Difference between revisions of "64 Kalas (चतुःषष्टिः कलाः)"
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== Which are the 64 Kalas ? == | == Which are the 64 Kalas ? == | ||
As mentioned above, there are slight variations regarding the enumeration of the 64 कलाः ॥ Kalas (arts). The mention of these arts occur in: | As mentioned above, there are slight variations regarding the enumeration of the 64 कलाः ॥ Kalas (arts). The mention of these arts occur in: | ||
− | * | + | * शैवतन्त्रम् ॥ Shaivatantra |
* महाभारतम् ॥ Mahabharata by व्यासमहर्षिः ॥ Vyasa Maharshi | * महाभारतम् ॥ Mahabharata by व्यासमहर्षिः ॥ Vyasa Maharshi | ||
* कामसूत्रम् ॥ Kamasutra by वात्स्यायनः ॥ Vatsyayana | * कामसूत्रम् ॥ Kamasutra by वात्स्यायनः ॥ Vatsyayana | ||
Line 30: | Line 30: | ||
* शुक्रनीतिः ॥ Shukraneeti by शुक्राचार्यः ॥ Shukracharya | * शुक्रनीतिः ॥ Shukraneeti by शुक्राचार्यः ॥ Shukracharya | ||
* शिवतत्त्वरत्नाकरः ॥ Shivatattvaratnakara by बसवराजेन्द्रः ॥ Basavarajendra | * शिवतत्त्वरत्नाकरः ॥ Shivatattvaratnakara by बसवराजेन्द्रः ॥ Basavarajendra | ||
− | The list of the 64 Kalas in these texts have been juxtaposed in the following table: | + | The list of the 64 Kalas in some these texts have been juxtaposed in the following table: |
{| class="wikitable" | {| class="wikitable" | ||
!Text | !Text | ||
− | ! | + | !शैवतन्त्रम्<ref>[https://sa.wikisource.org/wiki/%E0%A4%B5%E0%A4%BE%E0%A4%9A%E0%A4%B8%E0%A5%8D%E0%A4%AA%E0%A4%A4%E0%A5%8D%E0%A4%AF%E0%A4%AE%E0%A5%8D/%E0%A4%95%E0%A4%B2%E0%A4%AD Vachaspatyam]</ref> |
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!शुक्रनीतिः | !शुक्रनीतिः | ||
!शिवतत्वरत्नाकरः | !शिवतत्वरत्नाकरः | ||
|- | |- | ||
|1 | |1 | ||
− | | | + | |गीतम् ॥ Singing |
− | |||
− | |||
− | |||
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|Geet - Singing | |Geet - Singing | ||
|History | |History | ||
|- | |- | ||
|2 | |2 | ||
− | | | + | |वाद्यम् ॥Playing on various musical instruments |
− | |||
− | |||
− | |||
− | |||
|Vadya – Playing musical instruments | |Vadya – Playing musical instruments | ||
|Poetry | |Poetry | ||
|- | |- | ||
|3 | |3 | ||
− | | | + | |नृत्यम् ॥ Dancing |
− | |||
− | |||
− | |||
− | |||
|Nrtya - Dancing | |Nrtya - Dancing | ||
|Calligraphy | |Calligraphy | ||
|- | |- | ||
|4 | |4 | ||
− | | | + | |नाट्यम् ॥ Acting, gesticulation, mimicry |
− | |||
− | |||
− | |||
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|Visheshakchhadya - Forhead decoration with paper, leaves etc. | |Visheshakchhadya - Forhead decoration with paper, leaves etc. | ||
|Metrical compositions | |Metrical compositions | ||
|- | |- | ||
|5 | |5 | ||
− | | | + | |आलेख्यम् ॥ Drawing, Painting, Calligraphy |
− | |||
− | |||
− | |||
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|Tandul-kusumabalivikar - use of colored rice grains and flower for worship. | |Tandul-kusumabalivikar - use of colored rice grains and flower for worship. | ||
|Dancing | |Dancing | ||
|- | |- | ||
|6 | |6 | ||
− | | | + | |विशोषकच्छेद्यम् ॥ Painting figures of various designs on the various parts of the body with musk paste and other fragrant substances. |
− | |||
− | |||
− | |||
− | |||
|PushpastaraN - Floral carpets | |PushpastaraN - Floral carpets | ||
|Evaluating precious stones | |Evaluating precious stones | ||
|- | |- | ||
|7 | |7 | ||
− | | | + | |तण्डुलकुसुमयलिविकाराः ॥ Preparing for use in worship various designs with grains of rice, flowers, etc |
− | |||
− | |||
− | |||
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|Dashnavsanangrag - Decaration of nails and body | |Dashnavsanangrag - Decaration of nails and body | ||
|Wrestling | |Wrestling | ||
|- | |- | ||
|8 | |8 | ||
− | | | + | |पुष्पास्तरणम् ॥ Preparing a bed of flowers |
− | |||
− | |||
− | |||
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|Manibhumika karma - Floor decoration with pearls or precious stones. | |Manibhumika karma - Floor decoration with pearls or precious stones. | ||
|Cooking | |Cooking | ||
|- | |- | ||
|9 | |9 | ||
− | | | + | |दशनवसनाङ्गरागाः ॥ Colouring the teeth and other limbs and articles of wearing apparel |
− | |||
− | |||
− | |||
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|Shayanrachana – Bed arrangement. | |Shayanrachana – Bed arrangement. | ||
|Magic | |Magic | ||
|- | |- | ||
|10 | |10 | ||
− | | | + | |मणिभूमिकाकर्म ॥ Paving a floor with Precious stones |
− | |||
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|Udakvadya - Jalataranga-Series of water pots for creating music. | |Udakvadya - Jalataranga-Series of water pots for creating music. | ||
|Shoe-making | |Shoe-making | ||
|- | |- | ||
|11 | |11 | ||
− | | | + | |शयनरचनम् ॥ Preparing a bed |
− | |||
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|Udakaghat - Sprinkling with water cannons. | |Udakaghat - Sprinkling with water cannons. | ||
|Thieving | |Thieving | ||
|- | |- | ||
|12 | |12 | ||
− | | | + | |उदकवाद्यम् ॥ Using a pot full of water as a musical instrument and treading on water |
− | |||
− | |||
− | |||
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|Chitrashycha yoga – Herbal preparations for weakening of enemy | |Chitrashycha yoga – Herbal preparations for weakening of enemy | ||
|Iron smithery | |Iron smithery | ||
|- | |- | ||
|13 | |13 | ||
− | | | + | |उदकघातः ॥ Sprinkling with water cannons. |
− | |||
− | |||
− | |||
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|Malyagranthanvikalpa - Preparation of floral garlands and hair bands | |Malyagranthanvikalpa - Preparation of floral garlands and hair bands | ||
|Painting | |Painting | ||
|- | |- | ||
|14 | |14 | ||
− | | | + | |चित्रायोगाः ॥ Herbal preparations for weakening of enemy |
− | |||
− | |||
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|Shekarkapidyojan – Ladies hair styling. | |Shekarkapidyojan – Ladies hair styling. | ||
|Gardening | |Gardening | ||
|- | |- | ||
|15 | |15 | ||
− | | | + | |माल्यग्रथनविकल्पाः ॥ making ornaments of flowers for ears, braid |
− | |||
− | |||
− | |||
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|Nepathyaprayog - Body make-up with cloth, ornaments and flowers. | |Nepathyaprayog - Body make-up with cloth, ornaments and flowers. | ||
|Carpentry | |Carpentry | ||
|- | |- | ||
|16 | |16 | ||
− | | | + | |केशशेखरापीडयोजनम् ॥ Ladies hair styling. |
− | |||
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|KarNapatrabhanga - Ear ornaments preparation. | |KarNapatrabhanga - Ear ornaments preparation. | ||
|Hair-dressing | |Hair-dressing | ||
|- | |- | ||
|17 | |17 | ||
− | | | + | |नेपथ्ययोगाः ॥ Body make-up with cloth, ornaments and flowers. |
− | |||
− | |||
− | |||
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|Gandhayukti - Making scented dhupa. | |Gandhayukti - Making scented dhupa. | ||
|Hunting | |Hunting | ||
|- | |- | ||
|18 | |18 | ||
− | | | + | |कर्णपत्रभङ्गाः ॥ Ear ornaments preparation. |
− | |||
− | |||
− | |||
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|BhushaNyojan - Ornamental make-up | |BhushaNyojan - Ornamental make-up | ||
|Trading | |Trading | ||
|- | |- | ||
|19 | |19 | ||
− | | | + | |गन्धयुक्तिः ॥ Making perfumes and cosmetics of various kinds |
− | |||
− | |||
− | |||
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|Endrajal – Magic / mesmerism. | |Endrajal – Magic / mesmerism. | ||
|Agriculture | |Agriculture | ||
|- | |- | ||
|20 | |20 | ||
− | | | + | |भूषणयोजनम् ॥ Making ornaments of various designs |
− | |||
− | |||
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|Kauchumaryog - Preparation of sex tonics. | |Kauchumaryog - Preparation of sex tonics. | ||
Line 224: | Line 140: | ||
|- | |- | ||
|21 | |21 | ||
− | | | + | |इन्द्रजालम् ॥ Appearing in various guises of one's choice |
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− | |||
− | |||
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|Hastlaghav- Hand magic. | |Hastlaghav- Hand magic. | ||
|making medicines, | |making medicines, | ||
|- | |- | ||
|22 | |22 | ||
− | | | + | |कौचुमारयोगाः ॥ the art of beautification |
− | |||
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|Vichitrashakayushbhakshyavikar kriya- Culinary preparations- sweets etc. | |Vichitrashakayushbhakshyavikar kriya- Culinary preparations- sweets etc. | ||
|leather work, | |leather work, | ||
|- | |- | ||
|23 | |23 | ||
− | | | + | |हस्तलाघवम् ॥ Sleight of hand |
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|Panakrasa Ragasav yojan- Making sharbat or syrups. | |Panakrasa Ragasav yojan- Making sharbat or syrups. | ||
|driving, | |driving, | ||
|- | |- | ||
|24 | |24 | ||
− | | | + | |चित्रशाकापूपभक्ष्यविका- |
− | + | रक्रिया ॥Culinary art | |
− | |||
− | |||
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|Suchivan Karm –Needle work-Embroidery | |Suchivan Karm –Needle work-Embroidery | ||
|fishing, | |fishing, | ||
|- | |- | ||
|25 | |25 | ||
− | | | + | |पानकरसरागासवयोजनम् ॥ Making drinks of various tastes and colours and spirituous liquors of various kinds |
− | |||
− | |||
− | |||
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|Sutra krida –Hand puppets show | |Sutra krida –Hand puppets show | ||
|speech-making | |speech-making | ||
Line 270: | Line 167: | ||
|- | |- | ||
|26 | |26 | ||
− | | | + | |सूची- |
− | + | वापकर्म ॥ Weaving and needle-work of various kinds | |
− | |||
− | |||
− | |||
|Veenadamruvadya-Playing musical instruments like veena or damru | |Veenadamruvadya-Playing musical instruments like veena or damru | ||
|singing | |singing | ||
|- | |- | ||
|27 | |27 | ||
− | | | + | |वीणाडमरुकसूत्रक्रीडा ॥ Making musical instruments of various kinds |
− | |||
− | |||
− | |||
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|Pahelika - Solving riddles. | |Pahelika - Solving riddles. | ||
|playing musical instruments | |playing musical instruments | ||
Line 289: | Line 179: | ||
|- | |- | ||
|28 | |28 | ||
− | | | + | |प्रहेलिका ॥ Solving riddles |
− | |||
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|Pratimala- An interesting style of reading text or poem. | |Pratimala- An interesting style of reading text or poem. | ||
|preparing manuscripts | |preparing manuscripts | ||
|- | |- | ||
|29 | |29 | ||
− | | | + | |प्रतिमा ॥ Sculpture |
− | |||
− | |||
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|Durvachakyog - Reciting text which is difficult to pronounce and understand. | |Durvachakyog - Reciting text which is difficult to pronounce and understand. | ||
|garland-making, | |garland-making, | ||
|- | |- | ||
|30 | |30 | ||
− | | | + | |दुर्वचकयोगाः ॥ Skill in uttering tongue twisters |
− | |||
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|Pustak Vachan –Book reading | |Pustak Vachan –Book reading | ||
|dyeing | |dyeing | ||
|- | |- | ||
|31 | |31 | ||
− | | | + | |पुस्तकवाचनम् ॥ The art of reading manuscripts easily and quickly |
− | |||
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|Natakakhyalika darshan -Dramatics | |Natakakhyalika darshan -Dramatics | ||
|body-care | |body-care | ||
|- | |- | ||
|32 | |32 | ||
− | | | + | |नाटिकाख्यायिकादर्शनम् ॥ Dramaturgy and story writing |
− | |||
− | |||
− | |||
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|Kavya Samasyapurti – Solving riddles. | |Kavya Samasyapurti – Solving riddles. | ||
|use of weapons | |use of weapons | ||
|- | |- | ||
|33 | |33 | ||
− | | | + | |काव्यसमस्यापूरणम् ॥ Completion of incomplete verses or part verses |
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|Pattikavetrayanvikalpa - Furniture making. | |Pattikavetrayanvikalpa - Furniture making. | ||
|making moulds | |making moulds | ||
|- | |- | ||
|34 | |34 | ||
− | | | + | |पट्टिकावेत्रवाणविकल्पाः ॥ Making ligatures, canes, arrows |
− | |||
− | |||
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|Takshyakarm –Cutting wood to proper size and shape. | |Takshyakarm –Cutting wood to proper size and shape. | ||
|performing pUjll (daily worship) | |performing pUjll (daily worship) | ||
|- | |- | ||
|35 | |35 | ||
− | | | + | |तर्कूकर्माणि ॥ Spindle work |
− | |||
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|TakshyaN - Carpentry. | |TakshyaN - Carpentry. | ||
|inlay work | |inlay work | ||
|- | |- | ||
|36 | |36 | ||
− | | | + | |तक्षणम् ॥ Carpentry |
− | |||
− | |||
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|Vastuvidya - Civil engineering / architecture. | |Vastuvidya - Civil engineering / architecture. | ||
|arranging | |arranging | ||
Line 372: | Line 226: | ||
|- | |- | ||
|37 | |37 | ||
− | | | + | |वास्तुविद्या ॥ Architecture |
− | |||
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|Roopyaratna Pariksha - Valuations of gems and coins. | |Roopyaratna Pariksha - Valuations of gems and coins. | ||
|preparing scents | |preparing scents | ||
|- | |- | ||
|38 | |38 | ||
− | | | + | |रूप्यरत्नपरीक्षा ॥ Testing valuable metals and precious stones |
− | |||
− | |||
− | |||
− | |||
|Dhatuwad- Mixing of metals like brass. | |Dhatuwad- Mixing of metals like brass. | ||
|bangle-making | |bangle-making | ||
|- | |- | ||
|39 | |39 | ||
− | | | + | |धातुवादः ॥ Alchemy |
− | |||
− | |||
− | |||
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|Maniragakar Dyana- Idientification of pearls and gems. | |Maniragakar Dyana- Idientification of pearls and gems. | ||
|stitching | |stitching | ||
|- | |- | ||
|40 | |40 | ||
− | | | + | |मणिरागज्ञानम् ॥ Colouring precious stones |
− | |||
− | |||
− | |||
− | |||
|Vrukshaurveda- knowledge of Botany. | |Vrukshaurveda- knowledge of Botany. | ||
|making ornaments | |making ornaments | ||
|- | |- | ||
|41 | |41 | ||
− | | | + | |आकरज्ञानम् ॥ Knowledge of latent minerals |
− | |||
− | |||
− | |||
− | |||
|Meshkukkutlavakyuddhavidhi – Knowledge of bird/ animal fighting for gambling. | |Meshkukkutlavakyuddhavidhi – Knowledge of bird/ animal fighting for gambling. | ||
|making sweets | |making sweets | ||
|- | |- | ||
|42 | |42 | ||
− | | | + | |वृक्षायुर्वेदयोगाः ॥ Nursing and treating plants |
− | |||
− | |||
− | |||
− | |||
|Shukasarika Pralapan - training of bird to speak. | |Shukasarika Pralapan - training of bird to speak. | ||
|home-planning | |home-planning | ||
|- | |- | ||
|43 | |43 | ||
− | | | + | |मेषकुक्कुटलावकयुद्धविधिं ॥ Setting game rams, cocks, quails to fight as sport |
− | |||
− | |||
− | |||
− | |||
|Utsadan-Samvahan-Keshmardankaushal- Body massage and hair care. | |Utsadan-Samvahan-Keshmardankaushal- Body massage and hair care. | ||
|training animals | |training animals | ||
|- | |- | ||
|44 | |44 | ||
− | | | + | |शुकसारिकाप्रलापनम् ॥ teaching parrots and other birds to imitate human speech |
− | |||
− | |||
− | |||
− | |||
|Akshyarmushti kathan-Secret word codes for communication or Mushti sanket - Secret communication through fingers (used by traders in auctions). | |Akshyarmushti kathan-Secret word codes for communication or Mushti sanket - Secret communication through fingers (used by traders in auctions). | ||
|training birds | |training birds | ||
|- | |- | ||
|45 | |45 | ||
− | | | + | |उत्सादनम् ॥ Making an enemy quit his place by means of a charm |
− | |||
− | |||
− | |||
− | |||
|Mlenchhit Vikalpa- Secret communication through gestures. | |Mlenchhit Vikalpa- Secret communication through gestures. | ||
|coding | |coding | ||
Line 454: | Line 272: | ||
|- | |- | ||
|46 | |46 | ||
− | | | + | |केशमार्जनकौशलम् ॥ Cleaning and dressing the hair |
− | |||
− | |||
− | |||
− | |||
|Deshbhasha vidyan –Knowledge of foreign languages. | |Deshbhasha vidyan –Knowledge of foreign languages. | ||
|making instruments/machines | |making instruments/machines | ||
|- | |- | ||
|47 | |47 | ||
− | | | + | |अक्षरमुष्टिकाकथनम् ॥ Reading letters removed from one's sight and divining the nature of substances held within one's palm |
− | |||
− | |||
− | |||
− | |||
|Pushpashakatika- Decoration of vehicles with flowers. | |Pushpashakatika- Decoration of vehicles with flowers. | ||
|training memory | |training memory | ||
|- | |- | ||
|48 | |48 | ||
− | | | + | |म्लेच्छितक विकल्पाः ॥ Knowledge of books written in the language of Barbarians |
− | |||
− | |||
− | |||
− | |||
|Nimittadyana – Knowledge of auspicious date and time for a particular work. | |Nimittadyana – Knowledge of auspicious date and time for a particular work. | ||
|physical exercise | |physical exercise | ||
|- | |- | ||
|49 | |49 | ||
− | | | + | |देशभाषाज्ञानम् ॥ Fluently talking in the different Indian dialects |
− | |||
− | |||
− | |||
− | |||
|Yantramatruka- Knowledge of instruments or machines | |Yantramatruka- Knowledge of instruments or machines | ||
|yogic | |yogic | ||
Line 492: | Line 294: | ||
|- | |- | ||
|50 | |50 | ||
− | | | + | |पुष्पशकटिकानिमित्तज्ञानम् ॥ Decoration of vehicles with flowers and Reading good or bad omens |
− | |||
− | |||
− | |||
− | |||
|DharaNmatruka- Remembering heard sentences. | |DharaNmatruka- Remembering heard sentences. | ||
| | | | ||
|- | |- | ||
|51 | |51 | ||
− | | | + | |यन्त्रमातृका ॥ Making diagrams by means of letters arranged in different orders as mystical formulae to be worshipped or worn as an amulet |
− | |||
− | |||
− | |||
− | |||
|Sampathya- | |Sampathya- | ||
| | | | ||
|- | |- | ||
|52 | |52 | ||
− | | | + | |धारणमातृका ॥ Remembering heard sentences. |
− | |||
− | |||
− | |||
− | |||
|Manasi Kavya Kriya – To complete incomplete poem or its part. | |Manasi Kavya Kriya – To complete incomplete poem or its part. | ||
| | | | ||
|- | |- | ||
|53 | |53 | ||
− | | | + | |सम्पाट्यम् ॥ Splitting hard substances such as diamonds into two or more pieces of different shapes |
− | |||
− | |||
− | |||
− | |||
|Abhidhankosha- | |Abhidhankosha- | ||
| | | | ||
|- | |- | ||
|54 | |54 | ||
− | | | + | |मानसी काव्य- |
− | + | क्रिया ॥ Reading the thoughts of others and bringing them out in a verse | |
− | |||
− | |||
− | |||
|Chandodyan | |Chandodyan | ||
| | | | ||
|- | |- | ||
|55 | |55 | ||
− | | | + | |क्रियाविकल्पाः ॥ Poetry forms |
− | |||
− | |||
− | |||
− | |||
|Kriyakalpa –Poetry forms | |Kriyakalpa –Poetry forms | ||
| | | | ||
|- | |- | ||
|56 | |56 | ||
− | | | + | |छलितकयोगाः ॥ Conceal body or speech. |
− | |||
− | |||
− | |||
− | |||
|Chalitak Yog –Conceal body or speech. | |Chalitak Yog –Conceal body or speech. | ||
| | | | ||
|- | |- | ||
|57 | |57 | ||
− | | | + | |अभिधानकोषच्छन्दोज्ञानम् ॥ lexicography and prosody |
− | |||
− | |||
− | |||
− | |||
|Vastragopan – covering parts of body with cloth. | |Vastragopan – covering parts of body with cloth. | ||
| | | | ||
|- | |- | ||
|58 | |58 | ||
− | | | + | |वस्त्रगोपनानि ॥ Showing off one's clothes as made of a superior texture than what they actually are |
− | |||
− | |||
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− | |||
|Dhyutavishesh- | |Dhyutavishesh- | ||
| | | | ||
|- | |- | ||
|59 | |59 | ||
− | | | + | |द्यूतविशेषः ॥ Playing at dice |
− | |||
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− | |||
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|Aakarsh kriya - Playing with dices. | |Aakarsh kriya - Playing with dices. | ||
| | | | ||
|- | |- | ||
|60 | |60 | ||
− | | | + | |आकर्षणक्रीडा ॥ Attracting remote objects |
− | |||
− | |||
− | |||
− | |||
|Balakridanak | |Balakridanak | ||
| | | | ||
|- | |- | ||
|61 | |61 | ||
− | | | + | |बालकक्रीडनकानि ॥ Playing childrens' games |
− | |||
− | |||
− | |||
− | |||
|Vainayiki dyna – Behavior with known and unknown persons. | |Vainayiki dyna – Behavior with known and unknown persons. | ||
| | | | ||
|- | |- | ||
|62 | |62 | ||
− | | | + | |वैनायिकीनां विद्यानां ज्ञानम् ॥ The Practice of charms |
− | |||
− | |||
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− | |||
|Vaijayiki Dynan –Knowledge of victory. | |Vaijayiki Dynan –Knowledge of victory. | ||
| | | | ||
|- | |- | ||
|63 | |63 | ||
− | | | + | |वैवयिकीनां विद्यानां ज्ञानम् ॥ Fore knowledge of the party going to win in a debate |
− | |||
− | |||
− | |||
− | |||
|Vyayam –Physical exercise. | |Vyayam –Physical exercise. | ||
| | | | ||
|- | |- | ||
|64 | |64 | ||
− | | | + | |वैतालिकीनां विद्यानां ज्ञानम् ॥ Keeping goblins and vampires under one's control |
− | |||
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|} | |} |
Revision as of 00:13, 21 March 2018
Kala (Samskrit: कला) or Art is a vital component of the Ancient Indian Education System. They are disciplines, a student acquires knowledge of, during the course of training in the गुरुकुलम् ॥ Gurukula. They are called as चतुःषष्टिः कलाः ॥ Chatusshashti Kala since they are 64 in number.
परिचयः ॥ Introduction
भारतवर्षः ॥ Bharatavarsha (Ancient Indian Sub-continent) has always attached great value to knowledge. Talking of India's knowledge tradition, Kapil Kapoor says, "India's knowledge tradition is ancient and uninterrupted like the flow of the river Ganga."
ज्ञानम् ॥ Jnana (Knowledge) has been at the centre of all speculations in India. There are three terms that appear in all discussions related to knowledge[1]:
- दर्शनम् ॥ Darshana
- ज्ञानम् ॥ Jnana
- विद्या ॥ Vidya
दर्शनम् ॥ Darshana literally means "a point of view" which leads to ज्ञानम् ॥ Jnana (knowledge). When this knowledge, gathered about a particular domain is organized and systematized for purposes of चिन्तनम् ॥ Chintana (reflection) and अध्यापनम् ॥ Adhyapana (pedagogy), it attains the status of विद्या ॥ Vidya (discipline).
The tradition always talks of a combination 18 major विद्याः ॥ Vidyas (disciplines of knowledge) and 64 कलाः ॥ kalas (arts) while referring to the curriculum of Ancient Indian Education[2]
The 18 विद्याः ॥ Vidyas include:
- चतुर्वेदाः ॥ The Four Vedas: ऋग्वेदः ॥ Rigveda, यजुर्वेदः ॥ Yajurveda, सामवेदः ॥ Samaveda and अथर्ववेदः ॥ Atharvaveda
- चत्वारः उपवेदाः ॥ The Four subsidiary Vedas: आयुर्वेदः ॥ Ayurveda (medicine), धनुर्वेदः ॥ Dhanurveda (weaponry), गान्धर्ववेदः ॥ Gandharvaveda (music) and शिल्पशास्त्रम् ॥ Shilpashastra (architecture)
- चत्वारि उपाङ्गानि ॥ The Four Upangas: पुराणम् ॥ Purana, न्यायः ॥ Nyaya, मीमांसा ॥ Mimamsa, धर्मशास्त्रम् ॥ Dharma Shastra
- षड्वेदाङ्गानि ॥ The Six Vedangas (Auxiliary Sciences): शिक्षा ॥ Shiksha (phonetics), व्याकरणम् ॥ Vyakarana (grammar), छन्दस् ॥ Chandas (metre), ज्योतिष् ॥ Jyotish (astronomy), कल्पः ॥ Kalpa (ritual) and निरुक्तम् ॥ Nirukta (etymology)
However, as far as the कलाः ॥ kalas (arts) are concerned, there are competing enumerations of 64.
Which are the 64 Kalas ?
As mentioned above, there are slight variations regarding the enumeration of the 64 कलाः ॥ Kalas (arts). The mention of these arts occur in:
- शैवतन्त्रम् ॥ Shaivatantra
- महाभारतम् ॥ Mahabharata by व्यासमहर्षिः ॥ Vyasa Maharshi
- कामसूत्रम् ॥ Kamasutra by वात्स्यायनः ॥ Vatsyayana
- नाट्यशास्त्रम् ॥ Natya Shastra by भरतमुनिः ॥ Bharatamuni
- भगवतपुराणम् ॥ Bhagavata Purana by व्यासमहर्षिः ॥ Vyasa Maharshi
- शुक्रनीतिः ॥ Shukraneeti by शुक्राचार्यः ॥ Shukracharya
- शिवतत्त्वरत्नाकरः ॥ Shivatattvaratnakara by बसवराजेन्द्रः ॥ Basavarajendra
The list of the 64 Kalas in some these texts have been juxtaposed in the following table:
Text | शैवतन्त्रम्[3] | शुक्रनीतिः | शिवतत्वरत्नाकरः |
---|---|---|---|
1 | गीतम् ॥ Singing | Geet - Singing | History |
2 | वाद्यम् ॥Playing on various musical instruments | Vadya – Playing musical instruments | Poetry |
3 | नृत्यम् ॥ Dancing | Nrtya - Dancing | Calligraphy |
4 | नाट्यम् ॥ Acting, gesticulation, mimicry | Visheshakchhadya - Forhead decoration with paper, leaves etc. | Metrical compositions |
5 | आलेख्यम् ॥ Drawing, Painting, Calligraphy | Tandul-kusumabalivikar - use of colored rice grains and flower for worship. | Dancing |
6 | विशोषकच्छेद्यम् ॥ Painting figures of various designs on the various parts of the body with musk paste and other fragrant substances. | PushpastaraN - Floral carpets | Evaluating precious stones |
7 | तण्डुलकुसुमयलिविकाराः ॥ Preparing for use in worship various designs with grains of rice, flowers, etc | Dashnavsanangrag - Decaration of nails and body | Wrestling |
8 | पुष्पास्तरणम् ॥ Preparing a bed of flowers | Manibhumika karma - Floor decoration with pearls or precious stones. | Cooking |
9 | दशनवसनाङ्गरागाः ॥ Colouring the teeth and other limbs and articles of wearing apparel | Shayanrachana – Bed arrangement. | Magic |
10 | मणिभूमिकाकर्म ॥ Paving a floor with Precious stones | Udakvadya - Jalataranga-Series of water pots for creating music. | Shoe-making |
11 | शयनरचनम् ॥ Preparing a bed | Udakaghat - Sprinkling with water cannons. | Thieving |
12 | उदकवाद्यम् ॥ Using a pot full of water as a musical instrument and treading on water | Chitrashycha yoga – Herbal preparations for weakening of enemy | Iron smithery |
13 | उदकघातः ॥ Sprinkling with water cannons. | Malyagranthanvikalpa - Preparation of floral garlands and hair bands | Painting |
14 | चित्रायोगाः ॥ Herbal preparations for weakening of enemy | Shekarkapidyojan – Ladies hair styling. | Gardening |
15 | माल्यग्रथनविकल्पाः ॥ making ornaments of flowers for ears, braid | Nepathyaprayog - Body make-up with cloth, ornaments and flowers. | Carpentry |
16 | केशशेखरापीडयोजनम् ॥ Ladies hair styling. | KarNapatrabhanga - Ear ornaments preparation. | Hair-dressing |
17 | नेपथ्ययोगाः ॥ Body make-up with cloth, ornaments and flowers. | Gandhayukti - Making scented dhupa. | Hunting |
18 | कर्णपत्रभङ्गाः ॥ Ear ornaments preparation. | BhushaNyojan - Ornamental make-up | Trading |
19 | गन्धयुक्तिः ॥ Making perfumes and cosmetics of various kinds | Endrajal – Magic / mesmerism. | Agriculture |
20 | भूषणयोजनम् ॥ Making ornaments of various designs | Kauchumaryog - Preparation of sex tonics.
Sixty-four arts of ancient India Page 8 |
Animal husbandry |
21 | इन्द्रजालम् ॥ Appearing in various guises of one's choice | Hastlaghav- Hand magic. | making medicines, |
22 | कौचुमारयोगाः ॥ the art of beautification | Vichitrashakayushbhakshyavikar kriya- Culinary preparations- sweets etc. | leather work, |
23 | हस्तलाघवम् ॥ Sleight of hand | Panakrasa Ragasav yojan- Making sharbat or syrups. | driving, |
24 | चित्रशाकापूपभक्ष्यविका-
रक्रिया ॥Culinary art |
Suchivan Karm –Needle work-Embroidery | fishing, |
25 | पानकरसरागासवयोजनम् ॥ Making drinks of various tastes and colours and spirituous liquors of various kinds | Sutra krida –Hand puppets show | speech-making |
26 | सूची-
वापकर्म ॥ Weaving and needle-work of various kinds |
Veenadamruvadya-Playing musical instruments like veena or damru | singing |
27 | वीणाडमरुकसूत्रक्रीडा ॥ Making musical instruments of various kinds | Pahelika - Solving riddles. | playing musical instruments |
28 | प्रहेलिका ॥ Solving riddles | Pratimala- An interesting style of reading text or poem. | preparing manuscripts |
29 | प्रतिमा ॥ Sculpture | Durvachakyog - Reciting text which is difficult to pronounce and understand. | garland-making, |
30 | दुर्वचकयोगाः ॥ Skill in uttering tongue twisters | Pustak Vachan –Book reading | dyeing |
31 | पुस्तकवाचनम् ॥ The art of reading manuscripts easily and quickly | Natakakhyalika darshan -Dramatics | body-care |
32 | नाटिकाख्यायिकादर्शनम् ॥ Dramaturgy and story writing | Kavya Samasyapurti – Solving riddles. | use of weapons |
33 | काव्यसमस्यापूरणम् ॥ Completion of incomplete verses or part verses | Pattikavetrayanvikalpa - Furniture making. | making moulds |
34 | पट्टिकावेत्रवाणविकल्पाः ॥ Making ligatures, canes, arrows | Takshyakarm –Cutting wood to proper size and shape. | performing pUjll (daily worship) |
35 | तर्कूकर्माणि ॥ Spindle work | TakshyaN - Carpentry. | inlay work |
36 | तक्षणम् ॥ Carpentry | Vastuvidya - Civil engineering / architecture. | arranging
flowers |
37 | वास्तुविद्या ॥ Architecture | Roopyaratna Pariksha - Valuations of gems and coins. | preparing scents |
38 | रूप्यरत्नपरीक्षा ॥ Testing valuable metals and precious stones | Dhatuwad- Mixing of metals like brass. | bangle-making |
39 | धातुवादः ॥ Alchemy | Maniragakar Dyana- Idientification of pearls and gems. | stitching |
40 | मणिरागज्ञानम् ॥ Colouring precious stones | Vrukshaurveda- knowledge of Botany. | making ornaments |
41 | आकरज्ञानम् ॥ Knowledge of latent minerals | Meshkukkutlavakyuddhavidhi – Knowledge of bird/ animal fighting for gambling. | making sweets |
42 | वृक्षायुर्वेदयोगाः ॥ Nursing and treating plants | Shukasarika Pralapan - training of bird to speak. | home-planning |
43 | मेषकुक्कुटलावकयुद्धविधिं ॥ Setting game rams, cocks, quails to fight as sport | Utsadan-Samvahan-Keshmardankaushal- Body massage and hair care. | training animals |
44 | शुकसारिकाप्रलापनम् ॥ teaching parrots and other birds to imitate human speech | Akshyarmushti kathan-Secret word codes for communication or Mushti sanket - Secret communication through fingers (used by traders in auctions). | training birds |
45 | उत्सादनम् ॥ Making an enemy quit his place by means of a charm | Mlenchhit Vikalpa- Secret communication through gestures. | coding |
46 | केशमार्जनकौशलम् ॥ Cleaning and dressing the hair | Deshbhasha vidyan –Knowledge of foreign languages. | making instruments/machines |
47 | अक्षरमुष्टिकाकथनम् ॥ Reading letters removed from one's sight and divining the nature of substances held within one's palm | Pushpashakatika- Decoration of vehicles with flowers. | training memory |
48 | म्लेच्छितक विकल्पाः ॥ Knowledge of books written in the language of Barbarians | Nimittadyana – Knowledge of auspicious date and time for a particular work. | physical exercise |
49 | देशभाषाज्ञानम् ॥ Fluently talking in the different Indian dialects | Yantramatruka- Knowledge of instruments or machines | yogic
practices |
50 | पुष्पशकटिकानिमित्तज्ञानम् ॥ Decoration of vehicles with flowers and Reading good or bad omens | DharaNmatruka- Remembering heard sentences. | |
51 | यन्त्रमातृका ॥ Making diagrams by means of letters arranged in different orders as mystical formulae to be worshipped or worn as an amulet | Sampathya- | |
52 | धारणमातृका ॥ Remembering heard sentences. | Manasi Kavya Kriya – To complete incomplete poem or its part. | |
53 | सम्पाट्यम् ॥ Splitting hard substances such as diamonds into two or more pieces of different shapes | Abhidhankosha- | |
54 | मानसी काव्य-
क्रिया ॥ Reading the thoughts of others and bringing them out in a verse |
Chandodyan | |
55 | क्रियाविकल्पाः ॥ Poetry forms | Kriyakalpa –Poetry forms | |
56 | छलितकयोगाः ॥ Conceal body or speech. | Chalitak Yog –Conceal body or speech. | |
57 | अभिधानकोषच्छन्दोज्ञानम् ॥ lexicography and prosody | Vastragopan – covering parts of body with cloth. | |
58 | वस्त्रगोपनानि ॥ Showing off one's clothes as made of a superior texture than what they actually are | Dhyutavishesh- | |
59 | द्यूतविशेषः ॥ Playing at dice | Aakarsh kriya - Playing with dices. | |
60 | आकर्षणक्रीडा ॥ Attracting remote objects | Balakridanak | |
61 | बालकक्रीडनकानि ॥ Playing childrens' games | Vainayiki dyna – Behavior with known and unknown persons. | |
62 | वैनायिकीनां विद्यानां ज्ञानम् ॥ The Practice of charms | Vaijayiki Dynan –Knowledge of victory. | |
63 | वैवयिकीनां विद्यानां ज्ञानम् ॥ Fore knowledge of the party going to win in a debate | Vyayam –Physical exercise. | |
64 | वैतालिकीनां विद्यानां ज्ञानम् ॥ Keeping goblins and vampires under one's control |
- ↑ Kapoor Kapil and Singh Avadhesh Kumar, Indian Knowledge Systems, Vol.1, NewDelhi: D.K.Printworld, Pg.no.11
- ↑ Kapoor Kapil and Singh Avadhesh Kumar, Indian Knowledge Systems, Vol.1, NewDelhi: D.K.Printworld, Pg.no.18
- ↑ Vachaspatyam