding outcome of "''modern''" discussions in the past using logical recognizable forms of thinking and tackling questions that is unparalleled even in this modern day. Here we see each text giving one kind of lakshana vakya to define shabda.  

'''Vaiseshika Sutras''' say that the Sound is that object of which the organ of apprehension is the ear.<ref name=":3">Sinha, Nandalal (1923 Second Edition) ''The Vaisesika Sutras of Kanada with the commentary of Sankara Misra''. Allahabad: The Panini Office (Page 86-91)</ref> <blockquote>श्रोत्रग्रहणो योर्ऽथः स शब्दः । वैशेषिक-२,२.२१ । (Vais. Sutr. 2.2.21)<ref name=":4">Vaiseshika Sutras ([https://sa.wikisource.org/wiki/%E0%A4%B5%E0%A5%88%E0%A4%B6%E0%A5%87%E0%A4%B7%E0%A4%BF%E0%A4%95%E0%A4%B8%E0%A5%82%E0%A4%A4%E0%A5%8D%E0%A4%B0%E0%A4%AE%E0%A5%8D Full Text])</ref></blockquote>'''Nyaya Sutras and Tarksamgraha''', declare  <blockquote>आप्तोपदेशः शब्दः ।। ७ ।। āptopadeśaḥ śabdaḥ {शब्दलक्षणम्} (Nyay. Sutr. 1.1.7)<ref name=":42">Nyaya Sutras ([https://sa.wikisource.org/wiki/%E0%A4%A8%E0%A5%8D%E0%A4%AF%E0%A4%BE%E0%A4%AF%E0%A4%B8%E0%A5%82%E0%A4%A4%E0%A5%8D%E0%A4%B0%E0%A4%BE%E0%A4%A3%E0%A4%BF/%E0%A4%85%E0%A4%A7%E0%A5%8D%E0%A4%AF%E0%A4%BE%E0%A4%AF%E0%A4%83_%E0%A5%A7/%E0%A4%AA%E0%A5%8D%E0%A4%B0%E0%A4%A5%E0%A4%AE%E0%A4%AD%E0%A4%BE%E0%A4%97%E0%A4%83 Adhyaya 1 Ahnika 1])</ref></blockquote><blockquote>आप्तवाक्यं शब्दः। आप्तस्तु, यथार्थवक्ता। (Tark. Samg. 4.1)<ref>Tarkasamgraha ([https://sa.wikisource.org/wiki/%E0%A4%A4%E0%A4%B0%E0%A5%8D%E0%A4%95%E0%A4%B8%E0%A4%99%E0%A5%8D%E0%A4%97%E0%A5%8D%E0%A4%B0%E0%A4%B9%E0%A4%83/%E0%A4%B6%E0%A4%AC%E0%A5%8D%E0%A4%A6%E0%A4%A8%E0%A4%BF%E0%A4%B0%E0%A5%82%E0%A4%AA%E0%A4%A3%E0%A4%AE%E0%A5%8D Shabdanirupanam])</ref></blockquote>Here Shabda refers to valid verbal testimony (shabda pramana), a proposition set forth by a trustworthy person (apta). One who habitually speaks only truth is a trustworthy person (apta). Shabda is a sentence or a proposition discussed as a pramana where verbal cognition happens through the knowledge of words, a stance taken by Naiyayikas.

'''Vaiseshika Sutras''' say that the Sound is that object of which the organ of apprehension is the ear.<ref name=":3">Sinha, Nandalal (1923 Second Edition) ''The Vaisesika Sutras of Kanada with the commentary of Sankara Misra''. Allahabad: The Panini Office (Page 86-91)</ref> <blockquote>श्रोत्रग्रहणो योर्ऽथः स शब्दः । वैशेषिक-२,२.२१ । (Vais. Sutr. 2.2.21)<ref name=":4">Vaiseshika Sutras ([https://sa.wikisource.org/wiki/%E0%A4%B5%E0%A5%88%E0%A4%B6%E0%A5%87%E0%A4%B7%E0%A4%BF%E0%A4%95%E0%A4%B8%E0%A5%82%E0%A4%A4%E0%A5%8D%E0%A4%B0%E0%A4%AE%E0%A5%8D Full Text])</ref></blockquote>'''Nyaya Sutras and Tarksamgraha''', declare  <blockquote>आप्तोपदेशः शब्दः ॥ ७ ॥ āptopadeśaḥ śabdaḥ {शब्दलक्षणम्} (Nyay. Sutr. 1.1.7)<ref name=":42">Nyaya Sutras ([https://sa.wikisource.org/wiki/%E0%A4%A8%E0%A5%8D%E0%A4%AF%E0%A4%BE%E0%A4%AF%E0%A4%B8%E0%A5%82%E0%A4%A4%E0%A5%8D%E0%A4%B0%E0%A4%BE%E0%A4%A3%E0%A4%BF/%E0%A4%85%E0%A4%A7%E0%A5%8D%E0%A4%AF%E0%A4%BE%E0%A4%AF%E0%A4%83_%E0%A5%A7/%E0%A4%AA%E0%A5%8D%E0%A4%B0%E0%A4%A5%E0%A4%AE%E0%A4%AD%E0%A4%BE%E0%A4%97%E0%A4%83 Adhyaya 1 Ahnika 1])</ref></blockquote><blockquote>आप्तवाक्यं शब्दः। आप्तस्तु, यथार्थवक्ता। āptavākyaṁ śabdaḥ। āptastu, yathārthavaktā। (Tark. Samg. 4.1)<ref>Tarkasamgraha ([https://sa.wikisource.org/wiki/%E0%A4%A4%E0%A4%B0%E0%A5%8D%E0%A4%95%E0%A4%B8%E0%A4%99%E0%A5%8D%E0%A4%97%E0%A5%8D%E0%A4%B0%E0%A4%B9%E0%A4%83/%E0%A4%B6%E0%A4%AC%E0%A5%8D%E0%A4%A6%E0%A4%A8%E0%A4%BF%E0%A4%B0%E0%A5%82%E0%A4%AA%E0%A4%A3%E0%A4%AE%E0%A5%8D Shabdanirupanam])</ref></blockquote>Here Shabda refers to valid verbal testimony (shabda pramana), a proposition set forth by a trustworthy person (apta). One who habitually speaks only truth is a trustworthy person (apta). Shabda is a sentence or a proposition discussed as a pramana where verbal cognition happens through the knowledge of words, a stance taken by Naiyayikas.

'''Mahabhashya''' of Patanjali, expounds the vaiyakarana view and addresses the definition of "what is Shabda?"<blockquote>अथ गौरित्यत्र कः शब्दः ? ...... कस्तर्हि शब्दः? येनोच्चारितेन सास्नालाङ्गूलककुदखुरविषाणिनां सम्प्रत्ययो भवति स शब्दः ।। अथ वा प्रतीतपदार्थको लोके ध्वनिः शब्द इत्युच्यते।<ref name=":2">Mahabhashyam ([https://sa.wikisource.org/wiki/%E0%A4%AE%E0%A4%B9%E0%A4%BE%E0%A4%AD%E0%A4%BE%E0%A4%B7%E0%A5%8D%E0%A4%AF%E0%A4%AE%E0%A5%8D/%E0%A4%AA%E0%A4%B8%E0%A5%8D%E0%A4%AA%E0%A4%B6%E0%A4%BE%E0%A4%B9%E0%A5%8D%E0%A4%A8%E0%A4%BF%E0%A4%95%E0%A4%AE%E0%A5%8D Paspashahnika])</ref></blockquote>Summary: Now, when one says गौः (cow), what is Shabda?... Shabda is that on whose manifestation the correct knowledge of the object (Cow) which has dew-lap (सास्ना), tail (लाङ्गूल), hump (ककुद), hoof (खुर), horns (विषाण) etc, is produced; or, the '''sound which has a decisive meaning is said to be shabda''' in the world.  

'''Mahabhashya''' of Patanjali, expounds the vaiyakarana view and addresses the definition of "what is Shabda?"<blockquote>अथ गौरित्यत्र कः शब्दः ? ...... कस्तर्हि शब्दः? येनोच्चारितेन सास्नालाङ्गूलककुदखुरविषाणिनां सम्प्रत्ययो भवति स शब्दः ॥ अथ वा प्रतीतपदार्थको लोके ध्वनिः शब्द इत्युच्यते। <ref name=":2">Mahabhashyam ([https://sa.wikisource.org/wiki/%E0%A4%AE%E0%A4%B9%E0%A4%BE%E0%A4%AD%E0%A4%BE%E0%A4%B7%E0%A5%8D%E0%A4%AF%E0%A4%AE%E0%A5%8D/%E0%A4%AA%E0%A4%B8%E0%A5%8D%E0%A4%AA%E0%A4%B6%E0%A4%BE%E0%A4%B9%E0%A5%8D%E0%A4%A8%E0%A4%BF%E0%A4%95%E0%A4%AE%E0%A5%8D Paspashahnika])</ref></blockquote><blockquote>atha gaurityatra kaḥ śabdaḥ ? ...... kastarhi śabdaḥ? yenoccāritena sāsnālāṅgūlakakudakhuraviṣāṇināṁ sampratyayo bhavati sa śabdaḥ ॥ atha vā pratītapadārthako loke dhvaniḥ śabda ityucyate।</blockquote>Summary: Now, when one says गौः। gauḥ (cow), what is Shabda?... Shabda is that on whose manifestation the correct knowledge of the object (Cow) which has dew-lap (सास्ना । sāsnā), tail (लाङ्गूल । lāṅgūla), hump (ककुद । kakuda), hoof (खुरः । khuraḥ ), horns (विषाणः । viṣāṇaḥ) etc, is produced; or, the '''sound which has a decisive meaning is said to be shabda''' in the world.  

When a word like गौः is pronounced, the following concepts appear in the mind of the hearer :—the species cow, her action, her qualities, genus cow, the shape of the cow—and also the word made up of ga, au and visarga strikes his ear. The hearer begins to doubt whether on pronouncing गौः the Shabda refers to the species cow, her actions etc. According to Vaiyakaranas the relation (sambandha) of शब्दः (word) and अर्थः (its meaning), गुणम् (attribute) and गुणिन् (object having the attribute), क्रिया (action) and क्रियावान् (performer of action) is identity (samavaya sambandha). However none of these are the connotation of shabda and true connotation, according to Vaiyakaranas, is Sphota, which, when manifested, enables the hearer to have a clear knowledge of the object cow. They admit that every letter that is pronounced makes an impression in the mind and the sum total of the impressions made by all the letters of the word suggest the sense. Hence Shabda is not what we hear, but it is that, Sphota or sound-essence, which is manifested in the mind after the whole word is pronounced.<ref name=":1" />

When a word like गौः is pronounced, the following concepts appear in the mind of the hearer :—the species cow, her action, her qualities, genus cow, the shape of the cow—and also the word made up of ga, au and visarga strikes his ear. The hearer begins to doubt whether on pronouncing गौः the Shabda refers to the species cow, her actions etc. According to Vaiyakaranas the relation (sambandha) of शब्दः (word) and अर्थः (its meaning), गुणम् । guṇam (attribute) and गुणिन् । guṇin (object having the attribute), क्रिया । kriyā (action) and क्रियावान् । kriyāvān (performer of action) is identity (samavaya sambandha). However none of these are the connotation of shabda and true connotation, according to Vaiyakaranas, is Sphota, which, when manifested, enables the hearer to have a clear knowledge of the object cow. They admit that every letter that is pronounced makes an impression in the mind and the sum total of the impressions made by all the letters of the word suggest the sense. Hence Shabda is not what we hear, but it is that, Sphota or sound-essence, which is manifested in the mind after the whole word is pronounced.<ref name=":1" />

According to Shri. N. Sivasenani<ref name=":5">Dr. Sivasenani Nori replying on [https://groups.google.com/d/msg/bvparishat/moXZPCz08_0/GsWBm8-zJVsJ What is meant by Ooha?]</ref>, Sabda has two definitions as given by Patanjali:<blockquote>"''प्रतीतपदार्थकः ध्वनिः शब्दः। is thus a working definition - applicable to vaikharee  shabdas as per Nagesa - which makes meaningful words Sabdas.''</blockquote><blockquote>''The other, more philosophical definition, applicable to madhyamaa according to Nagesa, which accomodates the concept of sphota is: येनोच्चारितेन सास्नालाङ्गूलककुदखुरविषाणिनां सम्प्रत्ययो जायते स शब्दः। The idea is like this. A word is meaningful only if the listener is aware of it. Let us say that I propose that our group of friends go to a tundra for a holiday. If my friends do not know what a tundra is, my statement does not make sense. If they know that tundra is a cold desert, then they can reply along the lines of: "Oh! why on Earth would you want to go to a place where nothing grows, and there is nothing to see" or "Yes, such great calmness would be very nice". So the words uttered by a speaker only trigger the sense that has already been acquired by the listener. Therefore, when one says गौः the image of an animal with a सास्ना (dew-lap in English, and గంగడోలు in Telugu, the loose skin hanging below the neck of a cow), tail, hump, hoof, horns etc. arises in the mind of the listener, hence the definition: Sabda is that on whose pronunciation (or, manifestation) the correct knowledge of the object with dewlap, tail etc. is produced.''"</blockquote>

According to Shri. N. Sivasenani<ref name=":5">Dr. Sivasenani Nori replying on [https://groups.google.com/d/msg/bvparishat/moXZPCz08_0/GsWBm8-zJVsJ What is meant by Ooha?]</ref>, Sabda has two definitions as given by Patanjali:<blockquote>"''प्रतीतपदार्थकः ध्वनिः शब्दः। pratītapadārthakaḥ dhvaniḥ śabdaḥ। is thus a working definition - applicable to vaikharee  shabdas as per Nagesa - which makes meaningful words Sabdas.''</blockquote><blockquote>''The other, more philosophical definition, applicable to madhyamaa according to Nagesa, which accomodates the concept of sphota is: येनोच्चारितेन सास्नालाङ्गूलककुदखुरविषाणिनां सम्प्रत्ययो जायते स शब्दः। yenoccāritena sāsnālāṅgūlakakudakhuraviṣāṇināṁ sampratyayo jāyate sa śabdaḥ। The idea is like this. A word is meaningful only if the listener is aware of it. Let us say that I propose that our group of friends go to a tundra for a holiday. If my friends do not know what a tundra is, my statement does not make sense. If they know that tundra is a cold desert, then they can reply along the lines of: "Oh! why on Earth would you want to go to a place where nothing grows, and there is nothing to see" or "Yes, such great calmness would be very nice". So the words uttered by a speaker only trigger the sense that has already been acquired by the listener. Therefore, when one says गौः the image of an animal with a सास्ना (dew-lap in English, and గంగడోలు in Telugu, the loose skin hanging below the neck of a cow), tail, hump, hoof, horns etc. arises in the mind of the listener, hence the definition: Sabda is that on whose pronunciation (or, manifestation) the correct knowledge of the object with dewlap, tail etc. is produced.''"</blockquote>

== शब्दभेदाः ॥ Classification of Shabda ==

== शब्दभेदाः ॥ Classification of Shabda ==

=== Vaidika (वैदिकाः) and Laukika (लौकिकाः) ===

=== Vaidika (वैदिकाः) and Laukika (लौकिकाः) ===

Mahabhashyam the celebrated text of vyakarana, given to the world by Maharshi Patanjali, gives an in depth analysis about the development of language and the siddhantas to be considered from the vyakarana standpoint. It describes about which shabdas should be studied (and understood) and classifies them as Vaidika and Laukika. Maharshi Patanjali says,<blockquote>केषां शब्दानाम्?</blockquote><blockquote>लौकिकानां वैदिकानां च। तत्र लौकिकास्तावत् - गोरश्वः पुरुषो हस्ती शकुनिः मृगो ब्राह्मण इति। वैदिकाः खल्वपि- शन्नो देवीरभिष्टये (अ.सं.1,1,1), इषे त्वोर्जे त्वा (तै.सं.1,1,1,1), अग्निमीले पुरोहितम् (ऋ.1,1,1), अग्न आयाहि वीतये (सा. सं. 1,1,1) इति ।। (Maha. Paspashahnika)<ref name=":2" /></blockquote><nowiki>Summary : Of which shabdas? Of those current in the world and in the Vedas.  Among them the Laukika shabdas are गौः (cow), अश्वः (horse), पुरुषः (person), हस्ती (elephant), शकुनिः (bird), मृगः (deer), ब्राह्मणः (brahmana) etc. The Vaidika shabdas are शन्नो देवीरभिष्टये [Let the waters bring us happiness (so that we may perform sacrifice)]; इषे त्वोर्जे त्वा [(I cut) you for food and vitality]; अग्निमीले पुरोहितम् (I invoke Agni, the divine priest).</nowiki><ref name=":1" />

Mahabhashyam the celebrated text of vyakarana, given to the world by Maharshi Patanjali, gives an in depth analysis about the development of language and the siddhantas to be considered from the vyakarana standpoint. It describes about which shabdas should be studied (and understood) and classifies them as Vaidika and Laukika. Maharshi Patanjali says,<blockquote>केषां शब्दानाम्?</blockquote><blockquote>लौकिकानां वैदिकानां च। तत्र लौकिकास्तावत् - गोरश्वः पुरुषो हस्ती शकुनिः मृगो ब्राह्मण इति। वैदिकाः खल्वपि- शन्नो देवीरभिष्टये (अ.सं.1,1,1), इषे त्वोर्जे त्वा (तै.सं.1,1,1,1), अग्निमीले पुरोहितम् (ऋ.1,1,1), अग्न आयाहि वीतये (सा. सं. 1,1,1) इति ॥ (Maha. Paspashahnika)<ref name=":2" /></blockquote><blockquote>kēṣāṁ śabdānām?</blockquote><blockquote>laukikānāṁ vaidikānāṁ ca। tatra laukikāstāvat - gōraśvaḥ puruṣō hastī śakuniḥ mr̥gō brāhmaṇa iti। vaidikāḥ khalvapi- śannō dēvīrabhiṣṭayē (a.saṁ.1,1,1), iṣē tvōrjē tvā (tai.saṁ.1,1,1,1), agnimīlē purōhitam (r̥.1,1,1), agna āyāhi vītayē (sā. saṁ. 1,1,1) iti ॥</blockquote><nowiki>Summary : Of which shabdas? Of those current in the world and in the Vedas.  Among them the Laukika shabdas are गौः (cow), अश्वः (horse), पुरुषः (person), हस्ती (elephant), शकुनिः (bird), मृगः (deer), ब्राह्मणः (brahmana) etc. The Vaidika shabdas are शन्नो देवीरभिष्टये । śannō dēvīrabhiṣṭayē। [Let the waters bring us happiness (so that we may perform sacrifice)]; इषे त्वोर्जे त्वा । iṣē tvōrjē tvā [(I cut) you for food and vitality]; अग्निमीले पुरोहितम् । agnimīlē purōhitam (I invoke Agni, the divine priest).</nowiki><ref name=":1" />

The Vaidika shabdas are considered to be more prominent than the laukika shabdas, since the latter should not be mispronounced only in Yajnas and the former on no occasion.  

The Vaidika shabdas are considered to be more prominent than the laukika shabdas, since the latter should not be mispronounced only in Yajnas and the former on no occasion.  

=== Dhvani (ध्वनिः) and Varna (वर्णम्) ===

=== Dhvani (ध्वनिः) and Varna (वर्णम्) ===

According to Nayyayikas, Shabda (Sound) is of two kinds, namely, Dhvani (ध्वनिः) and Varna (वर्णम्). The same concept is mentioned in Bhashapariccheda.<blockquote>शब्दो ध्वनिश्च वर्णश्च मृदङ्गादिभवो ध्वनि:।।164।।</blockquote><blockquote>कण्ठसंयोगादिजन्या वर्णास्ते कादयो मता: सर्व: शब्दो नभोवृत्ति: श्रोत्रोत्पन्नस्तु गृह्यते।।165।। (Nyayasiddhanta Muktavali 164-165)<ref>Nyayasiddhanta Muktavali ([https://sa.wikisource.org/wiki/%E0%A4%A8%E0%A5%8D%E0%A4%AF%E0%A4%BE%E0%A4%AF%E0%A4%B8%E0%A4%BF%E0%A4%A6%E0%A5%8D%E0%A4%A7%E0%A4%BE%E0%A4%A8%E0%A5%8D%E0%A4%A4%E0%A4%AE%E0%A5%81%E0%A4%95%E0%A5%8D%E0%A4%A4%E0%A4%BE%E0%A4%B5%E0%A4%B2%E0%A5%80 न्यायसिद्धान्तमुक्तावली])</ref></blockquote>Meaning: Sound is inarticulate (ध्वनिः) and articulate (वर्णम्). Inarticulate sound is that which is produced from a drum. Sounds such as ka that are produced by the conjunction of the throat and so on, are regarded as articulate. All sounds abide (inherent) in ether or space (नभोवृत्ति:), but it is perceived when it is produced in the ear (in the case of distant sounds which are imperceptible).<ref>Swami Madhavananda, (1954 Second Edition) ''Bhasa-Pariccheda with Siddhanta Muktavali by Visvanatha Nyaya-Panchanana. (English Translation)'' Almora: Advaita Ashram (Pages 266)</ref>

According to Nayyayikas, Shabda (Sound) is of two kinds, namely, Dhvani (ध्वनिः) and Varna (वर्णम्). The same concept is mentioned in Bhashapariccheda.<blockquote>शब्दो ध्वनिश्च वर्णश्च मृदङ्गादिभवो ध्वनि:॥ śabdō dhvaniśca varṇaśca mr̥daṅgādibhavō dhvani:॥ 164॥</blockquote><blockquote>कण्ठसंयोगादिजन्या वर्णास्ते कादयो मता: सर्व: शब्दो नभोवृत्ति: श्रोत्रोत्पन्नस्तु गृह्यते॥165॥ (Nyayasiddhanta Muktavali 164-165)<ref>Nyayasiddhanta Muktavali ([https://sa.wikisource.org/wiki/%E0%A4%A8%E0%A5%8D%E0%A4%AF%E0%A4%BE%E0%A4%AF%E0%A4%B8%E0%A4%BF%E0%A4%A6%E0%A5%8D%E0%A4%A7%E0%A4%BE%E0%A4%A8%E0%A5%8D%E0%A4%A4%E0%A4%AE%E0%A5%81%E0%A4%95%E0%A5%8D%E0%A4%A4%E0%A4%BE%E0%A4%B5%E0%A4%B2%E0%A5%80 न्यायसिद्धान्तमुक्तावली])</ref></blockquote><blockquote>kaṇṭhasaṁyōgādijanyā varṇāstē kādayō matā: sarva: śabdō nabhōvr̥tti: śrōtrōtpannastu gr̥hyatē॥165॥</blockquote>Meaning: Sound is inarticulate (ध्वनिः) and articulate (वर्णम्). Inarticulate sound is that which is produced from a drum. Sounds such as ka that are produced by the conjunction of the throat and so on, are regarded as articulate. All sounds abide (inherent) in ether or space (नभोवृत्ति:), but it is perceived when it is produced in the ear (in the case of distant sounds which are imperceptible).<ref>Swami Madhavananda, (1954 Second Edition) ''Bhasa-Pariccheda with Siddhanta Muktavali by Visvanatha Nyaya-Panchanana. (English Translation)'' Almora: Advaita Ashram (Pages 266)</ref>

[[File:Classification of Shabdas based on origin.PNG|thumb|Classification based on Shabdotpatti]]

[[File:Classification of Shabdas based on origin.PNG|thumb|Classification based on Shabdotpatti]]

A dhvani is an inarticulate sound, e.g. the sound of a bell or a drum. It has no fixed nature of its own, nor any fixed relation to other similar sounds. This Dhvani is thus incapable of forming parts of a language. From a linguistic standpoint, the cries of birds, and beasts and even newborn babies are considered inarticulate. They are as variable and disorderly as sounds produced by physical things and do not lend themselves to any use as alphabet of a language.<ref name=":7" /> It is clear from the fact that he who makes noise is told: "Make shabda", "Do not make shabda" etc, thus Dhvani is Shabda.

A dhvani is an inarticulate sound, e.g. the sound of a bell or a drum. It has no fixed nature of its own, nor any fixed relation to other similar sounds. This Dhvani is thus incapable of forming parts of a language. From a linguistic standpoint, the cries of birds, and beasts and even newborn babies are considered inarticulate. They are as variable and disorderly as sounds produced by physical things and do not lend themselves to any use as alphabet of a language.<ref name=":7" /> It is clear from the fact that he who makes noise is told: "Make shabda", "Do not make shabda" etc, thus Dhvani is Shabda.

=== Samyogaja (संयोगजः) Vibhagaja (विभागजः) Shabdaja (शब्दजः) ===

=== Samyogaja (संयोगजः) Vibhagaja (विभागजः) Shabdaja (शब्दजः) ===

Based on the source of sound it has been classified by Vaisheshikas as<blockquote>संयोगाद्विभगाच्च शब्दाच्च शब्दनिष्पत्तिः। (Vais. Sutr. 2.2.31)<ref name=":4" /></blockquote>Sound is produced from conjunction (संयोगात्) disjunction (विभागात्) and from sound (शब्दात्) also.

Based on the source of sound it has been classified by Vaisheshikas as<blockquote>संयोगाद्विभगाच्च शब्दाच्च शब्दनिष्पत्तिः। saṁyōgādvibhagācca śabdācca śabdaniṣpattiḥ। (Vais. Sutr. 2.2.31)<ref name=":4" /></blockquote>Sound is produced from conjunction (संयोगात् । saṁyōgāt) disjunction (विभागात् । vibhāgāt) and from sound (शब्दात् । śabdāt) also.

From conjunction, i.e., from conjunction of the drum and the stick, from disjunction, i.e., when a bamboo stick is being split up and where Sound is produced in a distant flute and such other instruments, Sound is produced. Such sound reaches the portion of the ether present in the ear hollow and thereby gets heard.<ref name=":3" />

From conjunction, i.e., from conjunction of the drum and the stick, from disjunction, i.e., when a bamboo stick is being split up and where Sound is produced in a distant flute and such other instruments, Sound is produced. Such sound reaches the portion of the ether present in the ear hollow and thereby gets heard.<ref name=":3" />

=== Drshtartha (दृष्टार्थः) and Adrshtartha (अदृष्टार्थः) ===

=== Drshtartha (दृष्टार्थः) and Adrshtartha (अदृष्टार्थः) ===

According to Gautama, <blockquote>स द्विविधो दृष्टादृष्टार्थत्वात् ।। ८ ।। {शब्दभेदः} (Nyay. Sutr. 1.1.8)<ref name=":42" /></blockquote>Shabda is of two kinds- the Ḍṛiṣtāṛṭha, that of which the thing spoken of is perceived (matter that is seen), and the Aḍṛiṣtāṛṭha, that of which the thing is not perceived (matter which is not seen).<ref>Mm. Satisa Chandra Vidyabhusana (1913) ''The Nyaya Sutras of Gotama.'' Allahabad: The Panini Office. (Page 4)</ref>

According to Gautama, <blockquote>स द्विविधो दृष्टादृष्टार्थत्वात् ॥ ८ ॥ {शब्दभेदः} sa dvividhō dr̥ṣṭādr̥ṣṭārthatvāt ॥ 8 ॥ {śabdabhēdaḥ} (Nyay. Sutr. 1.1.8)<ref name=":42" /></blockquote>Shabda is of two kinds- the Ḍṛiṣtāṛṭha, that of which the thing spoken of is perceived (matter that is seen), and the Aḍṛiṣtāṛṭha, that of which the thing is not perceived (matter which is not seen).<ref>Mm. Satisa Chandra Vidyabhusana (1913) ''The Nyaya Sutras of Gotama.'' Allahabad: The Panini Office. (Page 4)</ref>

The first kind involves matter which can be actually verified. Though we are incapable of verifying the matter which cannot be seen as in the second kind, one can somehow ascertain it by means of anumana or inference

The first kind involves matter which can be actually verified. Though we are incapable of verifying the matter which cannot be seen as in the second kind, one can somehow ascertain it by means of anumana or inference.

Matter which is seen e.g., a physician's assertion that physical strength is gained by taking butter.

* '''अदृष्टार्थः ॥''' '''Aḍṛiṣtāṛṭha:''' Matter which is not seen/perceived e.g., a seer's assertion that one reaches svargaloka by performing asvamedha yajna.

 

Matter which is not seen/perceived e.g., a seer's assertion that one reaches svargaloka by performing asvamedha yajna.

=== Understanding a few terms ===

=== Understanding a few terms ===

The terms such as dhvani, vak, shabda, vakya etc, are used interchangeably in  many instances in literature. As such there is not single absolute definition of Shabda but is explained contextually by different scholars. Since the subject is vast addressing many issues may be beyond the scope of the present work, however few simplifications are given for easier understanding.<ref>Shabda vak etayoH vicharaH ([https://groups.google.com/forum/#!searchin/bvparishat/sabda%7Csort:date/bvparishat/ZFA4PpULUuE/vzo0iZtPBQAJ Post in BVP] by various scholars)</ref>

The terms such as dhvani, vak, shabda, vakya etc, are used interchangeably in  many instances in literature. As such there is not single absolute definition of Shabda but is explained contextually by different scholars. Since the subject is vast addressing many issues may be beyond the scope of the present work, however few simplifications are given for easier understanding.<ref>Shabda vak etayoH vicharaH ([https://groups.google.com/forum/#!searchin/bvparishat/sabda%7Csort:date/bvparishat/ZFA4PpULUuE/vzo0iZtPBQAJ Post in BVP] by various scholars)</ref>

'''Shabda (शब्दः श्रोतृविषयः।)''' is something that is heard. Sound includes any '''Dhvani (ध्वनिः)''' that is audible and if meaningful, it is called '''Speech (vak)'''. Inarticulate sounds such as the bird cries classified by Naiyayikas as Dhvani (as mentioned above) are also a language according to Yoganushasanam (योगानुशासनम् 3.17) which are to be explored by understanding the devices offered therein. It is not unheard of that animals express themselves in a language that is not understood by common man.

'''Shabda (शब्दः श्रोतृविषयः।)''' is something that is heard. Sound includes any '''Dhvani (ध्वनिः)''' that is audible and if meaningful, it is called [[Vak (वाक्)|'''Vak (वाक्)''']]. Inarticulate sounds such as the bird cries classified by Naiyayikas as Dhvani (as mentioned above) are also a language according to Yoganushasanam (योगानुशासनम् 3.17) which are to be explored by understanding the devices offered therein. It is not unheard of that animals express themselves in a language that is not understood by common man.

'''Voice is the the guna (गुणः)''' of sound although sometimes the term is used to denote sound itself such as low voice - loud voice etc. The degree of  intensity (गांभीर्यम्) of sound may be expressed as - deep voice / raised voice etc. Gandharvaveda (गान्धर्ववेदः) a musical treatise also describes Shruti (श्रुति) as the pitch classified as high or low.  

'''Voice is the the guna (गुणः)''' of sound although sometimes the term is used to denote sound itself such as low voice - loud voice etc. The degree of  intensity (गांभीर्यम्) of sound may be expressed as - deep voice / raised voice etc. Gandharvaveda (गान्धर्ववेदः) a musical treatise also describes Shruti (श्रुति) as the pitch classified as high or low.  

* Substratum of Sound

* Substratum of Sound

* Shabda is Brahman

* Shabda is Brahman

One perceives sound by the sense-organ of ear, which is कर्णविवरवृत्त्याकाशं श्रोतेन्द्रियं भवति । the space or ether enclosed in the ears (the auditory canal). There due to the proximity (सन्निकर्षः), and by identifying itself with the ether of Sravana indriya (by समवायसम्बन्धः) sound is recognized by the ear. Now, how is a sound generated at a distance by conjunction of two bodies such as the hand and drum (भेरीदण्डसंयोगेन) or the letters produced by the hitting of wind in the vocal organs such as Taalu, Kantha (ताल्वादिस्थानाघातेन मुखे जातो वा शब्दः) have any relationship with the ear? More information on this subject is given in [[Origin and Propagation of Sound (शब्दोत्पत्तिः प्रसारश्च)|origin and propagation of sound (शब्दोत्पत्तिः प्रसारश्च)]].   

One perceives sound by the sense-organ of ear, which is कर्णविवरवृत्त्याकाशं श्रोतेन्द्रियं भवति । karṇavivaravr̥ttyākāśaṁ śrōtēndriyaṁ bhavati, the space or ether enclosed in the ears (the auditory canal). There due to the proximity (सन्निकर्षः । sannikarṣaḥ), and by identifying itself with the ether of Sravana indriya (by समवायसम्बन्धः) sound is recognized by the ear. Now, how is a sound generated at a distance by conjunction of two bodies such as the hand and drum (भेरीदण्डसंयोगेन । bhērīdaṇḍasaṁyōgēna) or the letters produced by the hitting of wind in the vocal organs such as Taalu, Kantha (ताल्वादिस्थानाघातेन मुखे जातो वा शब्दः । tālvādisthānāghātēna mukhē jātō vā śabdaḥ) have any relationship with the ear? More information on this subject is given in [[Origin and Propagation of Sound (शब्दोत्पत्तिः प्रसारश्च)|origin and propagation of sound (शब्दोत्पत्तिः प्रसारश्च)]].   

=== Nitya (Eternal) or Karya (Non-eternal) Nature ===

=== Nitya (Eternal) or Karya (Non-eternal) Nature ===

|-

|-

|1

|1

| rowspan="3" |आदिमत्वातैन्द्रियकत्वात्कृतकवतुपचारात्च ।। १३ ।। (2.1.13)

| rowspan="3" |आदिमत्वातैन्द्रियकत्वात्कृतकवतुपचारात्च ॥ १३ ॥ (2.1.13)

|Sound has a cause and that which has a cause is not eternal because it did not exist before the cause (such as physical vibration) and it ceases to exist after the cause has subsided.

|Sound has a cause and that which has a cause is not eternal because it did not exist before the cause (such as physical vibration) and it ceases to exist after the cause has subsided.

|-

|-

|-

|-

|4

|4

|सन्तानानुमानविशेषणात् ।। १६ ।। (2.1.16)

|सन्तानानुमानविशेषणात् ॥ १६ ॥ (2.1.16)

|Sound is not eternal because it is inferred to advance in a series.

|Sound is not eternal because it is inferred to advance in a series.

|-

|-

|5

|5

|प्रागुच्चारणातनुपलब्धेः आवरणाद्यनुपलब्धेः च ।। १८ ।। (2.1.18)

|प्रागुच्चारणातनुपलब्धेः आवरणाद्यनुपलब्धेः च ॥ १८ ॥ (2.1.18)

|Sound is non-eternal because neither do we perceive it before pronunciation nor do we perceive any veil which covers it.

|Sound is non-eternal because neither do we perceive it before pronunciation nor do we perceive any veil which covers it.

|-

|-

|6

|6

|न, कर्मानित्यत्वात् ।। २३ ।। (2.1.23)

|न, कर्मानित्यत्वात् ॥ २३ ॥ (2.1.23)

|In answer to the statement that "Sound is eternal because it is intangible, like Akasha (ether or space), Naiyayikas say not so because action is not eternal although intangible; hence intangibility does not establish eternality.

|In answer to the statement that "Sound is eternal because it is intangible, like Akasha (ether or space), Naiyayikas say not so because action is not eternal although intangible; hence intangibility does not establish eternality.

|}

|}

This is an important concept for Mimamsakas explain the Apaurusheyatva of Vedas based on the Nityatva of Shabdas. Mimamsaka holds Shabda to be nitya, not because of a lack of understanding of its nature, but because for him Shabda is something beyond "sound" as normally understood, or Shabda as understood by a Naiyayika.  

This is an important concept for Mimamsakas explain the Apaurusheyatva of Vedas based on the Nityatva of Shabdas. Mimamsaka holds Shabda to be nitya, not because of a lack of understanding of its nature, but because for him Shabda is something beyond "sound" as normally understood, or Shabda as understood by a Naiyayika.  

In order to understand the meaning of shabda one has to know the relationship between shabda and artha (meaning). According to Jaimini, word is eternal and is manifested when it is uttered in close succession. The letters are eternal and indestructible; neither produced nor destroyed. Bharthrhari is also of the view that word, meaning, and its relationship is nitya. Maharshis, so also the sutrakaras and other philosophers have also supported nityata of shabdas. <blockquote>नित्याः शब्दार्थसंबन्धास्तत्राम्नाता महर्षिभिः । सूत्राणां सानुतन्त्राणां भाष्याणां च प्रणेतृभिः ॥ १.२३ ॥ (Vakya. Brahm. 1.23)</blockquote><blockquote>नित्यत्वे कृतकत्वे वा तेषां आदिर्न विद्यते । प्राणिनां इव सा चैषा व्यवस्थानित्यतोच्यते ॥ १.२८ ॥ (Vakya. Brahm. 1.28)<ref>Vakyapadiyam ([https://sa.wikisource.org/wiki/%E0%A4%B5%E0%A4%BE%E0%A4%95%E0%A5%8D%E0%A4%AF%E0%A4%AA%E0%A4%A6%E0%A5%80%E0%A4%AF%E0%A4%AE%E0%A5%8D/%E0%A4%AA%E0%A5%8D%E0%A4%B0%E0%A4%A5%E0%A4%AE%E0%A4%83_%E0%A4%96%E0%A4%A3%E0%A5%8D%E0%A4%A1%E0%A4%83 Brahmakanda])</ref></blockquote>The following table summarizes the objections of Naiyayikas to the argument sound is not nitya; along with the explanatory answers given by Mimamsakas to prove that it is nitya.

In order to understand the meaning of shabda one has to know the relationship between shabda and artha (meaning). According to Jaimini, word is eternal and is manifested when it is uttered in close succession. The letters are eternal and indestructible; neither produced nor destroyed. Bharthrhari is also of the view that word, meaning, and its relationship is nitya. Maharshis, so also the sutrakaras and other philosophers have also supported nityata of shabdas. <blockquote>नित्याः शब्दार्थसंबन्धास्तत्राम्नाता महर्षिभिः । सूत्राणां सानुतन्त्राणां भाष्याणां च प्रणेतृभिः ॥ १.२३ ॥ (Vakya. Brahm. 1.23)</blockquote><blockquote>nityāḥ śabdārthasaṁbandhāstatrāmnātā maharṣibhiḥ । sūtrāṇāṁ sānutantrāṇāṁ bhāṣyāṇāṁ ca praṇētr̥bhiḥ ॥ 1.23 ॥</blockquote><blockquote>नित्यत्वे कृतकत्वे वा तेषां आदिर्न विद्यते । प्राणिनां इव सा चैषा व्यवस्थानित्यतोच्यते ॥ १.२८ ॥ (Vakya. Brahm. 1.28)<ref>Vakyapadiyam ([https://sa.wikisource.org/wiki/%E0%A4%B5%E0%A4%BE%E0%A4%95%E0%A5%8D%E0%A4%AF%E0%A4%AA%E0%A4%A6%E0%A5%80%E0%A4%AF%E0%A4%AE%E0%A5%8D/%E0%A4%AA%E0%A5%8D%E0%A4%B0%E0%A4%A5%E0%A4%AE%E0%A4%83_%E0%A4%96%E0%A4%A3%E0%A5%8D%E0%A4%A1%E0%A4%83 Brahmakanda])</ref></blockquote><blockquote>nityatvē kr̥takatvē vā tēṣāṁ ādirna vidyatē । prāṇināṁ iva sā caiṣā vyavasthānityatōcyatē ॥ 1.28 ॥</blockquote>The following table summarizes the objections of Naiyayikas to the argument sound is not nitya; along with the explanatory answers given by Mimamsakas to prove that it is nitya.

{| class="wikitable"

{| class="wikitable"

!

!

|1

|1

|It is an act and an effort, i.e., sound is pronounced by action.

|It is an act and an effort, i.e., sound is pronounced by action.

|समं तु तत्र दर्शनम् -१,१.१२ (1.1.12)

|समं तु तत्र दर्शनम् । samaṁ tu tatra darśanam-१,१.१२ (1.1.12)

|True sound is a product of an effort, but if word was not existing before, it could not be pronounced.

|True sound is a product of an effort, but if word was not existing before, it could not be pronounced.

|-

|-

|2

|2

|No stability of word; as soon as it is pronounced it vanishes.

|No stability of word; as soon as it is pronounced it vanishes.

|सतः परमदर्शनं विषयानागमात् -१,१.१३ (1.1.13)

|सतः परमदर्शनं विषयानागमात् । sataḥ paramadarśanaṁ viṣayānāgamāt -१,१.१३ (1.1.13)

|Sound is the guna of akasha and it is eternal. Disappearance after coming into existence is by reason of the object not coming into contact with sense though existing.

|Sound is the guna of akasha and it is eternal. Disappearance after coming into existence is by reason of the object not coming into contact with sense though existing.

|-

|-

|3

|3

|It is said "make a sound", this shows that sound is made and hence not eternal.

|It is said "make a sound", this shows that sound is made and hence not eternal.

|प्रयोगस्य परम् -१,१.१४ (1.1.14)

|प्रयोगस्य परम् । prayōgasya param -१,१.१४ (1.1.14)

|Applicable to an effort to bring into manifestation. Audibility of a word is after the pronunciation. Again if it was not existing the word cannot be pronounced.

|Applicable to an effort to bring into manifestation. Audibility of a word is after the pronunciation. Again if it was not existing the word cannot be pronounced.

|-

|-

|4

|4

|Sound is heard simultaneously by all beings, even by people at a distance from the source.

|Sound is heard simultaneously by all beings, even by people at a distance from the source.

|आदित्त्यवद्यौगपद्यम् -१,१.१५ (1.1.15)

|आदित्त्यवद्यौगपद्यम् । ādittyavadyaugapadyam -१,१.१५ (1.1.15)

|Just like one sun is seen by all spectators and by increase in number of spectators the sun will not increase in number; similarly there is one sound heard by many people.

|Just like one sun is seen by all spectators and by increase in number of spectators the sun will not increase in number; similarly there is one sound heard by many people.

|-

|-

|5

|5

|Sound has prakrti (original) and vikrti (modified) forms; i.e., change takes place such as in sandhis.

|Sound has prakrti (original) and vikrti (modified) forms; i.e., change takes place such as in sandhis.

|वर्णान्तरम् अविकारः -१,१.१६ (1.1.16)

|वर्णान्तरम् अविकारः । varṇāntaram avikāraḥ -१,१.१६ (1.1.16)

|Change of letters is not a modification; only replacement of one letter by an other takes place and the original words still exist.

|Change of letters is not a modification; only replacement of one letter by an other takes place and the original words still exist.

|-

|-

|5

|5

|Sound increases when many persons together pronounce it. What increases is not eternal.

|Sound increases when many persons together pronounce it. What increases is not eternal.

|नादवृद्धिपरा -१,१.१७ (1.1.18)

|नादवृद्धिपरा । nādavr̥ddhiparā -१,१.१७ (1.1.18)

|Increase of sound due to simultaneous pronunciation is not increase of the word, but is increase of the tone or the noise

|Increase of sound due to simultaneous pronunciation is not increase of the word, but is increase of the tone or the noise

|}

|}

=== Substratum of Sound ===

=== Substratum of Sound ===

Vatsyayana in his bhashya for Nyayasutra (2.2.38) discusses about the substratum of sound.<blockquote>अस्पर्शत्वातप्रतिषेधः ।। ३८ ।। {सिद्धान्तसूत्र} (Nyaya. Sutr. 2.2.38)<ref name=":6" /></blockquote>Sound has not for its substratum any of the tangible substances, namely, earth, water, fire and air. It is produced even where these do not exist. Its substratum is ether which pervades all space. hence sound is produced even in a vacuum which is devoid of smell, taste, color and touch - the qualities of tangible substances. The reason why the sound produced in vacuum does not reach our ears, is that there is no air to carry it. Hence the substratum of sound is an intangible substance, viz., ether.

Vatsyayana in his bhashya for Nyayasutra (2.2.38) discusses about the substratum of sound.<blockquote>अस्पर्शत्वातप्रतिषेधः ॥ ३८ ॥ {सिद्धान्तसूत्र} asparśatvātapratiṣēdhaḥ ॥ 38 ॥ {siddhāntasūtra} (Nyaya. Sutr. 2.2.38)<ref name=":6" /></blockquote>Sound has not for its substratum any of the tangible substances, namely, earth, water, fire and air. It is produced even where these do not exist. Its substratum is ether which pervades all space. hence sound is produced even in a vacuum which is devoid of smell, taste, color and touch - the qualities of tangible substances. The reason why the sound produced in vacuum does not reach our ears, is that there is no air to carry it. Hence the substratum of sound is an intangible substance, viz., ether.

It is a peculiarity of sound that it cannot co-abide with color, taste or touch. A tangible substance (the earth) which is the abode of smell may also be the abode of color, taste or touch. But the substance, in which sound abides, cannot be the abode of any other qualities. '1'his distinguishes the substratum of sound from the substrata of other qualities. This peculiar substratum is called Akasha (ether or space).<ref>Mm. Satisa Chandra Vidyabhusana (1913) ''The Nyaya Sutras of Gotama.'' Allahabad: The Panini Office. (Page 53)</ref>

It is a peculiarity of sound that it cannot co-abide with color, taste or touch. A tangible substance (the earth) which is the abode of smell may also be the abode of color, taste or touch. But the substance, in which sound abides, cannot be the abode of any other qualities. '1'his distinguishes the substratum of sound from the substrata of other qualities. This peculiar substratum is called Akasha (ether or space).<ref>Mm. Satisa Chandra Vidyabhusana (1913) ''The Nyaya Sutras of Gotama.'' Allahabad: The Panini Office. (Page 53)</ref>

=== शब्दब्रह्मा '''॥''' Shabda Brahma ===

=== शब्दब्रह्मा '''॥''' Shabda Brahma ===

At a higher level, Shabda is Brahman, as set out in the first five shlokas of Vakyapadiyam.<ref name=":5" /><blockquote>अनादिनिधनं ब्रह्म शब्दतत्त्वं यदक्षरम्  । विवर्ततेऽर्थभावेन प्रक्रिया जगतो यतः ।।१.१  । ।</blockquote><blockquote>एकं एव यदाम्नातं भिन्नशक्तिव्यपाश्रयात् । अपृथक्त्वेऽपि शक्तिभ्यः पृथक्त्वेनेव वर्तते   । । १.२  । ।</blockquote><blockquote>अध्याहितकलां यस्य कालशक्तिं उपाश्रिताः । जन्मादयो विकाराः षड्भावभेदस्य योनयः   । । १.३  । ।</blockquote><blockquote>एकस्य सर्वबीजस्य यस्य चेयं अनेकधा । भोक्तृभोक्तव्यरूपेण भोगरूपेण च स्थितिः   । । १.४  । ।</blockquote><blockquote>प्राप्त्युपायोऽनुकारश्च तस्य वेदो महर्षिभिः । एकोऽप्यनेकवर्त्मेव समाम्नातः पृथक्पृथक्  । । १.५  । ।</blockquote>Translation of K. Raghavan Pillai<ref>Pillai, Raghavan K, (1971) ''The Vakyapadiya: Critical Text of Cantos I and II with English Translation, Summary of Ideas and Notes.'' Delhi: Motilal Banarsidass Pvt. Ltd.</ref> is as follows<font size="3" face="Times New Roman"></font>1. That beginningless and endless One, the imperishable Brahman of which the essential nature is the Word, which manifests itself into objects and from which is the creation of the Universe,

At a higher level, Shabda is Brahman, as set out in the first five shlokas of Vakyapadiyam.<ref name=":5" /><blockquote>अनादिनिधनं ब्रह्म शब्दतत्त्वं यदक्षरम्  । विवर्ततेऽर्थभावेन प्रक्रिया जगतो यतः॥१.१॥</blockquote><blockquote>anādinidhanaṁ brahma śabdatattvaṁ yadakṣaram  । vivartatē'rthabhāvēna prakriyā jagatō yataḥ ॥1.1॥</blockquote><blockquote>एकं एव यदाम्नातं भिन्नशक्तिव्यपाश्रयात् । अपृथक्त्वेऽपि शक्तिभ्यः पृथक्त्वेनेव वर्तते॥१.२॥</blockquote><blockquote>ēkaṁ ēva yadāmnātaṁ bhinnaśaktivyapāśrayāt । apr̥thaktvē'pi śaktibhyaḥ pr̥thaktvēnēva vartatē ॥1.2 ॥</blockquote><blockquote>अध्याहितकलां यस्य कालशक्तिं उपाश्रिताः । जन्मादयो विकाराः षड्भावभेदस्य योनयः॥१.३॥</blockquote><blockquote>adhyāhitakalāṁ yasya kālaśaktiṁ upāśritāḥ । janmādayō vikārāḥ ṣaḍbhāvabhēdasya yōnayaḥ॥ 1.3 ॥</blockquote><blockquote>एकस्य सर्वबीजस्य यस्य चेयं अनेकधा । भोक्तृभोक्तव्यरूपेण भोगरूपेण च स्थितिः ॥१.४॥</blockquote><blockquote>ēkasya sarvabījasya yasya cēyaṁ anēkadhā । bhōktr̥bhōktavyarūpēṇa bhōgarūpēṇa ca sthitiḥ ॥1.4 ॥</blockquote><blockquote>प्राप्त्युपायोऽनुकारश्च तस्य वेदो महर्षिभिः । एकोऽप्यनेकवर्त्मेव समाम्नातः पृथक्पृथक् ॥१.५॥</blockquote><blockquote>prāptyupāyō'nukāraśca tasya vēdō maharṣibhiḥ । ēkō'pyanēkavartmēva samāmnātaḥ pr̥thakpr̥thak  ॥1.5॥</blockquote>Translation of K. Raghavan Pillai<ref>Pillai, Raghavan K, (1971) ''The Vakyapadiya: Critical Text of Cantos I and II with English Translation, Summary of Ideas and Notes.'' Delhi: Motilal Banarsidass Pvt. Ltd.</ref> is as follows

 

# That beginningless and endless One, the imperishable Brahman of which the essential nature is the Word, which manifests itself into objects and from which is the creation of the Universe  

2. which though described in the Vedas as one is divided on the basis of its powers, and although it is not different from its powers appears to be different;

# That beginningless and endless One, which though described in the Vedas as one is divided on the basis of its powers, and although it is not different from its powers appears to be different.

 

# The indestructible powers of which functioning through the powers of Time become the six transformations, namely, birth and the rest - the sources of all (these) manifold objects

3. the indestructible powers of which functioning through the powers of Time become the six transformations, namely, birth and the rest - the sources of all (these) manifold objects,

# Single One, the cause of all, belongs this manifold existence, under the forms of the enjoyer, the enjoyed and the enjoyment.

 

# Of that (Brahman) the Veda is both the means of realisation and the reflection and it has been handed down the great Seers as if consisted of many paths, although it (really) is One.

4. to which, Single One, the cause of all, belongs this manifold existence, under the forms of the enjoyer, the enjoyed and the enjoyment;

 

5. of that (Brahman) the Veda is both the means of realisation and the reflection and it has been handed down the great Seers as if consisted of many paths, althought it (really) is One.

 

== References ==

== References ==

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[[Category:Darshanas]]

[[Category:Darshanas]]