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Line 37: + + + + + + + + + + + + − + − + − It stands on a base of 30 mtrs. x 18 mtrs. It has eleven tiers and there are steps to reach the top tier from where one can have a panoramic view of the entire town. The Pottramarai, the Golden Lotus tank is behind the temple. A mandapam with sixteen pillars is right at the middle of the tank. The Temple covers an area of over 3 acres and has a gopuram and two praharas. The sanctum and the front mandapam are designed to look like a chariot on wheels and horses. The temple is 147 feet tall with 9 tiers. The temple tank measures 361 feet by 285 feet. The tank is known as Lakshmi theertha and Amudavani. Anyone who wants to take a dip in this tank should first worship at the shrine of Hema Maharishi. A dip in the tank purifies one and paves way for salvation. This tank is sacred since it gave birth to goddess Komalavalli. When the milky ocean was being churned the AmrutKalash broke and it is believed that some nectar spilled into this tank. The temple belongs to a very early period as referred to by Boothathalwar in his hymns. The front Mandapam is of Nayak style. It is called ThiruMamaniMandapam and is supported by 12 pillars. The Lord here wields a bow called Sarngam and therefore he is known as Sarngapani. The temple measures 90 feet by 51 feet at the base. + − − Line 49:
Line 61: − How benign is our Lord and how much concern he embodies !Bhoo and Sri are nearby even as Brahma is seen rising from his navel. Hemarishi, Saptharishis, Kaveri and Devas are paying homage. The sanctum of Komalavalli is near the Uttarayana steps. It is true that Thirumazhisai_ alwar attained salvation here. + − − This is aUbhayaPradhanaDesa where both the presiding and processional deities are given equal importance. The temple has two separate entrances. The two entrances have nine steps each which is symbolic of the nine steps leading to Moksha. − − Just as Srirangam, on the two sides of Kumbakonam flow Kaveri and Arasalar rivers as a grand necklace. There are two entrances to the shrine, south and north. The southern entrance is used during Dakshinayana (14th Jan-15th July) and the northern side used during Uttarayana (16th July-13th Jan). The Dakshinayana entrance is known as the doorway to marriage as Lord Sarngapani came out of this corridor after his marriage to Komalavalli. This sacred shrine is sung by seven of the twelve alwars. Because of Nathamuni, this shrine has a special significance in the history of Vaishnavism. It was in this sannadhiNadhamuni, the grand father of Alavandar first heard the ten hymns of Nammalwar in praise of Amudan and he heralded the renaissance of all the four thousand hymns of the Alwars at AlwarThirunagari. − − The Mahamaha festival at this place is considered to be the most sacred. It has a reason and there is a story. It is believed that the deities of the nine sacred rivers meet in confluence on the Mahamaha day once in twelve years at Kumbakonam which is depicted in a sculptural representation in the KashiVishwanatha temple. Many stories of puranic greatness are in record to show the historic importance of the much-hallowed Mahamaha tank. The importance bears ample evidence. This festival is celebrated once in 12 years in the month of Feb-March when Jupiter passes through the sign of Leo. This festival was last held as recently as March 2004. Line 75:
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Structuring
Thiru Kudanthai is one of the 108 Vaishnava temples (divya deshas). The temple is situated 200 kms. from Chennai.
Thiru Kudanthai is one of the 108 Vaishnava temples (divya deshas). The temple is situated 200 kms. from Chennai. This temple is one of the PanchaRangaKshetras, the other four being, Adirangam (Mysore), Appalarangam (Thiruper), M adhyarangam (Srirangam) and Pancharangam of Indalur (Mayavaram).
== Introduction ==
== Introduction ==
This holy and celebrated place is one of the ancient towns of India and a very important centre of Hindu pilgrimage. It is famous as a seat of learning, culture, art and tradition. The sanctity of the temple stems from its holy head Aravamudha and the temple dates back to vedic times. The huge Sarangapani temple is in the centre of the town and all roads are so paved that they lead us to the shrine. It is the hub of spiritual life and prime attraction for every devotee of Narayana. From time immemorial highest veneration is extended to this holy shrine. Once ruled by pallavas, steeped in antiquity, the ancient town of Kumbakonam by the side of river Kaveri derives its name from its presiding deity Kumbeshwara. This city was earlier known as Kudamukku surrounded by a number of Vishnu and Shiva temples. This place is located between the two rivers, the Kaveri in the north and Arasalar in the south. It extends about two miles in length from North to South and one mile in breadth from east to west.
This holy and celebrated place is one of the ancient towns of India and a very important centre of Hindu pilgrimage. It is famous as a seat of learning, culture, art and tradition. The sanctity of the temple stems from its holy head Aravamudha and the temple dates back to vedic times. The huge Sarangapani temple is in the centre of the town and all roads are so paved that they lead us to the shrine. It is the hub of spiritual life and prime attraction for every devotee of Narayana. From time immemorial highest veneration is extended to this holy shrine. Once ruled by pallavas, steeped in antiquity, the ancient town of Kumbakonam by the side of river Kaveri derives its name from its presiding deity Kumbeshwara. This city was earlier known as Kudamukku surrounded by a number of Vishnu and Shiva temples. This place is located between the two rivers, the Kaveri in the north and Arasalar in the south. It extends about two miles in length from North to South and one mile in breadth from east to west.
Lord Vishnu is worshipped here as Sarangapani and Lakshmi goes by the name Komalavallithayar. The much-hallowed kshetra is known as Bhaskarakshetra. The viman is known as Vaidhikaviman and the Pushkarni is named HemaPushkarni. The Lord is facing the east in a Sayana posture.
[[Category:Temples]]
[[Category:Temples]]
{| class="wikitable"
{| class="wikitable"
An imposing tall tower dominating the landscape is visible from a distance. It is one of the most impressive structures remarkable for its ornamentation and rhythmic harmony. Its elegant construction and gigantic proportion are truly remarkable. The temple is noted for its excellent sculpture which includes royal procession, dancing damsels, hunting scenes and devas in a infinite variety of poses and postures. The main temple and the other shrines have jointly given the entire pilgrim centre a balanced architectural assemblage. The layout, design, colour and wooden carvings of the temple reflect the best traditions of Chola style. Thus the concept of the temple complex is very mature architecturally and is the synthesis of town planning and urban design concepts. The temple presents an austere image to a visitor today but one has to imagine it in the ever-flowering colourful environment enriched by distant past. The shikara presents a well-developed phase of Dravidian architecture. The carvings on the pillars on both sides are very elaborate and attractive. The style of the craftsman is very forceful and effective in the depiction of the puranic themes. A large number of cultural panels reflect the prolific Hindu deities in numerous aspects. Standing on par with Srirangam and Tirupathi, this DivyaDesa has a planned elevated fleet of steps at short distances.
An imposing tall tower dominating the landscape is visible from a distance. It is one of the most impressive structures remarkable for its ornamentation and rhythmic harmony. Its elegant construction and gigantic proportion are truly remarkable. The temple is noted for its excellent sculpture which includes royal procession, dancing damsels, hunting scenes and devas in a infinite variety of poses and postures. The main temple and the other shrines have jointly given the entire pilgrim centre a balanced architectural assemblage. The layout, design, colour and wooden carvings of the temple reflect the best traditions of Chola style. Thus the concept of the temple complex is very mature architecturally and is the synthesis of town planning and urban design concepts. The temple presents an austere image to a visitor today but one has to imagine it in the ever-flowering colourful environment enriched by distant past. The shikara presents a well-developed phase of Dravidian architecture. The carvings on the pillars on both sides are very elaborate and attractive. The style of the craftsman is very forceful and effective in the depiction of the puranic themes. A large number of cultural panels reflect the prolific Hindu deities in numerous aspects. Standing on par with Srirangam and Tirupathi, this DivyaDesa has a planned elevated fleet of steps at short distances.
Inside the sanctum the atmosphere is calm and serene and darkness adding to its sublime glory. This serenity in the sanctum is the most remarkable feature of the shrine. Goddess Lakshmi is enshrined separately near the Uttarayana steps.
It stands on a base of 30 mtrs. x 18 mtrs. It has eleven tiers and there are steps to reach the top tier from where one can have a panoramic view of the entire town. The Pottramarai, the Golden Lotus tank is behind the temple. A mandapam with sixteen pillars is right at the middle of the tank. The Temple covers an area of over 3 acres and has a gopuram and two praharas. The sanctum and the front mandapam are designed to look like a chariot on wheels and horses. The temple is 147 feet tall with 9 tiers. The temple tank measures 361 feet by 285 feet. The tank is known as Lakshmi theertha and Amudavani.
The temple belongs to a very early period as referred to by Boothathalwar in his hymns. The front Mandapam is of Nayak style. It is called ThiruMamaniMandapam and is supported by 12 pillars. The Lord here wields a bow called Sarngam and therefore he is known as Sarngapani. The temple measures 90 feet by 51 feet at the base.
How benign is our Lord and how much concern he embodies ! Bhoo and Sri are nearby even as Brahma is seen rising from his navel. Hemarishi, Saptharishis, Kaveri and Devas are paying homage. The sanctum of Komalavalli is near the Uttarayana steps.
This is aUbhayaPradhanaDesa where both the presiding and processional deities are given equal importance. The temple has two separate entrances. The two entrances have nine steps each which is symbolic of the nine steps leading to Moksha.
Just as Srirangam, on the two sides of Kumbakonam flow Kaveri and Arasalar rivers as a grand necklace. There are two entrances to the shrine, south and north. The southern entrance is used during Dakshinayana (14th Jan-15th July) and the northern side used during Uttarayana (16th July-13th Jan). The Dakshinayana entrance is known as the doorway to marriage as Lord Sarngapani came out of this corridor after his marriage to Komalavalli. This sacred shrine is sung by seven of the twelve alwars. Because of Nathamuni, this shrine has a special significance in the history of Vaishnavism. It was in this sannadhiNadhamuni, the grand father of Alavandar first heard the ten hymns of Nammalwar in praise of Amudan and he heralded the renaissance of all the four thousand hymns of the Alwars at AlwarThirunagari.
== Legends ==
== Legends ==
Brahmandapuran and Bhavishyapuran bring out its religious merit and prominence. Several puranic accounts focus on the importance of the shrine. This place is much venerated by its association with ThirumazhisaiAlwar, Nathamuni and Hema Maharishi. Lord Vishnu is worshipped here as Sarangapani and Lakshmi goes by the name Komalavallithayar. The much-hallowed kshetra is known as Bhaskarakshetra. The viman is known as Vaidhikaviman and the Pushkarni is named HemaPushkarni. The Lord is facing the east in a Sayana posture. It is said that the Lord gave darshan to Hema Maharishi. Inside the sanctum the atmosphere is calm and serene and darkness adding to its sublime glory. This serenity in the sanctum is the most remarkable feature of the shrine. Goddess Lakshmi is enshrined separately near the Uttarayana steps.
Brahmandapuran and Bhavishyapuran bring out its religious merit and prominence. Several puranic accounts focus on the importance of the shrine. This place is much venerated by its association with ThirumazhisaiAlwar, Nathamuni and Hema Maharishi. It is said that the Lord gave darshan to Hema Maharishi.
This temple is one of the PanchaRangaKshetras, the other four being, Adirangam (Mysore), Appalarangam (Thiruper), M adhyarangam (Srirangam) and Pancharangam of Indalur (Mayavaram).
Anyone who wants to take a dip in this tank should first worship at the shrine of Hema Maharishi. A dip in the tank purifies one and paves way for salvation. This tank is sacred since it gave birth to goddess Komalavalli. When the milky ocean was being churned the AmrutKalash broke and it is believed that some nectar spilled into this tank.
It is said that the Lord came down from his celestial abode to marry Komalavalli at this shrine. The very concept of a temple on a. chariot in motion breaks new ground. The canopy is called VaikuntaViman. Since the chariot landed with great force elephants are seen arresting its speed. The chariot is so sculptured that it seemed ever ready for an aerial flight. The temple is dedicated to Vishnu who is bhaktavatsala.
It is said that the Lord came down from his celestial abode to marry Komalavalli at this shrine. The very concept of a temple on a. chariot in motion breaks new ground. The canopy is called VaikuntaViman. Since the chariot landed with great force elephants are seen arresting its speed. The chariot is so sculptured that it seemed ever ready for an aerial flight. The temple is dedicated to Vishnu who is bhaktavatsala.
It was left to Ayya Kumara ThataDesikan to construct a separate shrine for KomalavalliThayar. Pleased with his devotion King Nayak erected a sannadhi for Ayya Kumara ThataDesikan.
It was left to Ayya Kumara ThataDesikan to construct a separate shrine for KomalavalliThayar. Pleased with his devotion King Nayak erected a sannadhi for Ayya Kumara ThataDesikan.
On his Sesha couch, in the sanctum Lord Aravamudan is seen in Uthangasayana with his head slightly raised giving darshan to ThirumazhisaiPiran.
On his Sesha couch, in the sanctum Lord Aravamudan is seen in Uthangasayana with his head slightly raised giving darshan to ThirumazhisaiPiran.
It is true that Thirumazhisai_ alwar attained salvation here.
Here the Lord is rightly known as Dravida Veda Darshaka. Cradled by Kaveri on one side and Arsasalaru on the other, the teertha is called Bhaskarakshetra as the Sun God regained his brightness after performing penance at this kshetra. Thus this Sudarsana Chakra of Lord Sarangapani is considered holy of the holies.
Here the Lord is rightly known as Dravida Veda Darshaka. Cradled by Kaveri on one side and Arsasalaru on the other, the teertha is called Bhaskarakshetra as the Sun God regained his brightness after performing penance at this kshetra. Thus this Sudarsana Chakra of Lord Sarangapani is considered holy of the holies.
According to Puran the place was originally known as Kudarnukku. It is said that once Brahma created AmruthaKudam, with the four Vedas offering protection on four sides. He kept it on the MeruParvatha. Later at Pralaya, the great deluge, the amrutha vessel got dislodged and spilled over the vast region of the present Kumbakonam. Hence the name Kumbakonam.
According to Puran the place was originally known as Kudarnukku. It is said that once Brahma created AmruthaKudam, with the four Vedas offering protection on four sides. He kept it on the MeruParvatha. Later at Pralaya, the great deluge, the amrutha vessel got dislodged and spilled over the vast region of the present Kumbakonam. Hence the name Kumbakonam.
The legend has that, once Surya, the Sun god lost in contest to Sudarshan Chakra. Having lost, after a long severe penance the Sun god regained his original glory. Therefore the place came .to be known as BhaskaraKshetra. Here the Alwars have sung in praise of both the deities, the presiding deity and the processional deity. Therefore the shrine is known as UbhayaPradhanaDivyaDesa.
The legend has that, once Surya, the Sun god lost in contest to Sudarshan Chakra. Having lost, after a long severe penance the Sun god regained his original glory. Therefore the place came .to be known as BhaskaraKshetra. Here the Alwars have sung in praise of both the deities, the presiding deity and the processional deity. Therefore the shrine is known as UbhayaPradhanaDivyaDesa.
The Lord truly abides in all things and he realised the Lord in his own heart. When he died the Lord directed one of his archaka in his dream to do the final samskara for Lakshmi Narayana Swami. After this dream command the archaka is believed to have taken the holy grass from the Lord and performed the final ceremony. Thus every year on DeepavaliAmavasya this ceremony is performed at Kumbakonam temple at the command of the Lord.
The Lord truly abides in all things and he realised the Lord in his own heart. When he died the Lord directed one of his archaka in his dream to do the final samskara for Lakshmi Narayana Swami. After this dream command the archaka is believed to have taken the holy grass from the Lord and performed the final ceremony. Thus every year on DeepavaliAmavasya this ceremony is performed at Kumbakonam temple at the command of the Lord.
== Festivals ==
On the 19th day of Margazhi the Lord is bedecked as Thayar and Thayar is dressed like Perumal, an event peculiar to this temple only.
On the 19th day of Margazhi the Lord is bedecked as Thayar and Thayar is dressed like Perumal, an event peculiar to this temple only.
The float festival takes place in Masi in the golden lily tank. Adjoining the south wall of this temple is the Someshwarar temple.
The float festival takes place in Masi in the golden lily tank. Adjoining the south wall of this temple is the Someshwarar temple.
Thus every year on DeepavaliAmavasya this ceremony is performed at Kumbakonam temple at the command of the Lord.
The Mahamaha festival at this place is considered to be the most sacred. It has a reason and there is a story. It is believed that the deities of the nine sacred rivers meet in confluence on the Mahamaha day once in twelve years at Kumbakonam which is depicted in a sculptural representation in the KashiVishwanatha temple. Many stories of puranic greatness are in record to show the historic importance of the much-hallowed Mahamaha tank. The importance bears ample evidence. This festival is celebrated once in 12 years in the month of Feb-March when Jupiter passes through the sign of Leo. This festival was last held as recently as March 2004.
== Other Temples ==
There are many other Vaishnava shrines in Kumbakonam. They are VarahaPerumal temple, Chakrapani temple, Gopalaswamy temple, all these located in Big Street. VaradarajaPerumal temple near the Kaveri bridge, VedaranyaPerumal temple near Saurashtra street, Udayavar temple at Big Street, Brahman Kovil at Saurashtra street, Pattabhiraman temple near KamakshiJoshiar street and SaranarayanaPerumal temple at Big Bazar.*
There are many other Vaishnava shrines in Kumbakonam. They are VarahaPerumal temple, Chakrapani temple, Gopalaswamy temple, all these located in Big Street. VaradarajaPerumal temple near the Kaveri bridge, VedaranyaPerumal temple near Saurashtra street, Udayavar temple at Big Street, Brahman Kovil at Saurashtra street, Pattabhiraman temple near KamakshiJoshiar street and SaranarayanaPerumal temple at Big Bazar.*