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	<id>http://dharmawiki.org/index.php?action=history&amp;feed=atom&amp;title=Thiru_Adanur</id>
	<title>Thiru Adanur - Revision history</title>
	<link rel="self" type="application/atom+xml" href="http://dharmawiki.org/index.php?action=history&amp;feed=atom&amp;title=Thiru_Adanur"/>
	<link rel="alternate" type="text/html" href="http://dharmawiki.org/index.php?title=Thiru_Adanur&amp;action=history"/>
	<updated>2026-05-06T01:16:04Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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	<entry>
		<id>http://dharmawiki.org/index.php?title=Thiru_Adanur&amp;diff=16950&amp;oldid=prev</id>
		<title>JSaketha at 10:43, 18 December 2018</title>
		<link rel="alternate" type="text/html" href="http://dharmawiki.org/index.php?title=Thiru_Adanur&amp;diff=16950&amp;oldid=prev"/>
		<updated>2018-12-18T10:43:25Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left diff-editfont-monospace&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;tr class=&quot;diff-title&quot; lang=&quot;en-GB&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 10:43, 18 December 2018&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l56&quot; &gt;Line 56:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 56:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== References ==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== References ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;references /&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;references /&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Category:Temples]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Article needs attention]]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Article needs attention]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;

&lt;!-- diff cache key dharmanta_mw776-mwtj_:diff::1.12:old-16564:rev-16950 --&gt;
&lt;/table&gt;</summary>
		<author><name>JSaketha</name></author>
	</entry>
	<entry>
		<id>http://dharmawiki.org/index.php?title=Thiru_Adanur&amp;diff=16564&amp;oldid=prev</id>
		<title>Ckanak93: Added template</title>
		<link rel="alternate" type="text/html" href="http://dharmawiki.org/index.php?title=Thiru_Adanur&amp;diff=16564&amp;oldid=prev"/>
		<updated>2018-12-14T08:50:54Z</updated>

		<summary type="html">&lt;p&gt;Added template&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left diff-editfont-monospace&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en-GB&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 08:50, 14 December 2018&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot; &gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Temples]]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Temples]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Thiru Adanur is one of the 108 Vaishnava temples situated 9 kms from Kumbakonam and 3 kms from Swamimalai.&amp;lt;ref name=&amp;quot;:0&amp;quot;&amp;gt;Prof. S. Narayanan (April 2004), 108 Temples of Azhvars, Volume 1, Maharashtra: Sri Ramanuja Mission.&amp;lt;/ref&amp;gt;   &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;{{NeedCitation}}&lt;/ins&gt;Thiru Adanur is one of the 108 Vaishnava temples situated 9 kms from Kumbakonam and 3 kms from Swamimalai.&amp;lt;ref name=&amp;quot;:0&amp;quot;&amp;gt;Prof. S. Narayanan (April 2004), 108 Temples of Azhvars, Volume 1, Maharashtra: Sri Ramanuja Mission.&amp;lt;/ref&amp;gt;   &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Introduction ==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Introduction ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Ckanak93</name></author>
	</entry>
	<entry>
		<id>http://dharmawiki.org/index.php?title=Thiru_Adanur&amp;diff=13504&amp;oldid=prev</id>
		<title>Ckanak93: Added Category</title>
		<link rel="alternate" type="text/html" href="http://dharmawiki.org/index.php?title=Thiru_Adanur&amp;diff=13504&amp;oldid=prev"/>
		<updated>2018-09-20T10:17:02Z</updated>

		<summary type="html">&lt;p&gt;Added Category&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left diff-editfont-monospace&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
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				&lt;tr class=&quot;diff-title&quot; lang=&quot;en-GB&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 10:17, 20 September 2018&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l55&quot; &gt;Line 55:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 55:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== References ==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== References ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;references /&amp;gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Category:Article needs attention]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Ckanak93</name></author>
	</entry>
	<entry>
		<id>http://dharmawiki.org/index.php?title=Thiru_Adanur&amp;diff=13470&amp;oldid=prev</id>
		<title>Ckanak93: Formatting and reference</title>
		<link rel="alternate" type="text/html" href="http://dharmawiki.org/index.php?title=Thiru_Adanur&amp;diff=13470&amp;oldid=prev"/>
		<updated>2018-09-19T07:14:58Z</updated>

		<summary type="html">&lt;p&gt;Formatting and reference&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left diff-editfont-monospace&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en-GB&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 07:14, 19 September 2018&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot; &gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Temples]]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Temples]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Thiru Adanur is one of the 108 Vaishnava temples situated 9 kms from Kumbakonam and 3 kms from Swamimalai.   &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Thiru Adanur is one of the 108 Vaishnava temples situated 9 kms from Kumbakonam and 3 kms from Swamimalai.&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;&amp;lt;ref name=&amp;quot;:0&amp;quot;&amp;gt;Prof. S. Narayanan (April 2004), 108 Temples of Azhvars, Volume 1, Maharashtra: Sri Ramanuja Mission.&amp;lt;/ref&amp;gt; &lt;/ins&gt;  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;=&lt;/del&gt;== Introduction &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;=&lt;/del&gt;==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Introduction ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;There are 108 shrines considered as sacred to Vishnu. Thiru Adanur is one of them that is of great antiquity and is held in high veneration. Here, Vishnu reclines as Aandalakkum Aiyan. He is believed to have been worshipped by Bhargava Rishi and Adishesha.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;There are 108 shrines considered as sacred to Vishnu. Thiru Adanur is one of them that is of great antiquity and is held in high veneration. Here, Vishnu reclines as Aandalakkum Aiyan. He is believed to have been worshipped by Bhargava Rishi and Adishesha.&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;&amp;lt;ref name=&amp;quot;:0&amp;quot; /&amp;gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{| class=&amp;quot;wikitable&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{| class=&amp;quot;wikitable&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|+Thiru Adanur at a glance&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|+Thiru Adanur at a glance&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;&amp;lt;ref name=&amp;quot;:0&amp;quot; /&amp;gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Vishnu here is referred to as&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Vishnu here is referred to as&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Aandalakkum Aiyan&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Aandalakkum Aiyan&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Lakshmi is referred to by the names&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Lakshmi is referred to by the names&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Ranganayakiyar, Bhargavi, &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Kamalahasini&lt;/del&gt;, Sri Chakranivasini, Mantra Priteshvari&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Ranganayakiyar, Bhargavi, &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Kamalavasini&lt;/ins&gt;, Sri Chakranivasini, Mantra Priteshvari&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Kshetra is referred to as  &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Kshetra is referred to as  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l27&quot; &gt;Line 27:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 27:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|3 kms from Swamimalai&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|3 kms from Swamimalai&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|}&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;=&lt;/del&gt;== Structure &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;=&lt;/del&gt;==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Structure ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The temple of Thiru Adanur situated in the centre of the village, is said to be a perfect specimen of Dravidian architecture. In its present form, the temple is located on a one-acre site. The construction of the temple is &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;solid yet &lt;/del&gt;simple. The shrine comprises of a small tower that dominates the landscape with a three tier Rajagopuram. The &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;designs &lt;/del&gt;on the Gopuram is that of small squares converging at the summit into a tower. This symbolically represents the thought that every being has to merge ultimately with the Supreme. While, inside the sanctum the atmosphere is very calm and quiet, dark but sublime. The temple houses a separate shrine for Sri Lakshmi and does not possess any extraordinary sculptures. However, that is compensated by the multitude of its legends.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The temple of Thiru Adanur situated in the centre of the village, is said to be a perfect specimen of Dravidian architecture. In its present form, the temple is located on a one-acre site. The construction of the temple is simple. The shrine comprises of a small tower that dominates the landscape with a three tier Rajagopuram. The &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;design &lt;/ins&gt;on the Gopuram is that of small squares converging at the summit into a tower. This symbolically represents the thought that every being has to merge ultimately with the Supreme. While, inside the sanctum the atmosphere is very calm and quiet, dark but sublime. The temple houses a separate shrine for Sri Lakshmi and does not possess any extraordinary sculptures. However, that is compensated by the multitude of its legends.&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;&amp;lt;ref name=&amp;quot;:0&amp;quot; /&amp;gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;=&lt;/del&gt;== Deity &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;=&lt;/del&gt;==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Deity ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Narayana here, is known as Aandalakkum Aiyan&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;, the one who &lt;/del&gt;is the essence of time. It is believed that He measures our action and metes out the rewards or punishment deftly. And while doing so, as proclaimed by the [[Bhagavad Gita (भगवद्गीता)|Bhagavad Gita]], He has no friend or foe. He is seen in a reclining posture resting on a measuring bushel (Marakkal) facing the east. Sri Lakshmi is known by several names and is popularly worshipped as Kamalavasini and Ranganayaki. Surya and Chandra &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Pushkarnis &lt;/del&gt;are the holy thirthas in this kshetra and the vimana is known as Pranava vimana. Tradition goes that Mahavishnu appeared before Brghu, Agni, Kamadhenu and Thirumangai Alwar. The temple is revered by Thirumangai Alwar in one of his pasurams.   &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Narayana here, is known as Aandalakkum Aiyan&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;. He &lt;/ins&gt;is the essence of time. It is believed that He measures our action and metes out the rewards or punishment deftly. And while doing so, as proclaimed by the [[Bhagavad Gita (भगवद्गीता)|Bhagavad Gita]], He has no friend or foe. He is seen in a reclining posture resting on a measuring bushel (Marakkal) facing the east. Sri Lakshmi is known by several names and is popularly worshipped as Kamalavasini and Ranganayaki. Surya and Chandra &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Pushkarinis &lt;/ins&gt;are the holy thirthas in this kshetra and the vimana is known as Pranava vimana. Tradition goes that Mahavishnu appeared before Brghu, Agni, Kamadhenu and Thirumangai Alwar. The temple is revered by Thirumangai Alwar in one of his pasurams.&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;&amp;lt;ref name=&amp;quot;:0&amp;quot; /&amp;gt; &lt;/ins&gt;  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;=&lt;/del&gt;== Legends &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;=&lt;/del&gt;==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Legends ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The Brahmanda purana extols the glory of the Lord of this shrine in great detail.   &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The Brahmanda purana extols the glory of the Lord of this shrine in great detail.&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;&amp;lt;ref name=&amp;quot;:0&amp;quot; /&amp;gt; &lt;/ins&gt;  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;=&lt;/del&gt;=== Adishesha's Samashrayana &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;=&lt;/del&gt;===&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== Adishesha's Samashrayana ===&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;According to a purana, once Mahavishnu left paramapada and came to Adanur in search of solitude. He was accompanied neither by his consort nor Adisesha. In the meanwhile, Adishesha began searching for his master. After a long search, he traced Mahavishnu to this sacred spot. Looking at the plight of his master, reclining on the ground without any couch, Adishesha was grief-stricken and inconsolable.The Lord of Vaikunta wanted to test whether Shesha was the same Sarpa Raja that he had known from time immemorial. As Adisesha proved his identity to Mahavishnu, he was initiated into the fold of Vaishnavism. Bhagavan himself performed the ritual of Samashrayana. This ritual, also known as Mudra &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Dharanam&lt;/del&gt;, is the ritual of initiation. It is, when the devotee is branded on the shoulders with the emblem of Vishnu's shankha and chakra (discus and conch). As a reflection of this incident, one can see the mark of discus and conch on the Adishesha's hood in this kshetra which is symbolic of the Mudra &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;dharanam&lt;/del&gt;. Therefore, here in Adanur, Mahavishnu himself became the Acharya to Adishesha.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;According to a purana, once Mahavishnu left paramapada and came to Adanur in search of solitude. He was accompanied neither by his consort nor Adisesha. In the meanwhile, Adishesha began searching for his master. After a long search, he traced Mahavishnu to this sacred spot. Looking at the plight of his master, reclining on the ground without any couch, Adishesha was grief-stricken and inconsolable.The Lord of Vaikunta wanted to test whether Shesha was the same Sarpa Raja that he had known from time immemorial. As Adisesha proved his identity to Mahavishnu, he was initiated into the fold of Vaishnavism. Bhagavan himself performed the ritual of Samashrayana. This ritual, also known as Mudra &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Dharana&lt;/ins&gt;, is the ritual of initiation. It is, when the devotee is branded on the shoulders with the emblem of Vishnu's shankha and chakra (discus and conch). As a reflection of this incident, one can see the mark of discus and conch on the Adishesha's hood in this kshetra which is symbolic of the Mudra &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;dharana&lt;/ins&gt;. Therefore, here in Adanur, Mahavishnu himself became the Acharya to Adishesha.&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;&amp;lt;ref name=&amp;quot;:0&amp;quot; /&amp;gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;=&lt;/del&gt;=== Mahavishnu's aid to Thirumangai Azhwar &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;=&lt;/del&gt;===&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== Mahavishnu's aid to Thirumangai Azhwar ===&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;According to another legend, Mahavishnu once directed Thirumangai Azhwar in his dream to go to the bank of Kollidam river. Thirumangai Azhwar then followed the lord's instructions and reached the bank of Kollidam river. There, he met a trader with a weighing measure. It was this unknown mystic who helped Thirumangai Azhwar in the construction of [[Srirangam]] temple boundary wall. The mystic was also holding a palm leaf and writing instrument. This mystic trader gave everyone a bushel full of mud, but in the Azhwar's hand it turned out to be gold while with the rest it remained as mud. The crowd became furious and started attacking the mystic. At this juncture, the Azhwar brandished his sword to drive away the crowd. This incident is depicted in the Garbagrha with &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;the &lt;/del&gt;Azhwar brandishing a sword in one hand. As the mystic trader &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;travelled&lt;/del&gt;, Azhwar also followed him who reached the Adanur temple and disappeared. Then Mahavishnu gave darshana to Azhwar in the bhujanga shayana form with weighing measure as his pillow, left hand holding the palm leaf and the right holding the writing instrument.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;According to another legend, Mahavishnu once directed Thirumangai Azhwar in his dream to go to the bank of Kollidam river. Thirumangai Azhwar then followed the lord's instructions and reached the bank of Kollidam river. There, he met a trader with a weighing measure. It was this unknown mystic who helped Thirumangai Azhwar in the construction of [[Srirangam]] temple boundary wall. The mystic was also holding a palm leaf and writing instrument. This mystic trader gave everyone a bushel full of mud, but in the Azhwar's hand it turned out to be gold while with the rest it remained as mud. The crowd became furious and started attacking the mystic. At this juncture, the Azhwar brandished his sword to drive away the crowd. This incident is depicted in the Garbagrha with Azhwar brandishing a sword in one hand. As the mystic trader &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;traveled&lt;/ins&gt;, Azhwar also followed him who reached the Adanur temple and disappeared. Then Mahavishnu gave darshana to Azhwar in the bhujanga shayana form with weighing measure as his pillow, left hand holding the palm leaf and the right holding the writing instrument.&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;&amp;lt;ref name=&amp;quot;:0&amp;quot; /&amp;gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;=&lt;/del&gt;=== Birth of Mahalakshmi &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;=&lt;/del&gt;===&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== Birth of Mahalakshmi ===&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Bhargava Maharishi, was in deep penance at Adanur with the desire that he be blessed with goddess Lakshmi herself as his daughter. Finally, one day he found a female child near the temple pushkarini and named her Bhargavi. Thus, his desire to have goddess Lakshmi as his daughter got fulfilled. Therefore, this kshetra is known as Bhargava Kshetra. When Sri Lakshmi in the form of Bhargavi came of age, Mahavishnu descended to Adanur and asked for her hand in marriage. And the Lord himself became Bhargava Muni's son-in-law.  &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Bhargava Maharishi, was in deep penance at Adanur with the desire that he be blessed with goddess Lakshmi herself as his daughter. Finally, one day he found a female child near the temple pushkarini and named her Bhargavi. Thus, his desire to have goddess Lakshmi as his daughter got fulfilled. Therefore, this kshetra is known as Bhargava Kshetra. When Sri Lakshmi in the form of Bhargavi came of age, Mahavishnu descended to Adanur and asked for her hand in marriage. And the Lord himself became Bhargava Muni's son-in-law.&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;&amp;lt;ref name=&amp;quot;:0&amp;quot; /&amp;gt; &lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;=&lt;/del&gt;=== Shapa Vimochana Sthala &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;=&lt;/del&gt;===&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== Shapa Vimochana Sthala ===&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* It was in this place that [[Agni (आग्निः)|Agni]] bhagavan was relieved of his curse. Therefore, this place is called as a Shapa Vimochana Sthala. Prof. S. Narayanan says,    &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* It was in this place that [[Agni (आग्निः)|Agni]] bhagavan was relieved of his curse. Therefore, this place is called as a Shapa Vimochana Sthala. Prof. S. Narayanan says,    &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;blockquote&amp;gt;''&amp;quot;According to legend, Agni Bhagavan lured by its idyllic and sylvan surroundings bathed in the waters of repentance and got relieved of his curse by practising severe austerity at this Bhargava kshetra representing the quintessence of bhakti marga.&amp;quot;''&amp;lt;/blockquote&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;blockquote&amp;gt;''&amp;quot;According to legend, Agni Bhagavan lured by its idyllic and sylvan surroundings bathed in the waters of repentance and got relieved of his curse by practising severe austerity at this Bhargava kshetra representing the quintessence of bhakti marga.&amp;quot;''&amp;lt;/blockquote&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Also, it was here, that Lord [[Indra (इन्द्रः)|Indra]] regained his lost glory, wealth and kingdom after offering Kainkarya to Mahalakshmi.  &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Also, it was here, that Lord [[Indra (इन्द्रः)|Indra]] regained his lost glory, wealth and kingdom after offering Kainkarya to Mahalakshmi.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;According to the legend, once Sage Durvasa was presented with a garland of rare Santhanaka flower by Goddess Lakshmi. In a completely devotional state of mind, the Muni gave the garland to Indra seated on Airavata, his elephant vahana. Failing to understand the sentiments of the Muni, he in turn gave away the garland to Airavata. Unable to realise the sanctity of the garland where Goddess Lakshmi dwelt, Airavata trampled the garland with his legs. This enraged the sage who cursed Indra that Sri Lakshmi would disappear from the three worlds ruled by him. Realising his folly, Indra then approached Mahavishnu and prayed to him for redemption. Sri Lakshmi then asked him to go to Adanur and pray at Bhargava kshetra where she would be born as the daughter of Bhargava Maharishi. As Indra came to this kshetra with prayer on his lips and &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;faith &lt;/del&gt;in his heart, as promised, Sri Lakshmi cast a glance on him and redeemed him of Durvasa's curse and restored his lost glory and wealth.  &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;According to the legend, once Sage Durvasa was presented with a garland of rare Santhanaka flower by Goddess Lakshmi. In a completely devotional state of mind, the Muni gave the garland to Indra seated on Airavata, his elephant vahana. Failing to understand the sentiments of the Muni, he in turn gave away the garland to Airavata. Unable to realise the sanctity of the garland where Goddess Lakshmi dwelt, Airavata trampled the garland with his legs. This enraged the sage who cursed Indra that Sri Lakshmi would disappear from the three worlds ruled by him. Realising his folly, Indra then approached Mahavishnu and prayed to him for redemption. Sri Lakshmi then asked him to go to Adanur and pray at Bhargava kshetra where she would be born as the daughter of Bhargava Maharishi. As Indra came to this kshetra with prayer on his lips and &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;belief &lt;/ins&gt;in his heart, as promised, Sri Lakshmi cast a glance on him and redeemed him of Durvasa's curse and restored his lost glory and wealth.&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;&amp;lt;ref name=&amp;quot;:0&amp;quot; /&amp;gt; &lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;=&lt;/del&gt;=== Kamadhenu and Mahalakshmi &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;=&lt;/del&gt;===&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== Kamadhenu and Mahalakshmi ===&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;As described in the earlier legend, Goddess Lakshmi disappeared from the three worlds because of sage Durvasa's curse. Due to this, the devas lost all their energy and strength. They became so weak that they were easily vanquished by the demons. Then, on the advice of Mahavishnu, they churned the ocean to recover Goddess Lakshmi. The devas and the asuras together churned the ocean using the serpant Vasuki as a rope. Many auspicious things like Kamadhenu, Dhanvantri and Kalpakavrksha emerged out of the ocean. Goddess Lakshmi was the last entity to come out from the churning. She came out and cast herself on the chest of Vishnu. In the meanwhile, Kamadhenu, the celestial cow wanted to have precedence over Mahalakshmi since she emerged before Lakshmi. She prayed to Mahavishnu to grant her supremacy. The Lord, the impartial judge, gave his weighing measure and asked Kamadhenu to fill it up with her aishwarya. The measuring unit did not get filled up fully. He then asked Mahalakshmi to reveal her qualities of aishwarya. With a prayer on her lips and devotion in her heart, Mahalakshmi took a tulsi from the Lord and placed it on the measuring unit; And the unit overflowed. Seeing this, Kamadhenu realised her folly and sought forgiveness by performing a deep penance. Moved by her sincerity, Mahavishnu appeared before Kamadhenu and forgave her. Symbolic of the incident, one can find Kamadhenu along with her calf in the sanctum at the feet of the Lord in this kshetra.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;As described in the earlier legend, Goddess Lakshmi disappeared from the three worlds because of sage Durvasa's curse. Due to this, the devas lost all their energy and strength. They became so weak that they were easily vanquished by the demons. Then, on the advice of Mahavishnu, they churned the ocean to recover Goddess Lakshmi. The devas and the asuras together churned the ocean using the serpant Vasuki as a rope. Many auspicious things like Kamadhenu, Dhanvantri and Kalpakavrksha emerged out of the ocean. Goddess Lakshmi was the last entity to come out from the churning. She came out and cast herself on the chest of Vishnu. In the meanwhile, Kamadhenu, the celestial cow wanted to have precedence over Mahalakshmi since she emerged before Lakshmi. She prayed to Mahavishnu to grant her supremacy. The Lord, the impartial judge, gave his weighing measure and asked Kamadhenu to fill it up with her aishwarya. The measuring unit did not get filled up fully. He then asked Mahalakshmi to reveal her qualities of aishwarya. With a prayer on her lips and devotion in her heart, Mahalakshmi took a tulsi from the Lord and placed it on the measuring unit; And the unit overflowed. Seeing this, Kamadhenu realised her folly and sought forgiveness by performing a deep penance. Moved by her sincerity, Mahavishnu appeared before Kamadhenu and forgave her. Symbolic of the incident, one can find Kamadhenu along with her calf in the sanctum at the feet of the Lord in this kshetra.&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;&amp;lt;ref name=&amp;quot;:0&amp;quot; /&amp;gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;== References ==&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Ckanak93</name></author>
	</entry>
	<entry>
		<id>http://dharmawiki.org/index.php?title=Thiru_Adanur&amp;diff=13468&amp;oldid=prev</id>
		<title>Ckanak93: /* Legends */ Structuring and editing</title>
		<link rel="alternate" type="text/html" href="http://dharmawiki.org/index.php?title=Thiru_Adanur&amp;diff=13468&amp;oldid=prev"/>
		<updated>2018-09-19T06:57:28Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;Legends: &lt;/span&gt; Structuring and editing&lt;/span&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left diff-editfont-monospace&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en-GB&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 06:57, 19 September 2018&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l36&quot; &gt;Line 36:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 36:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The Brahmanda purana extols the glory of the Lord of this shrine in great detail.   &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The Brahmanda purana extols the glory of the Lord of this shrine in great detail.   &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;It was in this place that Agni bhagavan was relieved of his curse. Therefore, this place is called as a Shapa Vimochana Sthala.  &lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;==== Adishesha's Samashrayana ====&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;* Also, it was here, that Lord Indra regained his lost glory, wealth and kingdom after offering Kainkarya to Mahalakshmi. &lt;/del&gt;According to a purana, once Mahavishnu left paramapada and came to Adanur in search of solitude. He was neither &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;accompanied &lt;/del&gt;by his consort nor Adisesha. In the meanwhile, Adishesha began searching for his master. After a long search, he traced Mahavishnu to this sacred spot. Looking at the plight of &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;the Lord&lt;/del&gt;, reclining on the ground without any couch, Adishesha was grief-stricken and inconsolable.The Lord of Vaikunta wanted to test whether Shesha was the same Sarpa Raja that he had known from time immemorial. As Adisesha proved his identity to Mahavishnu, he was initiated into the fold of Vaishnavism. Bhagavan himself performed the ritual of &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Samashrayanam for initiation&lt;/del&gt;. This ritual &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;is &lt;/del&gt;also known as Mudra Dharanam. It is when the devotee is branded on the shoulders with the emblem of Vishnu's shankha and chakra (discus and conch). As a &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;mark &lt;/del&gt;of this incident, one can see the mark of discus and conch on the Adishesha's hood in this &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;kshtra &lt;/del&gt;which is symbolic of the Mudra dharanam. Therefore, Mahavishnu himself became the Acharya to Adishesha&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;. &lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;According to a purana, once Mahavishnu left paramapada and came to Adanur in search of solitude. He was &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;accompanied &lt;/ins&gt;neither by his consort nor Adisesha. In the meanwhile, Adishesha began searching for his master. After a long search, he traced Mahavishnu to this sacred spot. Looking at the plight of &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;his master&lt;/ins&gt;, reclining on the ground without any couch, Adishesha was grief-stricken and inconsolable.The Lord of Vaikunta wanted to test whether Shesha was the same Sarpa Raja that he had known from time immemorial. As Adisesha proved his identity to Mahavishnu, he was initiated into the fold of Vaishnavism. Bhagavan himself performed the ritual of &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Samashrayana&lt;/ins&gt;. This ritual&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;, &lt;/ins&gt;also known as Mudra Dharanam&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;, is the ritual of initiation&lt;/ins&gt;. It is&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;, &lt;/ins&gt;when the devotee is branded on the shoulders with the emblem of Vishnu's shankha and chakra (discus and conch). As a &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;reflection &lt;/ins&gt;of this incident, one can see the mark of discus and conch on the Adishesha's hood in this &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;kshetra &lt;/ins&gt;which is symbolic of the Mudra dharanam. Therefore&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;, here in Adanur&lt;/ins&gt;, Mahavishnu himself became the Acharya to Adishesha.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;* According to another legend, Mahavishnu once directed Thirumangai Azhwar in his dream to go to the bank of Kollidam river. Thirumangai Azhwar then followed the lord's instructions and reached the bank of Kollidam river. There, he met a trader with a weighing measure. It was this unknown mystic who helped Thirumangai Azhwar in the construction of [[Srirangam]] temple boundary wall. The mystic was also holding a palm leaf and writing instrument. This mystic trader gave everyone a bushel full of mud, but in the Azhwar's hand it turned out to be gold while with the rest it remained as mud. The crowd became furious and started attacking the mystic. At this juncture the Azhwar brandished his sword to drive away the crowd. This incident is depicted in the Garbagriha with the Azhwar brandishing a sword in one hand. As the trader travelled, Azhwar followed the trader to Adanur temple wherein he disappeared. And then Mahavishnu gave darshan to Azhwar in bhujanga shayana form with weighing measure as his pillow, left hand holding the palm leaf and the right holding the writing instrument. &lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;According to legend, Agni Bhagwan lured by its idyllic and sylvan surroundings bathed in the waters of repentance and got relieved of his curse by practising severe austerity at this Bhargava kshetra representing the quintessence of bhakti marga&lt;/del&gt;.  &lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;According to another legend, once &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Sage Durvasa was presented with a garland &lt;/del&gt;of &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;rare Santhanaka flower by Goddess Lakshmi&lt;/del&gt;. &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;In an atmosphere surcharged with devotion &lt;/del&gt;the &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Muni gave &lt;/del&gt;the &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;garland to Indra seated on Airavatha&lt;/del&gt;. &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Failing to understand &lt;/del&gt;the &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;sentiments &lt;/del&gt;of &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;the Muni&lt;/del&gt;, &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;he &lt;/del&gt;in &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;turn gave away &lt;/del&gt;the &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;garland &lt;/del&gt;to the &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;elephant Airavatha&lt;/del&gt;. &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Unable &lt;/del&gt;to &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;realise &lt;/del&gt;the &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;sanctity of &lt;/del&gt;the &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;garland where Goddess Lakshmi dwelt Airavata trampled &lt;/del&gt;the &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;garland with his legs&lt;/del&gt;. &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;The sage got angry at this and cursed Indra that Lakshmi would disappear from &lt;/del&gt;the &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;three worlds ruled by &lt;/del&gt;him&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;. Realising his folly Indra approached Vishnu &lt;/del&gt;and &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;prayed to him for redemption&lt;/del&gt;. &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Lakshmi asked him &lt;/del&gt;to &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;go to Adanoor &lt;/del&gt;and &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;pray at Bhargava kshetra where she would be born as &lt;/del&gt;the &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;daughter of Bhargava Maharishi&lt;/del&gt;.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;==== Mahavishnu's aid to Thirumangai Azhwar ====&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;According to another legend, &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Mahavishnu &lt;/ins&gt;once &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;directed Thirumangai Azhwar in his dream to go to the bank &lt;/ins&gt;of &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Kollidam river&lt;/ins&gt;. &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Thirumangai Azhwar then followed &lt;/ins&gt;the &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;lord's instructions and reached &lt;/ins&gt;the &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;bank of Kollidam river. There, he met a trader with a weighing measure&lt;/ins&gt;. &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;It was this unknown mystic who helped Thirumangai Azhwar in &lt;/ins&gt;the &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;construction of [[Srirangam]] temple boundary wall. The mystic was also holding a palm leaf and writing instrument. This mystic trader gave everyone a bushel full &lt;/ins&gt;of &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;mud&lt;/ins&gt;, &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;but &lt;/ins&gt;in the &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Azhwar's hand it turned out &lt;/ins&gt;to &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;be gold while with the rest it remained as mud. The crowd became furious and started attacking &lt;/ins&gt;the &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;mystic&lt;/ins&gt;. &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;At this juncture, the Azhwar brandished his sword &lt;/ins&gt;to &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;drive away &lt;/ins&gt;the &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;crowd. This incident is depicted in &lt;/ins&gt;the &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Garbagrha with &lt;/ins&gt;the &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Azhwar brandishing a sword in one hand&lt;/ins&gt;. &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;As &lt;/ins&gt;the &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;mystic trader travelled, Azhwar also followed &lt;/ins&gt;him &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;who reached the Adanur temple &lt;/ins&gt;and &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;disappeared&lt;/ins&gt;. &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Then Mahavishnu gave darshana &lt;/ins&gt;to &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Azhwar in the bhujanga shayana form with weighing measure as his pillow, left hand holding the palm leaf &lt;/ins&gt;and the &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;right holding the writing instrument&lt;/ins&gt;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;At the same time &lt;/del&gt;Bhargava Maharishi was in deep penance at &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Adanoor&lt;/del&gt;. &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;One &lt;/del&gt;day he found a female child near the temple &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;pushkarni. He &lt;/del&gt;named her Bhargavi. Thus &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;as per &lt;/del&gt;his desire &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;he was blessed with the &lt;/del&gt;goddess Lakshmi &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;incarnated &lt;/del&gt;as his daughter &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;and the Lord of four arms becoming his son-in-law&lt;/del&gt;. Therefore this &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;place &lt;/del&gt;is known as Bhargava Kshetra. When &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;she &lt;/del&gt;came of age &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;the Lord &lt;/del&gt;descended to &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Adanoor &lt;/del&gt;and asked for her hand in marriage.  &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;==== Birth of Mahalakshmi ====&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Bhargava Maharishi&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;, &lt;/ins&gt;was in deep penance at &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Adanur with the desire that he be blessed with goddess Lakshmi herself as his daughter&lt;/ins&gt;. &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Finally, one &lt;/ins&gt;day he found a female child near the temple &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;pushkarini and &lt;/ins&gt;named her Bhargavi. Thus&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;, &lt;/ins&gt;his desire &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;to have &lt;/ins&gt;goddess Lakshmi as his daughter &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;got fulfilled&lt;/ins&gt;. Therefore&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;, &lt;/ins&gt;this &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;kshetra &lt;/ins&gt;is known as Bhargava Kshetra. When &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Sri Lakshmi in the form of Bhargavi &lt;/ins&gt;came of age&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;, Mahavishnu &lt;/ins&gt;descended to &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Adanur &lt;/ins&gt;and asked for her hand in marriage&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;. And the Lord himself became Bhargava Muni's son-in-law&lt;/ins&gt;.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Meanwhile &lt;/del&gt;Indra came to this kshetra with &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;a &lt;/del&gt;prayer on his lips and faith in his heart&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;. As &lt;/del&gt;promised Lakshmi cast a glance on &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Indra &lt;/del&gt;and redeemed him of Durvasa's curse and restored his lost glory and wealth. &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Legend also tells that once &lt;/del&gt;the devas &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;had &lt;/del&gt;lost all their energy and strength. They became so weak that they were easily vanquished by the demons. &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;On &lt;/del&gt;the advice of &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Vishnu &lt;/del&gt;they churned the ocean to recover Goddess Lakshmi &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;who had disappeared from the three worlds because of sage Durvasa's curse&lt;/del&gt;. The devas and the asuras churned the ocean using Vasuki&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;, the serpent &lt;/del&gt;as a rope. Goddess Lakshmi &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;came out as &lt;/del&gt;the last entity. She cast herself on the chest of Vishnu. &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Many auspicious things like Kamadenu&lt;/del&gt;, &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Dhanvantri and Kalpakavriksha emerged out of the ocean. Kamadenu&lt;/del&gt;, the celestial cow wanted to have precedence over &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Lakshmi &lt;/del&gt;since she emerged &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;first&lt;/del&gt;. She prayed to &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;the Lord &lt;/del&gt;to grant supremacy. The Lord, the impartial judge, gave his weighing measure and asked &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;her &lt;/del&gt;to fill it up with her aishwarya. The measuring unit did not get filled up fully. He then asked Mahalakshmi to reveal her qualities of aishwarya. With a prayer on her lips and devotion in her heart Mahalakshmi took a tulsi from the Lord and placed it on the measuring unit&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;. The &lt;/del&gt;unit overflowed &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;with Kamadenu realising &lt;/del&gt;her folly&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;. She &lt;/del&gt;sought forgiveness by &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;her &lt;/del&gt;deep penance. Moved by her sincerity &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;the Lord &lt;/del&gt;appeared before &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Kamadenu &lt;/del&gt;and forgave her. Symbolic of the &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;incidence &lt;/del&gt;one can find &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Kamadenu &lt;/del&gt;along with her calf in the sanctum at the feet of the Lord.&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;*&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;==== Shapa Vimochana Sthala ====&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;* It was in this place that [[Agni (आग्निः)|Agni]] bhagavan was relieved of his curse. Therefore, this place is called as a Shapa Vimochana Sthala. Prof. S. Narayanan says,   &lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;&amp;lt;blockquote&amp;gt;''&amp;quot;According to legend, Agni Bhagavan lured by its idyllic and sylvan surroundings bathed in the waters of repentance and got relieved of his curse by practising severe austerity at this Bhargava kshetra representing the quintessence of bhakti marga.&amp;quot;''&amp;lt;/blockquote&amp;gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;* Also, it was here, that Lord [[Indra (इन्द्रः)|Indra]] regained his lost glory, wealth and kingdom after offering Kainkarya to Mahalakshmi. &lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;According to the legend, once Sage Durvasa was presented with a garland of rare Santhanaka flower by Goddess Lakshmi. In a completely devotional state of mind, the Muni gave the garland to Indra seated on Airavata, his elephant vahana. Failing to understand the sentiments of the Muni, he in turn gave away the garland to Airavata. Unable to realise the sanctity of the garland where Goddess Lakshmi dwelt, Airavata trampled the garland with his legs. This enraged the sage who cursed Indra that Sri Lakshmi would disappear from the three worlds ruled by him. Realising his folly, Indra then approached Mahavishnu and prayed to him for redemption. Sri Lakshmi then asked him to go to Adanur and pray at Bhargava kshetra where she would be born as the daughter of Bhargava Maharishi. As &lt;/ins&gt;Indra came to this kshetra with prayer on his lips and faith in his heart&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;, as &lt;/ins&gt;promised&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;, Sri &lt;/ins&gt;Lakshmi cast a glance on &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;him &lt;/ins&gt;and redeemed him of Durvasa's curse and restored his lost glory and wealth.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;==== Kamadhenu and Mahalakshmi ====&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;As described in the earlier legend, Goddess Lakshmi disappeared from the three worlds because of sage Durvasa's curse. Due to this, &lt;/ins&gt;the devas lost all their energy and strength. They became so weak that they were easily vanquished by the demons. &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Then, on &lt;/ins&gt;the advice of &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Mahavishnu, &lt;/ins&gt;they churned the ocean to recover Goddess Lakshmi. The devas and the asuras &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;together &lt;/ins&gt;churned the ocean using &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;the serpant &lt;/ins&gt;Vasuki as a rope&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;. Many auspicious things like Kamadhenu, Dhanvantri and Kalpakavrksha emerged out of the ocean&lt;/ins&gt;. Goddess Lakshmi &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;was &lt;/ins&gt;the last entity &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;to come out from the churning&lt;/ins&gt;. She &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;came out and &lt;/ins&gt;cast herself on the chest of Vishnu. &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;In the meanwhile&lt;/ins&gt;, &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Kamadhenu&lt;/ins&gt;, the celestial cow wanted to have precedence over &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Mahalakshmi &lt;/ins&gt;since she emerged &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;before Lakshmi&lt;/ins&gt;. She prayed to &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Mahavishnu &lt;/ins&gt;to grant &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;her &lt;/ins&gt;supremacy. The Lord, the impartial judge, gave his weighing measure and asked &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Kamadhenu &lt;/ins&gt;to fill it up with her aishwarya. The measuring unit did not get filled up fully. He then asked Mahalakshmi to reveal her qualities of aishwarya. With a prayer on her lips and devotion in her heart&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;, &lt;/ins&gt;Mahalakshmi took a tulsi from the Lord and placed it on the measuring unit&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;; And the &lt;/ins&gt;unit overflowed&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;. Seeing this, Kamadhenu realised &lt;/ins&gt;her folly &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;and &lt;/ins&gt;sought forgiveness by &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;performing a &lt;/ins&gt;deep penance. Moved by her sincerity&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;, Mahavishnu &lt;/ins&gt;appeared before &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Kamadhenu &lt;/ins&gt;and forgave her. Symbolic of the &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;incident, &lt;/ins&gt;one can find &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Kamadhenu &lt;/ins&gt;along with her calf in the sanctum at the feet of the Lord &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;in this kshetra&lt;/ins&gt;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Ckanak93</name></author>
	</entry>
	<entry>
		<id>http://dharmawiki.org/index.php?title=Thiru_Adanur&amp;diff=13462&amp;oldid=prev</id>
		<title>Ckanak93: /* Legends */ Editing</title>
		<link rel="alternate" type="text/html" href="http://dharmawiki.org/index.php?title=Thiru_Adanur&amp;diff=13462&amp;oldid=prev"/>
		<updated>2018-09-18T11:46:09Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;Legends: &lt;/span&gt; Editing&lt;/span&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left diff-editfont-monospace&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 11:46, 18 September 2018&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l34&quot; &gt;Line 34:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 34:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== Legends ===&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== Legends ===&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;There is no account of this temple which can be complete without the sketch of the Lord who reclines and saves mankind.  &lt;/del&gt;The &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;main spring of inspiration for this kshetra is provided by the Alwar saints and their hymns dating back to aeons of time. and &lt;/del&gt;Brahmanda &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;puran &lt;/del&gt;extols the glory of the Lord in great detail.  &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The Brahmanda &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;purana &lt;/ins&gt;extols the glory of the Lord &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;of this shrine &lt;/ins&gt;in great detail. &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt; &lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;It was at this place that Agni bhagwan was relieved of his curse. Therefore this place is a Shaapa Vimochana Sthala. It was here again that Lord Indira regained his lost glory, wealth and kingdom after offering Kainkarya to Mahalakshmi. According to puran, once the Lord in a huff left paramapada and came to Aadanoor in search of solitude. He was not accompanied either by his consort or Adisesha. After a long search Adisesha traced the Lord to this sacred spot even as the Lord was reclining on the ground without any couch. Looking at the plight of the Lord Adisesha was grief-stricken and inconsolable. In his turn the Lord of Vaikunta wanted to test whether the Sesha was the same King of Serpents that he had known from time immemorial. Adisesha proved his identity to the Lord. Then the Lord initiated Adisesha into the fold of Vaishnavism by performing Samasrayanam, a holy ritual. This ritual is also known as Mudra Dharanam when the devotee is branded on the shoulders with the emblem of Vishnu's discus and conch. Thus at this place symbolic of the Mudra dharanam, one can see the mark of discus and conch on the serpent's hood. The Lord of blemishless fame thus became the Acharya to the serpent. And it is evident that Vaishnavism has in its fold a pious and an ardent devotee. &lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;The legend has that, the Lord directed Thirumangai Azhwar in his dream to go to the bank of Kollidam river. After the dream visitation of the Lord Thirumangai Azhwar at Kollidam river met a trader with a weighing measure. This unknown mystic helped Thirumangai Azhwar in his construction of Srirangam temple boundary wall. The mystic was also holding a palm leaf and writing instrument.&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;The trader gave everyone a bushel full of mud, but in the Azhwar's hand it turned out to be gold while with the rest it remained as mud. The crowd became furious and started attacking the mystic. At this juncture the Azhwar brandished his sword to drive away the crowd. This incident is depicted in the Garbagriha. with the Azhwar brandishing a sword in one hand.&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;The Azhwar followed the trader to Adanoor temple wherein he disappeared. Symbolic of this incident the Lord gave darshan to Azhwar in bhujanga sayana with weighing measure as his pillow, left hand holding the palm leaf and the right holding the writing instrument. &lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;It was in this place that Agni bhagavan was relieved of his curse. Therefore, this place is called as a Shapa Vimochana Sthala.  &lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* Also, it was here, that Lord Indra regained his lost glory, wealth and kingdom after offering Kainkarya to Mahalakshmi. According to a purana, once Mahavishnu left paramapada and came to Adanur in search of solitude. He was neither accompanied by his consort nor Adisesha. In the meanwhile, Adishesha began searching for his master. After a long search, he traced Mahavishnu to this sacred spot. Looking at the plight of the Lord, reclining on the ground without any couch, Adishesha was grief-stricken and inconsolable.The Lord of Vaikunta wanted to test whether Shesha was the same Sarpa Raja that he had known from time immemorial. As Adisesha proved his identity to Mahavishnu, he was initiated into the fold of Vaishnavism. Bhagavan himself performed the ritual of Samashrayanam for initiation. This ritual is also known as Mudra Dharanam. It is when the devotee is branded on the shoulders with the emblem of Vishnu's shankha and chakra (discus and conch). As a mark of this incident, one can see the mark of discus and conch on the Adishesha's hood in this kshtra which is symbolic of the Mudra dharanam. Therefore, Mahavishnu himself became the Acharya to Adishesha. &lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* According to another legend, Mahavishnu once directed Thirumangai Azhwar in his dream to go to the bank of Kollidam river. Thirumangai Azhwar then followed the lord's instructions and reached the bank of Kollidam river. There, he met a trader with a weighing measure. It was this unknown mystic who helped Thirumangai Azhwar in the construction of [[Srirangam]] temple boundary wall. The mystic was also holding a palm leaf and writing instrument. This mystic trader gave everyone a bushel full of mud, but in the Azhwar's hand it turned out to be gold while with the rest it remained as mud. The crowd became furious and started attacking the mystic. At this juncture the Azhwar brandished his sword to drive away the crowd. This incident is depicted in the Garbagriha with the Azhwar brandishing a sword in one hand. As the trader travelled, Azhwar followed the trader to Adanur temple wherein he disappeared. And then Mahavishnu gave darshan to Azhwar in bhujanga shayana form with weighing measure as his pillow, left hand holding the palm leaf and the right holding the writing instrument. &lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;According to legend, Agni Bhagwan lured by its idyllic and sylvan surroundings bathed in the waters of repentance and got relieved of his curse by practising severe austerity at this Bhargava kshetra representing the quintessence of bhakti marga.  &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;According to legend, Agni Bhagwan lured by its idyllic and sylvan surroundings bathed in the waters of repentance and got relieved of his curse by practising severe austerity at this Bhargava kshetra representing the quintessence of bhakti marga.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Ckanak93</name></author>
	</entry>
	<entry>
		<id>http://dharmawiki.org/index.php?title=Thiru_Adanur&amp;diff=13460&amp;oldid=prev</id>
		<title>Ckanak93: /* Deity */ Editing</title>
		<link rel="alternate" type="text/html" href="http://dharmawiki.org/index.php?title=Thiru_Adanur&amp;diff=13460&amp;oldid=prev"/>
		<updated>2018-09-18T09:59:30Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;Deity: &lt;/span&gt; Editing&lt;/span&gt;&lt;/p&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 09:59, 18 September 2018&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l31&quot; &gt;Line 31:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 31:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== Deity ===&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== Deity ===&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Though it has been shorn of much of its ancient glory it still remains an inspiring and soulful centre of Hindu pilgrimage. As mentioned the Lord &lt;/del&gt;here &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;measures the wheel of Dharma as Andalakkum Ayyan. Truly a sobering note for all of us&lt;/del&gt;, &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;erring mortals. Narayana here &lt;/del&gt;is known as Aandalakkum &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Ayyan&lt;/del&gt;, the one who is the essence of time. &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;The Lord facing east &lt;/del&gt;is seen in a reclining posture resting on a measuring bushel (Marakkal). Lakshmi &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;here &lt;/del&gt;is known by several names &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;but &lt;/del&gt;is popularly worshipped as Kamalavasini and Ranganayaki. Surya and Chandra &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Pushkarni &lt;/del&gt;are the holy &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;theerthas &lt;/del&gt;and the &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;viman &lt;/del&gt;is known as Pranava &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;viman&lt;/del&gt;. Tradition goes that &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;the Lord &lt;/del&gt;appeared before &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Brighu&lt;/del&gt;, Agni, &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Kamadenu &lt;/del&gt;and Thirumangai Alwar. The temple is &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;venerated &lt;/del&gt;by Thirumangai Alwar in one of his pasurams &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;and Brahmanda puran extols the glory of the Lord in great detail&lt;/del&gt;.  &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Narayana &lt;/ins&gt;here, is known as Aandalakkum &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Aiyan&lt;/ins&gt;, the one who is the essence of time. &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;It is believed that He measures our action and metes out the rewards or punishment deftly. And while doing so, as proclaimed by the [[Bhagavad Gita (भगवद्गीता)|Bhagavad Gita]], He has no friend or foe. He &lt;/ins&gt;is seen in a reclining posture resting on a measuring bushel (Marakkal) &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;facing the east&lt;/ins&gt;. &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Sri &lt;/ins&gt;Lakshmi is known by several names &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;and &lt;/ins&gt;is popularly worshipped as Kamalavasini and Ranganayaki. Surya and Chandra &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Pushkarnis &lt;/ins&gt;are the holy &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;thirthas in this kshetra &lt;/ins&gt;and the &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;vimana &lt;/ins&gt;is known as Pranava &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;vimana&lt;/ins&gt;. Tradition goes that &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Mahavishnu &lt;/ins&gt;appeared before &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Brghu&lt;/ins&gt;, Agni, &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Kamadhenu &lt;/ins&gt;and Thirumangai Alwar. The temple is &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;revered &lt;/ins&gt;by Thirumangai Alwar in one of his pasurams. &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt; &lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== Legends ===&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== Legends ===&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;There is no account of this temple which can be complete without the sketch of the Lord who reclines and saves mankind. &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;He measures our action and metes out the rewards or punishment deftly. He has no friend or foe even as he proclaims similar sentiments in Bhagwat Gita. &lt;/del&gt;The main spring of inspiration for this kshetra is provided by the Alwar saints and their hymns dating back to aeons of time.  &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;There is no account of this temple which can be complete without the sketch of the Lord who reclines and saves mankind. &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt; &lt;/ins&gt;The main spring of inspiration for this kshetra is provided by the Alwar saints and their hymns dating back to aeons of time&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;. and Brahmanda puran extols the glory of the Lord in great detail&lt;/ins&gt;.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;It was at this place that Agni bhagwan was relieved of his curse. Therefore this place is a Shaapa Vimochana Sthala. It was here again that Lord Indira regained his lost glory, wealth and kingdom after offering Kainkarya to Mahalakshmi. According to puran, once the Lord in a huff left paramapada and came to Aadanoor in search of solitude. He was not accompanied either by his consort or Adisesha. After a long search Adisesha traced the Lord to this sacred spot even as the Lord was reclining on the ground without any couch. Looking at the plight of the Lord Adisesha was grief-stricken and inconsolable. In his turn the Lord of Vaikunta wanted to test whether the Sesha was the same King of Serpents that he had known from time immemorial. Adisesha proved his identity to the Lord. Then the Lord initiated Adisesha into the fold of Vaishnavism by performing Samasrayanam, a holy ritual. This ritual is also known as Mudra Dharanam when the devotee is branded on the shoulders with the emblem of Vishnu's discus and conch. Thus at this place symbolic of the Mudra dharanam, one can see the mark of discus and conch on the serpent's hood. The Lord of blemishless fame thus became the Acharya to the serpent. And it is evident that Vaishnavism has in its fold a pious and an ardent devotee.  &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;It was at this place that Agni bhagwan was relieved of his curse. Therefore this place is a Shaapa Vimochana Sthala. It was here again that Lord Indira regained his lost glory, wealth and kingdom after offering Kainkarya to Mahalakshmi. According to puran, once the Lord in a huff left paramapada and came to Aadanoor in search of solitude. He was not accompanied either by his consort or Adisesha. After a long search Adisesha traced the Lord to this sacred spot even as the Lord was reclining on the ground without any couch. Looking at the plight of the Lord Adisesha was grief-stricken and inconsolable. In his turn the Lord of Vaikunta wanted to test whether the Sesha was the same King of Serpents that he had known from time immemorial. Adisesha proved his identity to the Lord. Then the Lord initiated Adisesha into the fold of Vaishnavism by performing Samasrayanam, a holy ritual. This ritual is also known as Mudra Dharanam when the devotee is branded on the shoulders with the emblem of Vishnu's discus and conch. Thus at this place symbolic of the Mudra dharanam, one can see the mark of discus and conch on the serpent's hood. The Lord of blemishless fame thus became the Acharya to the serpent. And it is evident that Vaishnavism has in its fold a pious and an ardent devotee.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Ckanak93</name></author>
	</entry>
	<entry>
		<id>http://dharmawiki.org/index.php?title=Thiru_Adanur&amp;diff=13456&amp;oldid=prev</id>
		<title>Ckanak93: /* Structure */</title>
		<link rel="alternate" type="text/html" href="http://dharmawiki.org/index.php?title=Thiru_Adanur&amp;diff=13456&amp;oldid=prev"/>
		<updated>2018-09-18T09:02:06Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;Structure&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left diff-editfont-monospace&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en-GB&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 09:02, 18 September 2018&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l28&quot; &gt;Line 28:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 28:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|}&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== Structure ===&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== Structure ===&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The temple of Thiru Adanur situated in the centre of the village, is said to be a perfect specimen of Dravidian architecture. In its present form, the temple is located on a one-acre site. The construction of the temple is solid yet simple. The shrine comprises of a small tower that dominates the landscape with &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;an unassuming &lt;/del&gt;three tier Rajagopuram. The designs on the Gopuram is that of small squares converging at the summit into a tower. This symbolically represents the thought that every being has to merge ultimately with the Supreme. While, inside the sanctum the atmosphere is very calm and quiet, dark but sublime. The temple houses a separate shrine for Sri Lakshmi and does not possess any extraordinary sculptures. However, that is compensated by the multitude of its legends.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The temple of Thiru Adanur situated in the centre of the village, is said to be a perfect specimen of Dravidian architecture. In its present form, the temple is located on a one-acre site. The construction of the temple is solid yet simple. The shrine comprises of a small tower that dominates the landscape with &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;a &lt;/ins&gt;three tier Rajagopuram. The designs on the Gopuram is that of small squares converging at the summit into a tower. This symbolically represents the thought that every being has to merge ultimately with the Supreme. While, inside the sanctum the atmosphere is very calm and quiet, dark but sublime. The temple houses a separate shrine for Sri Lakshmi and does not possess any extraordinary sculptures. However, that is compensated by the multitude of its legends.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== Deity ===&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== Deity ===&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Ckanak93</name></author>
	</entry>
	<entry>
		<id>http://dharmawiki.org/index.php?title=Thiru_Adanur&amp;diff=13449&amp;oldid=prev</id>
		<title>Ckanak93: /* Structure */ Editing</title>
		<link rel="alternate" type="text/html" href="http://dharmawiki.org/index.php?title=Thiru_Adanur&amp;diff=13449&amp;oldid=prev"/>
		<updated>2018-09-18T07:28:08Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;Structure: &lt;/span&gt; Editing&lt;/span&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left diff-editfont-monospace&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en-GB&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 07:28, 18 September 2018&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l28&quot; &gt;Line 28:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 28:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|}&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== Structure ===&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== Structure ===&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Situated &lt;/del&gt;in the centre of the village &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;the three tier temple &lt;/del&gt;is a perfect specimen of Dravidian architecture. &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;The old temple in ruins managed by Ahobila Mutt. The temple in &lt;/del&gt;its present form is located on a one-acre site &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;with a separate shrine for Lakshmi&lt;/del&gt;. The temple is solid &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;and &lt;/del&gt;simple &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;in its construction&lt;/del&gt;. &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;An imposing but &lt;/del&gt;small tower dominates the landscape &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;and the temple has a special reason and awesome background that heightens its glory. An &lt;/del&gt;unassuming three tier Rajagopuram &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;with &lt;/del&gt;designs of small squares converging at the summit into a tower symbolically represents that every being has to merge ultimately with the Supreme. &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Inside &lt;/del&gt;the sanctum the atmosphere is very calm and quiet, dark but sublime. The temple does not possess sculptures &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;of extraordinary merit but it &lt;/del&gt;is compensated by &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;many &lt;/del&gt;of its legends.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;The temple of Thiru Adanur situated &lt;/ins&gt;in the centre of the village&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;, &lt;/ins&gt;is &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;said to be &lt;/ins&gt;a perfect specimen of Dravidian architecture. &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;In &lt;/ins&gt;its present form&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;, the temple &lt;/ins&gt;is located on a one-acre site. The &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;construction of the &lt;/ins&gt;temple is solid &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;yet &lt;/ins&gt;simple. &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;The shrine comprises of a &lt;/ins&gt;small tower &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;that &lt;/ins&gt;dominates the landscape &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;with an &lt;/ins&gt;unassuming three tier Rajagopuram&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;. The &lt;/ins&gt;designs &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;on the Gopuram is that &lt;/ins&gt;of small squares converging at the summit into a tower&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;. This &lt;/ins&gt;symbolically represents &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;the thought &lt;/ins&gt;that every being has to merge ultimately with the Supreme. &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;While, inside &lt;/ins&gt;the sanctum the atmosphere is very calm and quiet, dark but sublime. The temple &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;houses a separate shrine for Sri Lakshmi and &lt;/ins&gt;does not possess &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;any extraordinary &lt;/ins&gt;sculptures&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;. However, that &lt;/ins&gt;is compensated by &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;the multitude &lt;/ins&gt;of its legends.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== Deity ===&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== Deity ===&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;

&lt;!-- diff cache key dharmanta_mw776-mwtj_:diff::1.12:old-13444:rev-13449 --&gt;
&lt;/table&gt;</summary>
		<author><name>Ckanak93</name></author>
	</entry>
	<entry>
		<id>http://dharmawiki.org/index.php?title=Thiru_Adanur&amp;diff=13444&amp;oldid=prev</id>
		<title>Ckanak93: Editing</title>
		<link rel="alternate" type="text/html" href="http://dharmawiki.org/index.php?title=Thiru_Adanur&amp;diff=13444&amp;oldid=prev"/>
		<updated>2018-09-18T06:33:21Z</updated>

		<summary type="html">&lt;p&gt;Editing&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left diff-editfont-monospace&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en-GB&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 06:33, 18 September 2018&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l3&quot; &gt;Line 3:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 3:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== Introduction ===&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== Introduction ===&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;There are 108 shrines considered as sacred to Vishnu. Thiru Adanur is one of them that is of great antiquity and is held in high veneration. Here, Vishnu reclines as Aandalakkum Aiyan. He is believed to have been worshipped by Bhargava Rishi and Adishesha.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{| class=&amp;quot;wikitable&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{| class=&amp;quot;wikitable&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|+Thiru Adanur at a glance&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|+Thiru Adanur at a glance&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l26&quot; &gt;Line 26:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 27:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|3 kms from Swamimalai&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|3 kms from Swamimalai&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|}&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;This temple of great antiquity and one of the 108 shrines sacred to Vishnu is held in high veneration. The Lord of the temple is believed to have been worshipped by Bhargavirishi and Adisesha. . Nammalwar, has sung eleven verses in praise of this place and the Lord.&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;This temple too is no exception and the village bears a distinct name of Aadanoor. Here reclines the holy of the holies, Aandalakkum Ayyan. There is no account of this temple which can be complete without the sketch of the Lord who reclines and saves mankind. He measures our action and metes out the rewards or punishment deftly. He has no friend or foe even as he proclaims similar sentiments in Bhagwat Gita. The main spring of inspiration for this kshetra is provided by the Alwar saints and their hymns dating back to aeons of time. &lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== Structure ===&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== Structure ===&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Situated in the centre of the village the three tier temple is a perfect specimen of Dravidian architecture. The old temple in ruins managed by Ahobila Mutt. The temple in its present form is located on a one-acre site with a separate shrine for Lakshmi. The temple is solid and simple in its construction. An imposing but small tower dominates the landscape and the temple has a special reason and awesome background that heightens its glory. An unassuming three tier Rajagopuram with designs of small squares converging at the summit into a tower symbolically represents that every being has to merge ultimately with the Supreme. Inside the sanctum the atmosphere is very calm and quiet, dark but sublime. The temple does not possess sculptures of extraordinary merit but it is compensated by many of its legends.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Situated in the centre of the village the three tier temple is a perfect specimen of Dravidian architecture. The old temple in ruins managed by Ahobila Mutt. The temple in its present form is located on a one-acre site with a separate shrine for Lakshmi. The temple is solid and simple in its construction. An imposing but small tower dominates the landscape and the temple has a special reason and awesome background that heightens its glory. An unassuming three tier Rajagopuram with designs of small squares converging at the summit into a tower symbolically represents that every being has to merge ultimately with the Supreme. Inside the sanctum the atmosphere is very calm and quiet, dark but sublime. The temple does not possess sculptures of extraordinary merit but it is compensated by many of its legends.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l37&quot; &gt;Line 37:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 34:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== Legends ===&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== Legends ===&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;There is no account of this temple which can be complete without the sketch of the Lord who reclines and saves mankind. He measures our action and metes out the rewards or punishment deftly. He has no friend or foe even as he proclaims similar sentiments in Bhagwat Gita. The main spring of inspiration for this kshetra is provided by the Alwar saints and their hymns dating back to aeons of time. &lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;It was at this place that Agni bhagwan was relieved of his curse. Therefore this place is a Shaapa Vimochana Sthala. It was here again that Lord Indira regained his lost glory, wealth and kingdom after offering Kainkarya to Mahalakshmi. According to puran, once the Lord in a huff left paramapada and came to Aadanoor in search of solitude. He was not accompanied either by his consort or Adisesha. After a long search Adisesha traced the Lord to this sacred spot even as the Lord was reclining on the ground without any couch. Looking at the plight of the Lord Adisesha was grief-stricken and inconsolable. In his turn the Lord of Vaikunta wanted to test whether the Sesha was the same King of Serpents that he had known from time immemorial. Adisesha proved his identity to the Lord. Then the Lord initiated Adisesha into the fold of Vaishnavism by performing Samasrayanam, a holy ritual. This ritual is also known as Mudra Dharanam when the devotee is branded on the shoulders with the emblem of Vishnu's discus and conch. Thus at this place symbolic of the Mudra dharanam, one can see the mark of discus and conch on the serpent's hood. The Lord of blemishless fame thus became the Acharya to the serpent. And it is evident that Vaishnavism has in its fold a pious and an ardent devotee.  &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;It was at this place that Agni bhagwan was relieved of his curse. Therefore this place is a Shaapa Vimochana Sthala. It was here again that Lord Indira regained his lost glory, wealth and kingdom after offering Kainkarya to Mahalakshmi. According to puran, once the Lord in a huff left paramapada and came to Aadanoor in search of solitude. He was not accompanied either by his consort or Adisesha. After a long search Adisesha traced the Lord to this sacred spot even as the Lord was reclining on the ground without any couch. Looking at the plight of the Lord Adisesha was grief-stricken and inconsolable. In his turn the Lord of Vaikunta wanted to test whether the Sesha was the same King of Serpents that he had known from time immemorial. Adisesha proved his identity to the Lord. Then the Lord initiated Adisesha into the fold of Vaishnavism by performing Samasrayanam, a holy ritual. This ritual is also known as Mudra Dharanam when the devotee is branded on the shoulders with the emblem of Vishnu's discus and conch. Thus at this place symbolic of the Mudra dharanam, one can see the mark of discus and conch on the serpent's hood. The Lord of blemishless fame thus became the Acharya to the serpent. And it is evident that Vaishnavism has in its fold a pious and an ardent devotee.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;

&lt;!-- diff cache key dharmanta_mw776-mwtj_:diff::1.12:old-13435:rev-13444 --&gt;
&lt;/table&gt;</summary>
		<author><name>Ckanak93</name></author>
	</entry>
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