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Temples (देवालयाः) are one of the most redeeming and prominent hallmarks of Sanatana Dharma and its most representative feature. The land of Bharata is perceived as the land of temples with every region manifesting its own unique traditions of temple architecture and culture. Temples, as a general practice are constructed in the close vicinity of tirthas (तीर्थानि) which mean fords or crossing places on rivers or sea shores. The word 'tirtha' is derived from the Sanskrit root (धातु ) Tr (तृ ) which means a ford or crossing at a water source. At a spiritual level a tirtha is understood as a means to help us cross the ocean of existence (भवाब्धि ).       

Temples (देवालयाः) are one of the most redeeming and prominent hallmarks of Sanatana Dharma and its most representative feature. The land of Bharata is perceived as the land of temples with every region manifesting its own unique traditions of temple architecture and culture. Temples, as a general practice are constructed in the close vicinity of tirthas (तीर्थानि) which mean fords or crossing places on rivers or sea shores. The word 'tirtha' is derived from the Sanskrit root (धातु ) Tr (तृ ) which means a ford or crossing at a water source. At a spiritual level a tirtha is understood as a means to help us cross the ocean of existence (भवाब्धि ).       

Temples enable us to connect to the divine and are thus channels which help us transcend our mundane material world and attain Moksha. Temples are known by different names: Devalaya, Devayatana, Mandira, Prasada,Vimana,  Devagriha etc. They are essentially a structure where the presence and potency of the divine are felt. In other words, temples are the very abodes of God or Ishvara or Bhagavan. The term prasada is synonymous with a palace. The Devata installed in the temple is accorded the status of a king and the prasada is his palace. The late Swami Harshananda ji of the Ramakrishna Mission remarks that the high walls surrounding the temple complex are similar to the ramparts of a fort and the tall gopurams are an emulation of the great gateways of the capital cities (Harshananda, 2007: 12). Many temples in India, specially Southern India have 'Dhvaja Stambhas' in their courtyards. These Dhvaja Stambhas represent the insignia of the deity enshrined in the temple.  The Ishanashivagurudevapaddhati, an early medieval Shaiva text (c. 1000 CE) testifies that the  temple is a concrete form of Lord Shiva and should be contemplated on and worshipped and the temples made up of the presence of Lord Shiva and Shakti.  The site of a temple is invariably a Tirtha irrespective of its location. . According to the Vishnudharmottara Purana images should be installed  in forts, auspicious cities, markets , in villages of cowherds where there are no markets , in gardens , on river banks , mountain tops, valleys and particularly in caves. The construction of temples is concomitant to the installation of the images at the different localities just mentioned. The presence of water is essential at the site where a temple is built.

Temples enable us to connect to the divine and are thus channels which help us transcend our mundane material world and attain Moksha. Temples are known by different names: Devalaya, Devayatana, Mandira, Prasada,Vimana,  Devagriha etc. They are essentially a structure where the presence and potency of the divine are felt. In other words, temples are the very abodes of God or Ishvara or Bhagavan. The term prasada is synonymous with a palace. The Devata installed in the temple is accorded the status of a king and the prasada is his palace. The late Swami Harshananda ji of the Ramakrishna Mission remarks that the high walls surrounding the temple complex are similar to the ramparts of a fort and the tall gopurams are an emulation of the great gateways of the capital cities (Harshananda, 2007: 12)<ref>Swami Harshananda (2007), All About Hindu Temples, Chennai: Sri Ramakrishna Math </ref>. Many temples in India, specially Southern India have 'Dhvaja Stambhas' in their courtyards. These Dhvaja Stambhas represent the insignia of the deity enshrined in the temple.  The Ishanashivagurudevapaddhati, an early medieval Shaiva text (c. 1000 CE) testifies that the  temple is a concrete form of Lord Shiva and should be contemplated on and worshipped and the temples made up of the presence of Lord Shiva and Shakti.  The site of a temple is invariably a Tirtha irrespective of its location. . According to the Vishnudharmottara Purana images should be installed  in forts, auspicious cities, markets , in villages of cowherds where there are no markets , in gardens , on river banks , mountain tops, valleys and particularly in caves. The construction of temples is concomitant to the installation of the images at the different localities just mentioned. The presence of water is essential at the site where a temple is built.

=== Nomenclatures of the Temple ===

=== Nomenclatures of the Temple ===

==== Pushkarni ====

==== Pushkarni ====

The word 'Pushkarni' is used to signify a water tank within the premises of a temple. Inscriptions dating from the Kushana Period (1st century CE-3rd century CE) from Mathura allude to the construction of tanks near shrines. It became a common practice from the early medieval period to build tanks or pushkarnis within the area of the temple. The water from the temple tanks would be used in various kinds of rituals associated with the temples. The Pushkarnis in temples of Lord Nataraja in Chidambaram and Goddess Meenakshi in Madurai are specially renowned. Canonical texts pertaining to temple give clear injunctions about the requirement of water bodies -natural or artificial in the vicinity of temples.

The word 'Pushkarni' is used to signify a water tank within the premises of a temple. Inscriptions dating from the Kushana Period (1st century CE-3rd century CE) from Mathura allude to the construction of tanks near shrines. It became a common practice from the early medieval period to build tanks or pushkarnis within the area of the temple. The water from the temple tanks would be used in various kinds of rituals associated with the temples. The Pushkarnis in temples of Lord Nataraja in Chidambaram and Goddess Meenakshi in Madurai are specially renowned. Canonical texts pertaining to temple give clear injunctions about the requirement of water bodies -natural or artificial in the vicinity of temples.