Difference between revisions of "64 Kalas (चतुःषष्टिः कलाः)"
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|36 | |36 | ||
|तक्षणम् ॥ Takshana (Carpentry) | |तक्षणम् ॥ Takshana (Carpentry) | ||
− | |Vastuvidya - Civil engineering / architecture. | + | |जलवाय्वग्निसंयोगनिरोधैश्च क्रिया Vastuvidya - Civil engineering / architecture. |
|arranging | |arranging | ||
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|37 | |37 | ||
|वास्तुविद्या ॥ Vastuvidya (Architecture) | |वास्तुविद्या ॥ Vastuvidya (Architecture) | ||
− | |Roopyaratna Pariksha - Valuations of gems and coins. | + | |नौकारथादियानानां कृतिज्ञानम् Roopyaratna Pariksha - Valuations of gems and coins. |
|preparing scents | |preparing scents | ||
|- | |- | ||
|38 | |38 | ||
|रूप्यरत्नपरीक्षा ॥ Roopya ratna pariksha (Testing valuable metals and precious stones) | |रूप्यरत्नपरीक्षा ॥ Roopya ratna pariksha (Testing valuable metals and precious stones) | ||
− | |Dhatuwad- Mixing of metals like brass. | + | |सूत्रादिरज्जुकरणविज्ञानम् Dhatuwad- Mixing of metals like brass. |
|bangle-making | |bangle-making | ||
|- | |- | ||
|39 | |39 | ||
|धातुवादः ॥ Dhatuvada (Alchemy) | |धातुवादः ॥ Dhatuvada (Alchemy) | ||
− | |Maniragakar Dyana- Idientification of pearls and gems. | + | |अनेकतन्त्तुसंयोगैः पटबन्धः Maniragakar Dyana- Idientification of pearls and gems. |
|stitching | |stitching | ||
|- | |- | ||
|40 | |40 | ||
|मणिरागज्ञानम् ॥ Maniraga jnana (Colouring precious stones) | |मणिरागज्ञानम् ॥ Maniraga jnana (Colouring precious stones) | ||
− | |Vrukshaurveda- knowledge of Botany. | + | |रत्नानां वेधादिसदसज्ज्ञानम् Vrukshaurveda- knowledge of Botany. |
|making ornaments | |making ornaments | ||
|- | |- | ||
|41 | |41 | ||
|आकरज्ञानम् ॥ Akara jnana (Knowledge of latent minerals) | |आकरज्ञानम् ॥ Akara jnana (Knowledge of latent minerals) | ||
− | |Meshkukkutlavakyuddhavidhi – Knowledge of bird/ animal fighting for gambling. | + | |स्वर्णादीनां याथात्म्यविज्ञानम् Meshkukkutlavakyuddhavidhi – Knowledge of bird/ animal fighting for gambling. |
|making sweets | |making sweets | ||
|- | |- | ||
|42 | |42 | ||
|वृक्षायुर्वेदयोगाः ॥ Vrkshayurveda yoga (Nursing and treating plants) | |वृक्षायुर्वेदयोगाः ॥ Vrkshayurveda yoga (Nursing and treating plants) | ||
− | |Shukasarika Pralapan - training of bird to speak. | + | |कृत्रिमस्वर्णरत्नादिक्रियाज्ञानम् Shukasarika Pralapan - training of bird to speak. |
|home-planning | |home-planning | ||
|- | |- | ||
|43 | |43 | ||
|मेषकुक्कुटलावकयुद्धविधिः ॥ Mesha kukkutalavaka yuddhavidhi (Setting game rams, cocks, quails to fight as sport) | |मेषकुक्कुटलावकयुद्धविधिः ॥ Mesha kukkutalavaka yuddhavidhi (Setting game rams, cocks, quails to fight as sport) | ||
− | |Utsadan-Samvahan-Keshmardankaushal- Body massage and hair care. | + | |चर्मणां मार्दवादिक्रियाज्ञानम् Utsadan-Samvahan-Keshmardankaushal- Body massage and hair care. |
|training animals | |training animals | ||
|- | |- | ||
|44 | |44 | ||
|शुकसारिकाप्रलापनम् ॥ Shuka sarika pralapana (teaching parrots and other birds to imitate human speech) | |शुकसारिकाप्रलापनम् ॥ Shuka sarika pralapana (teaching parrots and other birds to imitate human speech) | ||
− | |Akshyarmushti kathan-Secret word codes for communication or Mushti sanket - Secret communication through fingers (used by traders in auctions). | + | |पशुचर्माङ्गनिर्हारक्रियाज्ञानम् Akshyarmushti kathan-Secret word codes for communication or Mushti sanket - Secret communication through fingers (used by traders in auctions). |
|training birds | |training birds | ||
|- | |- | ||
|45 | |45 | ||
|उत्सादनम् ॥ Utsadana (Making an enemy quit his place by means of a charm) | |उत्सादनम् ॥ Utsadana (Making an enemy quit his place by means of a charm) | ||
− | |Mlenchhit Vikalpa- Secret communication through gestures. | + | |दुग्धदोहादिविज्ञानम् Mlenchhit Vikalpa- Secret communication through gestures. |
|coding | |coding | ||
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|46 | |46 | ||
|केशमार्जनकौशलम् ॥ Keshamarjana kaushala (Cleaning and dressing the hair) | |केशमार्जनकौशलम् ॥ Keshamarjana kaushala (Cleaning and dressing the hair) | ||
− | |Deshbhasha vidyan –Knowledge of foreign languages. | + | |घृतान्तम् Deshbhasha vidyan –Knowledge of foreign languages. |
|making instruments/machines | |making instruments/machines | ||
|- | |- | ||
|47 | |47 | ||
|अक्षरमुष्टिकाकथनम् ॥ Aksharamushtika kathana (Reading letters removed from one's sight and divining the nature of substances held within one's palm) | |अक्षरमुष्टिकाकथनम् ॥ Aksharamushtika kathana (Reading letters removed from one's sight and divining the nature of substances held within one's palm) | ||
− | |Pushpashakatika- Decoration of vehicles with flowers. | + | |सीवने कञ्चुकादीनां विज्ञानम् Pushpashakatika- Decoration of vehicles with flowers. |
|training memory | |training memory | ||
|- | |- | ||
|48 | |48 | ||
|म्लेच्छितकविकल्पाः ॥ Mlecchitaka vikalpa (Knowledge of books written in the language of Barbarians) | |म्लेच्छितकविकल्पाः ॥ Mlecchitaka vikalpa (Knowledge of books written in the language of Barbarians) | ||
− | |Nimittadyana – Knowledge of auspicious date and time for a particular work. | + | |बाह्वादिभिः जले तरणम् Nimittadyana – Knowledge of auspicious date and time for a particular work. |
|physical exercise | |physical exercise | ||
|- | |- | ||
|49 | |49 | ||
|देशभाषाज्ञानम् ॥ Deshabhasha jnana (Fluently talking in the different Indian dialects) | |देशभाषाज्ञानम् ॥ Deshabhasha jnana (Fluently talking in the different Indian dialects) | ||
− | |Yantramatruka- Knowledge of instruments or machines | + | |मार्जने गृहभाण्डादेः विज्ञानम् Yantramatruka- Knowledge of instruments or machines |
|yogic | |yogic | ||
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|50 | |50 | ||
|पुष्पशकटिकानिमित्तज्ञानम् ॥ Pushpashakatika nimitta jnana (Decoration of vehicles with flowers and Reading good or bad omens) | |पुष्पशकटिकानिमित्तज्ञानम् ॥ Pushpashakatika nimitta jnana (Decoration of vehicles with flowers and Reading good or bad omens) | ||
− | |DharaNmatruka- Remembering heard sentences. | + | |वस्त्रसम्मार्जनम् DharaNmatruka- Remembering heard sentences. |
| | | | ||
|- | |- | ||
|51 | |51 | ||
|यन्त्रमातृका ॥ Yantramatrka (Making diagrams by means of letters arranged in different orders as mystical formulae to be worshipped or worn as an amulet) | |यन्त्रमातृका ॥ Yantramatrka (Making diagrams by means of letters arranged in different orders as mystical formulae to be worshipped or worn as an amulet) | ||
− | |Sampathya- | + | |क्षुरकर्म Sampathya- |
| | | | ||
|- | |- | ||
|52 | |52 | ||
|धारणमातृका ॥ Dharanamatrka (Remembering heard sentences) | |धारणमातृका ॥ Dharanamatrka (Remembering heard sentences) | ||
− | |Manasi Kavya Kriya – To complete incomplete poem or its part. | + | |तिलमांसादिस्नेहानां निष्कासने कृतिः Manasi Kavya Kriya – To complete incomplete poem or its part. |
| | | | ||
|- | |- | ||
|53 | |53 | ||
|सम्पाट्यम् ॥ Sampatya (Splitting hard substances such as diamonds into two or more pieces of different shapes) | |सम्पाट्यम् ॥ Sampatya (Splitting hard substances such as diamonds into two or more pieces of different shapes) | ||
− | |Abhidhankosha- | + | |सीराद्याकर्षणे ज्ञानम् Abhidhankosha- |
| | | | ||
|- | |- | ||
|54 | |54 | ||
|मानसीकाव्यक्रिया ॥ Manasikavya kriya (Reading the thoughts of others and bringing them out in a verse) | |मानसीकाव्यक्रिया ॥ Manasikavya kriya (Reading the thoughts of others and bringing them out in a verse) | ||
− | |Chandodyan | + | |वृक्षाद्यारोहणे कला Chandodyan |
| | | | ||
|- | |- | ||
|55 | |55 | ||
|क्रियाविकल्पाः ॥ Kriyavikalpa (Poetry forms) | |क्रियाविकल्पाः ॥ Kriyavikalpa (Poetry forms) | ||
− | |Kriyakalpa –Poetry forms | + | |मनोऽनुकूलसेवायाः कृतिज्ञानम् Kriyakalpa –Poetry forms |
| | | | ||
|- | |- | ||
|56 | |56 | ||
|छलितकयोगाः ॥ Chalitayoga (Conceal body or speech) | |छलितकयोगाः ॥ Chalitayoga (Conceal body or speech) | ||
− | |Chalitak Yog –Conceal body or speech. | + | |वेणुतृणादिपात्राणां कृतिज्ञानम् Chalitak Yog –Conceal body or speech. |
| | | | ||
|- | |- | ||
|57 | |57 | ||
|अभिधानकोषच्छन्दोज्ञानम् ॥ Abhidhanakosh chanda jnana (lexicography and prosody) | |अभिधानकोषच्छन्दोज्ञानम् ॥ Abhidhanakosh chanda jnana (lexicography and prosody) | ||
− | |Vastragopan – covering parts of body with cloth. | + | |काचपात्रादिकरणविज्ञानम् Vastragopan – covering parts of body with cloth. |
| | | | ||
|- | |- | ||
|58 | |58 | ||
|वस्त्रगोपनानि ॥ Vastragopana (Showing off one's clothes as made of a superior texture than what they actually are) | |वस्त्रगोपनानि ॥ Vastragopana (Showing off one's clothes as made of a superior texture than what they actually are) | ||
− | |Dhyutavishesh- | + | |जलानां संसेचनं संहरणम् Dhyutavishesh- |
| | | | ||
|- | |- | ||
|59 | |59 | ||
|द्यूतविशेषः ॥ Dyutavishesha (Playing at dice) | |द्यूतविशेषः ॥ Dyutavishesha (Playing at dice) | ||
− | |Aakarsh kriya - Playing with dices. | + | |लोहाभिसारशस्त्रास्त्रकृतिज्ञानम् Aakarsh kriya - Playing with dices. |
| | | | ||
|- | |- | ||
|60 | |60 | ||
|आकर्षणक्रीडा ॥ Akarshana kreeda (Attracting remote objects) | |आकर्षणक्रीडा ॥ Akarshana kreeda (Attracting remote objects) | ||
− | |Balakridanak | + | |गजाश्ववृषभोष्ट्राणां पल्याणादिकिया Balakridanak |
| | | | ||
|- | |- | ||
|61 | |61 | ||
|बालकक्रीडनकानि ॥ Balaka kreedanaka (Playing childrens' games) | |बालकक्रीडनकानि ॥ Balaka kreedanaka (Playing childrens' games) | ||
− | |Vainayiki dyna – Behavior with known and unknown persons. | + | |शिशोः संरक्षणे धारणे क्रीडने ज्ञानम् Vainayiki dyna – Behavior with known and unknown persons. |
| | | | ||
|- | |- | ||
|62 | |62 | ||
|वैनायिकीनां विद्यानां ज्ञानम् ॥ Vainaayiki vidya jnana (The Practice of charms) | |वैनायिकीनां विद्यानां ज्ञानम् ॥ Vainaayiki vidya jnana (The Practice of charms) | ||
− | |Vaijayiki Dynan –Knowledge of victory. | + | |अपराधिजने मुयुक्ताताडनज्ञानम् Vaijayiki Dynan –Knowledge of victory. |
| | | | ||
|- | |- | ||
|63 | |63 | ||
|वैजयिकीनां विद्यानां ज्ञानम् ॥ Vaijayiki vidya jnana (Fore knowledge of the party going to win in a debate) | |वैजयिकीनां विद्यानां ज्ञानम् ॥ Vaijayiki vidya jnana (Fore knowledge of the party going to win in a debate) | ||
− | |Vyayam –Physical exercise. | + | |नानादेशईयवर्णानां सुसम्यग् लेखने Vyayam –Physical exercise. |
| | | | ||
|- | |- | ||
|64 | |64 | ||
|वैतालिकीनां विद्यानां ज्ञानम् ॥ Vaitaliki vidya jnana (Keeping goblins and vampires under one's control) | |वैतालिकीनां विद्यानां ज्ञानम् ॥ Vaitaliki vidya jnana (Keeping goblins and vampires under one's control) | ||
− | | | + | |ताम्बूलरक्षादिकृतिविज्ञानम् |
| | | | ||
|} | |} |
Revision as of 01:14, 28 March 2018
Kala (Samskrit: कला) or Art is a vital component of the Ancient Indian Education System. They are disciplines, a student acquires knowledge of, during the course of training in the गुरुकुलम् ॥ Gurukula. They are called as चतुःषष्टिः कलाः ॥ Chatusshashti Kala since they are 64 in number.
परिचयः ॥ Introduction
भारतवर्षः ॥ Bharatavarsha (Ancient Indian Sub-continent) has always attached great value to knowledge. Talking of India's knowledge tradition, Kapil Kapoor says, "India's knowledge tradition is ancient and uninterrupted like the flow of the river Ganga."
ज्ञानम् ॥ Jnana (Knowledge) has been at the centre of all speculations in India. There are three terms that appear in all discussions related to knowledge[1]:
- दर्शनम् ॥ Darshana
- ज्ञानम् ॥ Jnana
- विद्या ॥ Vidya
दर्शनम् ॥ Darshana literally means "a point of view" which leads to ज्ञानम् ॥ Jnana (knowledge). When this knowledge, gathered about a particular domain is organized and systematized for purposes of चिन्तनम् ॥ Chintana (reflection) and अध्यापनम् ॥ Adhyapana (pedagogy), it attains the status of विद्या ॥ Vidya (discipline).
The tradition always talks of a combination 18 major विद्याः ॥ Vidyas (disciplines of knowledge) and 64 कलाः ॥ kalas (arts) while referring to the curriculum of Ancient Indian Education[2]
The 18 विद्याः ॥ Vidyas include:
- चतुर्वेदाः ॥ The Four Vedas: ऋग्वेदः ॥ Rigveda, यजुर्वेदः ॥ Yajurveda, सामवेदः ॥ Samaveda and अथर्ववेदः ॥ Atharvaveda
- चत्वारः उपवेदाः ॥ The Four subsidiary Vedas: आयुर्वेदः ॥ Ayurveda (medicine), धनुर्वेदः ॥ Dhanurveda (weaponry), गान्धर्ववेदः ॥ Gandharvaveda (music) and शिल्पशास्त्रम् ॥ Shilpashastra (architecture)
- चत्वारि उपाङ्गानि ॥ The Four Upangas: पुराणम् ॥ Purana, न्यायः ॥ Nyaya, मीमांसा ॥ Mimamsa, धर्मशास्त्रम् ॥ Dharma Shastra
- षड्वेदाङ्गानि ॥ The Six Vedangas (Auxiliary Sciences): शिक्षा ॥ Shiksha (phonetics), व्याकरणम् ॥ Vyakarana (grammar), छन्दस् ॥ Chandas (metre), ज्योतिष् ॥ Jyotish (astronomy), कल्पः ॥ Kalpa (ritual) and निरुक्तम् ॥ Nirukta (etymology)
However, as far as the कलाः ॥ kalas (arts) are concerned, there are competing enumerations of 64.
Which are the 64 Kalas ?
As mentioned above, there are slight variations regarding the enumeration of the 64 कलाः ॥ Kalas (arts). The mention of these arts occur in:
- शैवतन्त्रम् ॥ Shaivatantra
- महाभारतम् ॥ Mahabharata by व्यासमहर्षिः ॥ Vyasa Maharshi
- कामसूत्रम् ॥ Kamasutra by वात्स्यायनः ॥ Vatsyayana
- नाट्यशास्त्रम् ॥ Natya Shastra by भरतमुनिः ॥ Bharatamuni
- भगवतपुराणम् ॥ Bhagavata Purana by व्यासमहर्षिः ॥ Vyasa Maharshi
- शुक्रनीतिः ॥ Shukraneeti by शुक्राचार्यः ॥ Shukracharya
- शिवतत्त्वरत्नाकरः ॥ Shivatattvaratnakara by बसवराजेन्द्रः ॥ Basavarajendra
The list of the 64 Kalas in some these texts have been juxtaposed in the following table:
Text | शैवतन्त्रम्[3][4][5] | शुक्रनीतिसार | शिवतत्वरत्नाकरः |
---|---|---|---|
1 | गीतम् ॥ Geeta (Singing) | नर्तनम् Geet - Singing | History |
2 | वाद्यम् ॥ Vadya (Playing on various musical instruments) | वादनम् Vadya – Playing musical instruments | Poetry |
3 | नृत्यम् ॥ Nrtya (Dancing) | वस्त्रालङ्कारसन्धानम् | Calligraphy |
4 | नाट्यम् ॥ Natya (Acting, gesticulation, mimicry) | अनेकरूपाविर्भावकृतिज्ञानम् Visheshakchhadya - Forhead decoration with paper, leaves etc. | Metrical compositions |
5 | आलेख्यम् ॥ Alekhya (Drawing, Painting, Calligraphy) | शय्यस्तरणसंयोगपुष्पादिग्रथनम् Tandul-kusumabalivikar - use of colored rice grains and flower for worship. | Dancing |
6 | विशेषकच्छेद्यम् ॥ Visheshakacchedya (Painting figures of various designs on the various parts of the body with musk paste and other fragrant substances) | द्युताद्यनेकक्रीडा PushpastaraN - Floral carpets | Evaluating precious stones |
7 | तण्डुलकुसुमयलिविकाराः ॥ Tandula kusumayalivikara (Preparing for use in worship various designs with grains of rice, flowers, etc) | अनेकासनसन्धनैः रतेः ज्ञानम् Dashnavsanangrag - Decaration of nails and body | Wrestling |
8 | पुष्पास्तरणम् ॥ Pushpaastarana (Preparing a bed of flowers) | मकरन्दादीनां मद्यादीनां कृतिः Manibhumika karma - Floor decoration with pearls or precious stones. | Cooking |
9 | दशनवसनाङ्गरागाः ॥ Dashana vasananga raga (Colouring the teeth and other limbs and articles of wearing apparel) | शिराव्रणव्याधे शूल्यगूढाहृतौ ज्ञानम् Shayanrachana – Bed arrangement. | Magic |
10 | मणिभूमिकाकर्म ॥ Mani bhumika karma (Paving a floor with Precious stones) | हिङ्ग्वादिरससंयोगाद् अन्नादिपचनम् Udakvadya - Jalataranga-Series of water pots for creating music. | Shoe-making |
11 | शयनरचनम् ॥ Shayana rachana (Preparing a bed) | वृक्षादिप्रसवारोपपालनादिकृतिः Udakaghat - Sprinkling with water cannons. | Thieving |
12 | उदकवाद्यम् ॥ Udakavadya (Using a pot full of water as a musical instrument and treading on water) | पाषाणधात्वादिहतिस्तद्भस्मोकरणम् Chitrashycha yoga – Herbal preparations for weakening of enemy | Iron smithery |
13 | उदकघातः ॥ Udakaghata (Sprinkling with water cannons) | इक्षुविकाराणां कृतिज्ञानम् Malyagranthanvikalpa - Preparation of floral garlands and hair bands | Painting |
14 | चित्रायोगाः ॥ Chitrayoga (Herbal preparations for weakening of enemy) | धात्वौषधीनां संयोगक्रियाज्ञानम् Shekarkapidyojan – Ladies hair styling. | Gardening |
15 | माल्यग्रथनविकल्पाः ॥ Malyagrathana vikalpa (Preparing chaplets and wreathe of flowers) | धातुसाङ्कर्य्यपार्थक्यकरणम् Nepathyaprayog - Body make-up with cloth, ornaments and flowers. | Carpentry |
16 | केशशेखरापीडयोजनम् ॥ Keshashekharapeeda yojana (Ladies hair styling) | धात्वादीनां संयोगापूर्वज्ञानम् KarNapatrabhanga - Ear ornaments preparation. | Hair-dressing |
17 | नेपथ्ययोगाः ॥ Nepathyayoga (Modes of beautifying the body with cloths and ornaments of various kinds) | क्षारनिष्कासनज्ञानम् Gandhayukti - Making scented dhupa. | Hunting |
18 | कर्णपत्रभङ्गाः ॥ Karnapatrabhanga (Painting ornamental figures on the ears) | पदादिन्यासतः शस्त्रसन्धानविक्षेपः BhushaNyojan - Ornamental make-up | Trading |
19 | गन्धयुक्तिः ॥ Gandhayukti (Making perfumes and cosmetics) | सन्ध्याघाताकृष्टिभेदैः मल्लयुद्धम् Endrajal – Magic / mesmerism. | Agriculture |
20 | भूषणयोजनम् ॥ Bhushanayojana (Making ornaments of various designs) | मल्लानामशस्त्रं मुष्टिभिः बाहुयुद्धम् Kauchumaryog - the art of beautification | Animal husbandry |
21 | इन्द्रजालम् ॥ Indrajala (Jugglery) | बलदर्पविनाशान्तं नियुद्धम् Hastlaghav- Hand magic. | making medicines, |
22 | कौचुमारयोगाः ॥ Kauchumarayoga (the art of beautification) | सन्निपातावघातैश्च कृतं निपीडनम् तन्मुक्तिः Vichitrashakayushbhakshyavikar kriya- Culinary preparations- sweets etc. | leather work, |
23 | हस्तलाघवम् ॥ Hastalaghava (Sleight of hand) | अभिलक्षिते देशे यन्त्राद्यस्वनिपातनम् Panakrasa Ragasav yojan- Making sharbat or syrups. | driving, |
24 | चित्रशाकापूपभक्ष्यविकारक्रिया ॥ Chitrashakapupabhakyavikara kriya (Culinary art) | वाद्यसङ्केततो व्यूहरचना Suchivan Karm –Needle work-Embroidery | fishing, |
25 | पानकरसरागासवयोजनम् ॥ Panakarasaragasava yojana (Making drinks of various tastes and colours and spirituous liquors of various kinds) | गजाश्वरथगत्या युद्धसंयोजनम् Sutra krida –Hand puppets show | speech-making |
26 | सूचीवापकर्म ॥ Suchivapakarma (Weaving and needle-work of various kinds) | विविधासनमुद्राभिः देवतातोषणम् Veenadamruvadya-Playing musical instruments like veena or damru | singing |
27 | वीणाडमरुकसूत्रक्रीडा ॥ Veena damaruka sutra kreeda (Making musical instruments of various kinds and working puppets by strings) | सारथ्यं च गजाश्वादेर्गतिशिक्षा Pahelika - Solving riddles. | playing musical instruments |
28 | प्रहेलिका ॥ Prahelika (Solving riddles) | मृत्तिकाकाष्ठपाषाणधातुभाण्डादिसत्क्रिया Pratimala- An interesting style of reading text or poem. | preparing manuscripts |
29 | प्रतिमा* ॥ Pratima (Sculpture) | Durvachakyog - Reciting text which is difficult to pronounce and understand. | garland-making, |
30 | दुर्वचकयोगाः ॥ Durvachaka yoga (Skill in uttering tongue twisters) | Pustak Vachan –Book reading | dyeing |
31 | पुस्तकवाचनम् ॥ Pustaka vachana (The art of reading manuscripts easily and quickly) | Natakakhyalika darshan -Dramatics | body-care |
32 | नाटिकाख्यायिकादर्शनम् ॥ Natika Akhyayika darshana (Dramaturgy and story writing) | चित्राद्यालिखनम् Kavya Samasyapurti – Solving riddles. | use of weapons |
33 | काव्यसमस्यापूरणम् ॥ Kavya samasya purana (Completion of incomplete verses or part verses) | तडागवापीप्रासादसमभूमिक्रिया Pattikavetrayanvikalpa - Furniture making. | making moulds |
34 | पट्टिकावेत्रवाणविकल्पाः ॥ Pattikavetravana vikalpa (Making ligatures, canes, arrows) | घट्यादानेकयन्त्राणां वाद्यानां कृतिः Takshyakarm –Cutting wood to proper size and shape. | performing pUjll (daily worship) |
35 | तर्कूकर्माणि ॥ Tarkukarma (Spindle work) | हीनमध्यादिसंयोगवर्णाद्यै रञ्जनम् TakshyaN - Carpentry. | inlay work |
36 | तक्षणम् ॥ Takshana (Carpentry) | जलवाय्वग्निसंयोगनिरोधैश्च क्रिया Vastuvidya - Civil engineering / architecture. | arranging
flowers |
37 | वास्तुविद्या ॥ Vastuvidya (Architecture) | नौकारथादियानानां कृतिज्ञानम् Roopyaratna Pariksha - Valuations of gems and coins. | preparing scents |
38 | रूप्यरत्नपरीक्षा ॥ Roopya ratna pariksha (Testing valuable metals and precious stones) | सूत्रादिरज्जुकरणविज्ञानम् Dhatuwad- Mixing of metals like brass. | bangle-making |
39 | धातुवादः ॥ Dhatuvada (Alchemy) | अनेकतन्त्तुसंयोगैः पटबन्धः Maniragakar Dyana- Idientification of pearls and gems. | stitching |
40 | मणिरागज्ञानम् ॥ Maniraga jnana (Colouring precious stones) | रत्नानां वेधादिसदसज्ज्ञानम् Vrukshaurveda- knowledge of Botany. | making ornaments |
41 | आकरज्ञानम् ॥ Akara jnana (Knowledge of latent minerals) | स्वर्णादीनां याथात्म्यविज्ञानम् Meshkukkutlavakyuddhavidhi – Knowledge of bird/ animal fighting for gambling. | making sweets |
42 | वृक्षायुर्वेदयोगाः ॥ Vrkshayurveda yoga (Nursing and treating plants) | कृत्रिमस्वर्णरत्नादिक्रियाज्ञानम् Shukasarika Pralapan - training of bird to speak. | home-planning |
43 | मेषकुक्कुटलावकयुद्धविधिः ॥ Mesha kukkutalavaka yuddhavidhi (Setting game rams, cocks, quails to fight as sport) | चर्मणां मार्दवादिक्रियाज्ञानम् Utsadan-Samvahan-Keshmardankaushal- Body massage and hair care. | training animals |
44 | शुकसारिकाप्रलापनम् ॥ Shuka sarika pralapana (teaching parrots and other birds to imitate human speech) | पशुचर्माङ्गनिर्हारक्रियाज्ञानम् Akshyarmushti kathan-Secret word codes for communication or Mushti sanket - Secret communication through fingers (used by traders in auctions). | training birds |
45 | उत्सादनम् ॥ Utsadana (Making an enemy quit his place by means of a charm) | दुग्धदोहादिविज्ञानम् Mlenchhit Vikalpa- Secret communication through gestures. | coding |
46 | केशमार्जनकौशलम् ॥ Keshamarjana kaushala (Cleaning and dressing the hair) | घृतान्तम् Deshbhasha vidyan –Knowledge of foreign languages. | making instruments/machines |
47 | अक्षरमुष्टिकाकथनम् ॥ Aksharamushtika kathana (Reading letters removed from one's sight and divining the nature of substances held within one's palm) | सीवने कञ्चुकादीनां विज्ञानम् Pushpashakatika- Decoration of vehicles with flowers. | training memory |
48 | म्लेच्छितकविकल्पाः ॥ Mlecchitaka vikalpa (Knowledge of books written in the language of Barbarians) | बाह्वादिभिः जले तरणम् Nimittadyana – Knowledge of auspicious date and time for a particular work. | physical exercise |
49 | देशभाषाज्ञानम् ॥ Deshabhasha jnana (Fluently talking in the different Indian dialects) | मार्जने गृहभाण्डादेः विज्ञानम् Yantramatruka- Knowledge of instruments or machines | yogic
practices |
50 | पुष्पशकटिकानिमित्तज्ञानम् ॥ Pushpashakatika nimitta jnana (Decoration of vehicles with flowers and Reading good or bad omens) | वस्त्रसम्मार्जनम् DharaNmatruka- Remembering heard sentences. | |
51 | यन्त्रमातृका ॥ Yantramatrka (Making diagrams by means of letters arranged in different orders as mystical formulae to be worshipped or worn as an amulet) | क्षुरकर्म Sampathya- | |
52 | धारणमातृका ॥ Dharanamatrka (Remembering heard sentences) | तिलमांसादिस्नेहानां निष्कासने कृतिः Manasi Kavya Kriya – To complete incomplete poem or its part. | |
53 | सम्पाट्यम् ॥ Sampatya (Splitting hard substances such as diamonds into two or more pieces of different shapes) | सीराद्याकर्षणे ज्ञानम् Abhidhankosha- | |
54 | मानसीकाव्यक्रिया ॥ Manasikavya kriya (Reading the thoughts of others and bringing them out in a verse) | वृक्षाद्यारोहणे कला Chandodyan | |
55 | क्रियाविकल्पाः ॥ Kriyavikalpa (Poetry forms) | मनोऽनुकूलसेवायाः कृतिज्ञानम् Kriyakalpa –Poetry forms | |
56 | छलितकयोगाः ॥ Chalitayoga (Conceal body or speech) | वेणुतृणादिपात्राणां कृतिज्ञानम् Chalitak Yog –Conceal body or speech. | |
57 | अभिधानकोषच्छन्दोज्ञानम् ॥ Abhidhanakosh chanda jnana (lexicography and prosody) | काचपात्रादिकरणविज्ञानम् Vastragopan – covering parts of body with cloth. | |
58 | वस्त्रगोपनानि ॥ Vastragopana (Showing off one's clothes as made of a superior texture than what they actually are) | जलानां संसेचनं संहरणम् Dhyutavishesh- | |
59 | द्यूतविशेषः ॥ Dyutavishesha (Playing at dice) | लोहाभिसारशस्त्रास्त्रकृतिज्ञानम् Aakarsh kriya - Playing with dices. | |
60 | आकर्षणक्रीडा ॥ Akarshana kreeda (Attracting remote objects) | गजाश्ववृषभोष्ट्राणां पल्याणादिकिया Balakridanak | |
61 | बालकक्रीडनकानि ॥ Balaka kreedanaka (Playing childrens' games) | शिशोः संरक्षणे धारणे क्रीडने ज्ञानम् Vainayiki dyna – Behavior with known and unknown persons. | |
62 | वैनायिकीनां विद्यानां ज्ञानम् ॥ Vainaayiki vidya jnana (The Practice of charms) | अपराधिजने मुयुक्ताताडनज्ञानम् Vaijayiki Dynan –Knowledge of victory. | |
63 | वैजयिकीनां विद्यानां ज्ञानम् ॥ Vaijayiki vidya jnana (Fore knowledge of the party going to win in a debate) | नानादेशईयवर्णानां सुसम्यग् लेखने Vyayam –Physical exercise. | |
64 | वैतालिकीनां विद्यानां ज्ञानम् ॥ Vaitaliki vidya jnana (Keeping goblins and vampires under one's control) | ताम्बूलरक्षादिकृतिविज्ञानम् |
*The शब्दकल्पद्रुमः ॥ Shabdakalpadruma mentions प्रतिमाला ॥ Pratimala (Capping verses) instead of प्रतिमा ॥ Pratima (Sculpture)
References
- ↑ Kapoor Kapil and Singh Avadhesh Kumar, Indian Knowledge Systems, Vol.1, NewDelhi: D.K.Printworld, Pg.no.11
- ↑ Kapoor Kapil and Singh Avadhesh Kumar, Indian Knowledge Systems, Vol.1, NewDelhi: D.K.Printworld, Pg.no.18
- ↑ Vachaspatyam
- ↑ Shabdakalpadruma
- ↑ Srimad Bhagavata Mahapurana (Part II), English redition: C.L.Goswami, Gorakhpur: Gita Press, Fourth Edition (1997), Pg.no.294 (annotation)