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Items similar in patterning and technique and dated between the 12th and 16th centuries in the Dumbarton Oaks, collection, U.S.A., have been assigned an Egyptian provenance. This corresponds to the period between the Ayyubid and Mamluk dynasties thus reinforcing a Near Eastern origin for the sub- category called majnu in India  
 
Items similar in patterning and technique and dated between the 12th and 16th centuries in the Dumbarton Oaks, collection, U.S.A., have been assigned an Egyptian provenance. This corresponds to the period between the Ayyubid and Mamluk dynasties thus reinforcing a Near Eastern origin for the sub- category called majnu in India  
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However, the double cloth technique also appears to have enjoyed an indigenous base. This is evidenced in the Deccani double coloured Pitambar sari, a silken ritual garment in which each side of the sari presents a completely different colour field (Fig. 10). However, the multiple cloths which evolved in the Near East have been absent in the Indian tradition.
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However, the double cloth technique also appears to have enjoyed an indigenous base. This is evidenced in the Deccani double coloured Pitambar sari, a silken ritual garment in which each side of the sari presents a completely different colour field. However, the multiple cloths which evolved in the Near East have been absent in the Indian tradition.
 
[[File:Tabby weave.PNG|left|thumb|'''Fig. 8.''' Structure of tabby weave. Courtesy: INSA.<ref>A. K. Bag, History of Technology in India (Vol. I), New Delhi: Indian National Science Academy, Lotika Varadarajan & Krishna Amin Patel, Textile Technology, [https://archive.org/details/in.ernet.dli.2015.205662/page/n411/mode/2up P.373], Fig.8.</ref>]]
 
[[File:Tabby weave.PNG|left|thumb|'''Fig. 8.''' Structure of tabby weave. Courtesy: INSA.<ref>A. K. Bag, History of Technology in India (Vol. I), New Delhi: Indian National Science Academy, Lotika Varadarajan & Krishna Amin Patel, Textile Technology, [https://archive.org/details/in.ernet.dli.2015.205662/page/n411/mode/2up P.373], Fig.8.</ref>]]
 
One of the characteristics of the Indian loom has been the intensive use of shafts and treadles to achieve extra warp and weft patterning. For extra warp however, an ingenious device, the barrel dobby is much in evidence today. The dobby was patented in England but its roots may well lie in shaft and peddle devices used in extra warp ornamentation as in the Paithani loom, Maharashtra.
 
One of the characteristics of the Indian loom has been the intensive use of shafts and treadles to achieve extra warp and weft patterning. For extra warp however, an ingenious device, the barrel dobby is much in evidence today. The dobby was patented in England but its roots may well lie in shaft and peddle devices used in extra warp ornamentation as in the Paithani loom, Maharashtra.
 
[[File:Sample of Majnu.PNG|thumb|'''Fig. 9.''' Samples of majnu. Courtesy: INSA.<ref>A. K. Bag, History of Technology in India (Vol. I), New Delhi: Indian National Science Academy, Lotika Varadarajan & Krishna Amin Patel, Textile Technology, [https://archive.org/details/in.ernet.dli.2015.205662/page/n413/mode/2up p.374.] Fig.9b.</ref>]]
 
[[File:Sample of Majnu.PNG|thumb|'''Fig. 9.''' Samples of majnu. Courtesy: INSA.<ref>A. K. Bag, History of Technology in India (Vol. I), New Delhi: Indian National Science Academy, Lotika Varadarajan & Krishna Amin Patel, Textile Technology, [https://archive.org/details/in.ernet.dli.2015.205662/page/n413/mode/2up p.374.] Fig.9b.</ref>]]
For narrow weaving as in borders, Pagris, and for cross borders, looms with multiple shafts have proved popular solutions (Figs.11a-c). For weaving of newar and patti, used in providing the base on bed frames and for winding around the calves of persons having to stand for long periods, variations of the fixed heddle and looms with shafts have been used (Fig 12.) Such looms are in operation to this day in Wadhwan, Gujarat. Tablet weaving (Fig.13) is used as a finishing technique for dhablas, used as shawls or as body garments in Gujarat. It also appears to have been utilised in the weaving of tapes (Fig. 14) used for tying bundles of manuscripts of a religious nature.
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For narrow weaving as in borders, Pagris, and for cross borders, looms with multiple shafts have proved popular solutions (Refer Fig.10-11). For weaving of newar and patti, used in providing the base on bed frames and for winding around the calves of persons having to stand for long periods, variations of the fixed heddle and looms with shafts have been used. Such looms are in operation to this day in Wadhwan, Gujarat. Tablet weaving (Refer Fig.12) is used as a finishing technique for dhablas, used as shawls or as body garments in Gujarat. It also appears to have been utilised in the weaving of tapes (Refer Fig. 13) used for tying bundles of manuscripts of a religious nature.
 
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[[File:Shaft and peddle attachments.PNG|left|thumb|Fig. 10: Shaft and Peddle attachments. Note narrow width of border, geometrical mirror, image motifs and bobbin used. Courtesy: INSA.<ref>A. K. Bag, History of Technology in India (Vol. I), New Delhi: Indian National Science Academy, Lotika Varadarajan & Krishna Amin Patel, Textile Technology, [https://archive.org/details/in.ernet.dli.2015.205662/page/n413/mode/2up p.374.] Fig.11b.</ref>]]
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[[File:Manipulation of Peddle.PNG|thumb|Fig. 11 Manipulation of Peddles with the big toe of each foot. Courtesy: INSA.<ref>A. K. Bag, History of Technology in India (Vol. I), New Delhi: Indian National Science Academy, Lotika Varadarajan & Krishna Amin Patel, Textile Technology, [https://archive.org/details/in.ernet.dli.2015.205662/page/n413/mode/2up p.374.] Fig.11c.</ref>]]
 
Fabrics can also be ornamented by the jamdani (Fig.l5a,b), slit, single and double interlock as also the dovetail tapestry techniques (Figs.l6a-d, 17a-b.). None of these methods of weaving involve usage of elaborate loom procedures. The investment is in terms of manual skill. Jamdani and tapestry both pre-date the introduction of the Islamic repertoire in weaves. In Jamdani, which falls under the category' of Supplementary weft inlaid, pattern ends are manually lifted with the pattern weft and ground weft positioned within the same shed (Fig. 15a-b). Major centres of Jamdani have been Dhaka, Tanda, Uppada and Paithan.
 
Fabrics can also be ornamented by the jamdani (Fig.l5a,b), slit, single and double interlock as also the dovetail tapestry techniques (Figs.l6a-d, 17a-b.). None of these methods of weaving involve usage of elaborate loom procedures. The investment is in terms of manual skill. Jamdani and tapestry both pre-date the introduction of the Islamic repertoire in weaves. In Jamdani, which falls under the category' of Supplementary weft inlaid, pattern ends are manually lifted with the pattern weft and ground weft positioned within the same shed (Fig. 15a-b). Major centres of Jamdani have been Dhaka, Tanda, Uppada and Paithan.
 
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[[File:Tablet weaving apparatus.PNG|left|thumb|Fig. 12 Tablet weaving apparatus. Courtesy: INSA.<ref>A. K. Bag, History of Technology in India (Vol. I), New Delhi: Indian National Science Academy, Lotika Varadarajan & Krishna Amin Patel, Textile Technology, [https://archive.org/details/in.ernet.dli.2015.205662/page/n415/mode/2up p.376.] Fig.13.</ref>]]
 
Slit tapestry, an early technique associated with Coptic tapestry, is found in the panja dari (Fig. 18); single and double interlock (Fig.16 b.c), occur in Kani Pashmina, to mention one example; the prime example of dovetail tapestry is the Kulu and Kinnaur body wrapper of Himachal Pradesh (Fig. 19.).
 
Slit tapestry, an early technique associated with Coptic tapestry, is found in the panja dari (Fig. 18); single and double interlock (Fig.16 b.c), occur in Kani Pashmina, to mention one example; the prime example of dovetail tapestry is the Kulu and Kinnaur body wrapper of Himachal Pradesh (Fig. 19.).
 
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[[File:Tapes for tying manuscripts.PNG|left|thumb|Fig. 13 Tapes for tying manuscripts, possibly made in Varanasi acquired in A.D. 1885. It is double faced in reversible colour. Courtesy: INSA.<ref>A. K. Bag, History of Technology in India (Vol. I), New Delhi: Indian National Science Academy, Lotika Varadarajan & Krishna Amin Patel, Textile Technology, [https://archive.org/details/in.ernet.dli.2015.205662/page/n415/mode/2up p.377.] Fig.14.</ref>]]
 
In South India where garments follow the mode of the ground fabric being fashioned in one colour with borders of another, the interlock is found at junctions where two opposing weft coloured picks are united. Since three separate shuttles are used in this category of weaving, this is also called the three shuttle technique (Fig.20).
 
In South India where garments follow the mode of the ground fabric being fashioned in one colour with borders of another, the interlock is found at junctions where two opposing weft coloured picks are united. Since three separate shuttles are used in this category of weaving, this is also called the three shuttle technique (Fig.20).
  

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